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Democratic" poem of the 1860 edition of eventually titled "Our Old Feuillage," in which Whitman writes of "White
T bluey spoon-drift, like a white race-horse of brine, speeds before me This section bears some resemblance
The village on the highland, seen from afar at sunset—the sun sh ining on the red white or brown gables
red, white or brown the ferry boat ever plying forever and ever over the river This passage was used
Little or big, learned or unlearned, white or black, legal or illegal, sick or well, from the first inspiration
The sum of all known reverence I add up in you, whoever you are; The President is there in the White
afar at sunset—the river between, Shadows, aureola and mist, light falling on roofs and gables of white
Selected and edited by William Michael Rossetti Hotten: Piccadilly.
Thomas Bowdler (1754-1825) was an English physician who famously published an expurgated edition of William
the western persimmon . . . over the long-leaved corn and the delicate blue flowered flax; Over the white
anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white
body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white
means, Sprouting alike in broad zones and nar- row narrow zones, Growing among black folks as among white
calmness and beauty of person; The shape of his head, the richness and breadth of his manners, yellow and white
White and beautiful are the faces around me…the heads are bared of their fire- caps firecaps — The kneeling
Examine these limbs, red, black, or white… they are very cunning in tendon and nerve; They shall be stript
She sits in an arm-chair, under the shaded porch of the farm house— The sun just shines on her old white
And it means, Sprouting, alike in broad zones and narrow zones, Growing among black folks as among white
Examine these limbs, red, black or white…they are very cunning in tendon and nerve; They shall be stript
William Edmondstoune Aytoun (1813-1865) was an influential Scottish poet famed for his parodies and light
conquered, The captain on the quarter-deck coldly giving his or- ders orders through a countenance white
, Near by the corpse of the child that served in the cabin, The dead face of an old salt with long white
All architecture is what you do to it when you look upon it; Did you think it was in the white or gray
ly unearthly cry, Its veins down the neck distend…its eyes roll till they show nothing but their whites
wildpigeon and highhold and orchard-oriole and coot and surf-duck and redshouldered-hawk and fish-hawk and white-ibis
Little or big, learned or unlearned, white or black, legal or illegal, sick or well, from the first inspiration
soiree, I heard what the singers were singing so long, Heard who sprang in crimson youth from the white
She sits in an arm-chair, under the shaded porch of the farmhouse, The sun just shines on her old white
, of original grandeur and elegance of design, with the masses of gay colour, the preponderance of white
and sunny temperament, a sight to draw near and look upon with her large figure, her profuse snow-white
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
gave him not one inch, but held on and night near the helpless fogged wreck, over leaf How the lank white
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems Who Learns My Lesson Complete?
Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
The young men float on their backs, their white bellies swell to the sun . . . . they do not ask who
I shake my white locks at the runaway sun, I effuse my flesh in eddies and drift it in lacy jags.
I see his white body . . . .
white- blow white-blow and delirious juice, Bridegroom-night of love working surely and softly into the
The early lilacs became part of this child, And grass, and white and red morningglories, and white and
cottonwood—mulberry— chickadee—large brown water-dog— —black-snake—garter snake— —vinegar-plums—persimmon— — wh white-blossom
place with a pistol and killed himself, and I came that way and stumbled upon him locust, birch with white
reckon think mind less you very are a good manure —but that I do not smell— —I smell the your beautiful white
and "And as to you corpse I think you are good manure, but that does not offend me, / I smell the white
Sigourney, the chief poetess of the United States, of the classical William Cullen Bryant, the Catholic
The monk endeavours to console him with the prospect of eternal rest, the white robe and the golden crown
White the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping
William Michael Rossetti was principally concerned in introducing his works into the English market;