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Bibliography Jerome Loving Walt Whitman: The Song of Himself Berkeley University of California Press 1999 William
Williamson (1823–1867) and William Burns (1818–1850) founded the Sunday Dispatch in 1846 as a weekly
Williamson and William Burns were arrested sometime before December 11, 1849 as part of a libel suit
founded by Alexander Hamilton in 1801 and was edited by abolitionist, poet, and Democratic partisan William
The Maclay Bill was backed by the Whig governor of New York, William Seward, who sought to use the debate
inter-party fight fit loosely with Whitman's loco-foco inclinations, which, following the model of William
William White's 1969 bibliography of Whitman's journalism largely replicates this decision.
Reconstructing Whitman's Desk at the Brooklyn Daily Times Walt Whitman Quarterly Review 2015 33 1 21–50 White
, William Walt Whitman's Journalism: A Bibliography Detroit, MI Wayne State University Press 1969 Written
anti-slavery politics inclined toward free-soilism, an ideology focused on the economic rights of independent white
In that it features a group of white settlers banding against a Native American character, this early
" and twenty-four other works in the magazine, as well as Edgar Allan Poe, James Fenimore Cooper, William
, included Whitman's "Bervance; or, Father and Son," as well as works by John Greenleaf Whittier, William
The account begins with the following: "I am a white man by education and an Indian by birth.
, "Addenda to Whitman's Short Stories," 221–222; White, "Two Citations" 36–37; White, "Whitman as Short
White, William. "Addenda to Whitman's Short Stories."
Wisdom" as Captain William A.
For a more complete history of William Wisdom and his presidency of the New York Washingtonians, see
The dream vision of a great homogenous (white) nation coming together twenty years in the future, in
These versions are described in William G. Lulloff, " Franklin Evans; or The Inebriate ," in J. R.
Lulloff, William G. "Franklin Evans (1842)." In Walt Whitman: An Encyclopedia , 234–236. M. W. H.
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
Goldsmith) mentioned "Death in the School-Room" in William Shepard Walsh's edited collection Pen Pictures
article, which focuses primarily on Whitman's life and writing in the late 1850s and early 1860s, see William
See the letter from Walt Whitman to William Sloane Kennedy of August 5, 1886 .
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
Williams (Washington, DC: CQ Press, 2010), 1862.
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry
John Sartain and William Sloanaker bought the magazine in late 1848 and moved it to Philadelphia.
Thereafter it printed works by Henry Wadsworth Longfellow, Edgar Allan Poe, and William Cullen Bryant
Neale, Narrative of the Mutiny at Nore (London: William Tegg, 1861).
An article in The Sunday Times printed on March 30, 1851, stated that Whitman and William J.
The man describes himself as "white by education and Indian by birth."
These versions are described in William G.
She who sat on the door-step was a widow; her neat white cap covered locks of gray, and her dress though
"The old occupants of this place," continued the white-haired narrator, "were well off in the world,
His cheeks were white with excitement; ferocity gleamed in every look and limb; and the frightened Gills
"All white!"
continued the miserable, conscience-stricken creature; "all white, and with the grave-clothes around
I stopped and leaned my back against the fence, with my face turned toward the white marble stones a
White hairs, and pale blossoms, and stone tablets of Death!
length of years seldom vouchsafed to his kind; and his head was thinly covered with hair of a silvery whiteness
assured him I was not jesting, he began telling me of former times, and how it came to be that this white-haired
In a short time, as the white-haired ancient was out of sight, the square was cleared, and I stood in
clouds about him, might not be contemned condemned , even by the Princes of the Nighest Circle to the White
Swaying above the prostrate mortal, the Spirit bends his white neck, and his face is shaded by the curls
Learning far out of an open window, appeared a white draperied shape, its face possessed of a wonderful
"The path," said the new comer, "will be dark, and the white man's taunts hot, for the last hour of a
We will laugh in the very faces of the whites. Arrow-Tip smiled, quietly.
Tell them of the customs of those white people—our own are the same—which require of him who destroys
to grounds where they never would be annoyed, in their generation at least, by the presence of the white
The first, titled "The White Dove.—( A Hymn for Children )," is attributed to Fredrika Bremer.
The first, titled "The White Dove.—(A Hymn for Children)," is attributed to Fredrika Bremer.
The first, titled "The White Dove.—(A Hymn for Children)," is attributed to Fredrika Bremer.
I am a white man by education and an Indian by birth.
They had heard of the tricks of the cunning savages to lure the whites to destruction; and were somewhat
Sometimes I think that my tribe might have been destroyed in war, either with the whites or with people
HREE hundred years ago—so heard I the tale, not long since, from the mouth of one educated like a white
There stands a little white stone at the head, and the grass In Collect , "the grass" is replaced by
themselves might well be drunken to gaze thereon—with fleecy robes that but half apparel a maddening whiteness
The delicate ones bent their necks, and shook as if a chill blast had swept by—and white robes were drawn
This huge, white sheet, glancing back a kind of impudent defiance to the sun, which shone sharply the
connected with the early settlers, and with the several tribes of Indians who lived in it before the whites
After a time, some of the white-aproned subordinates of the place came to him, roughly broke his slumbers
ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white
ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white
We took our seats round the same clean, white table, and received our favorite beverage in the same bright
placid face, and the same untrembling fingers—him that seventh day saw a clay-cold corpse, shrouded in white
been at some doubt whether to class this strange and hideous creature with the race of Red Men or White—for
dame a drink of water, he, ten months afterwards, frightened the woman half to death, by wrapping a white
I had heard that the white man knew a hundred remedies for ills, of which we were ignorant—ignorant both
He and a younger brother, named from his swiftness the Deer, frequently had intercourse with the white
Intemperate men were frequently portrayed as white men who, during the course of their descent into poverty
The epigraph is stanzas xxx–xxxi from "The Ages," by William Cullen Bryant (1794–1878); the lines appear
connected with the early settlers, and with the several tribes of Indians who lived in it before the whites
After a time, some of the white-aproned subordinates of the place came to him, roughly broke his slumbers
One of them, I noticed, had the figure of a fair female, robed in pure white.
Intemperate men were frequently portrayed as white men who, during the course of their descent into poverty
ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white
After a time, some of the white-aproned subordinates of the place came to him, roughly broke his slumbers
connected with the early settlers, and with the several tribes of Indians who lived in it before the whites
The perspiration ran down his white forehead like rain-drops. "Speak, sir!"
His countenance turned to a leaden whiteness; the ratan dropped from his grasp; and his eyes, stretched
ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white
ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white
been at some doubt whether to class this strange and hideous creature with the race of Red Men or White—for
I had heard that the white man knew a hundred remedies for ills, of which we were ignorant—ignorant both
"The path," said the new comer, "will be dark, and the white man's taunts hot, for the last hour of a
We will laugh in the very faces of the whites!" A RROW -T IP smiled, quietly.
Tell them of the customs of these white people—our own are the same—which require of him who destroys
What, and who was that white figure there? "Forbear! In Jehovah's name forbear!"
Leaning far out of an upper window, appeared a white-draperied shape, its face possessed of a wonderful
The first, titled "The White Dove.—( A Hymn for Children )," is attributed to Fredrika Bremer.
The first, titled "The White Dove.—(A Hymn for Children)," is attributed to Fredrika Bremer.
These versions are described in William G.
She who sat on the door step was a widow; her neat white cap covered locks of gray, and her dress, though
Austen, Wilmerding and Co., auctioneers, were located at 30 Exchange Street, corner of William."
turned by melo-dramas and the J ACK S HEPPARD Jack Sheppard was a popular nineteenth-century novel by William