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Playing in the Park P LAYING IN THE P ARK .— It is customary for numbers of boys, of pleasant days, to
congregate in the Park, and amuse themselves by running races, trundling hoops, playing marbles, and
other public grounds, any quantity of the offspring of the rich and fashionable may be daily seen playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).
"To love Rome more than Caesar" refers to Shakespeare's play, "Julius Caesar."
The play is about the fall of Caesar and the war that ensues after Caesar's assassination.
Hughes and the New Era Bishop John Hughes (1797–1864), who played an important role in New York City
Volume I: 1834–1846 (New York: Peter Lang, 1998).
.; "To love Rome more than Caesar" refers to Shakespeare's play, "Julius Caesar."
The play is about the fall of Caesar and the war that ensues after Caesar's assassination.
Adams, distinguishing all three from the current Democrats.; Bishop John Hughes (1797–1864), who played
Bolton Comfort is a character from the play The Irish Heiress: A Five Act Comedy by Dion Boucicault,
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Bolton Comfort is a character from the play The Irish Heiress: A Five Act Comedy by Dion Boucicault,
of penalties for crime—the oftener the farce of the people "in legislative assembly convened" is played—just
Volume I: 1834–1846 (New York: Peter Lang, 1998).
In New York City the party often played a minority role to the dominance of the Democratic Party in the
Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855 (New York: Peter
Volume I: 1834–1846 (New York: Peter Lang, 1998).
In New York City the party often played a minority role to the dominance of the Democratic Party in the
Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
.; Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.; Bishop
Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855 (New York: Peter
The time is rapidly approaching when a new and balancing force will come into play—a force composed of
Volume I: 1834–1846 (New York: Peter Lang, 1998).
deficient in loveableness lovableness , as to not be pleased with the spectacle of little children at play
Celebration of children at play was a relatively new concept used by upper-middle class families who
Whitman references children at play to point to a particular type of family one would see at a park,
Celebration of children at play was a relatively new concept used by upper-middle class families who
Whitman references children at play to point to a particular type of family one would see at a park,
Suppose, in case of a war, we should play our game after the same fashion.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
He became so familiar that his name frequently appeared in books, plays, periodical titles, and as a
Volume I: 1834–1846 (New York: Peter Lang, 1998).
He became so familiar that his name frequently appeared in books, plays, periodical titles, and as a
[New York: Peter Lang Publishers, 1998], 1: 222).
The whole of this manœuvre is about as bungling and poorly worked a game as we ever saw played.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Smith (New York: Oxford University Press, 2008), 445; John Marenbon, The Philosophy of Peter Abelard
The phrase "not wisely, but too well" is from the Shakespeare play Othello , Act Five, Scene Two.
See The Plays of William Shakspeare , ed. Samuel Maunder (London: J.W.
.; The phrase "not wisely, but too well" is from the Shakespeare play Othello, Act Five, Scene Two.
See The Plays of William Shakspeare, ed. Samuel Maunder (London: J.W.
twinkle through the mists of undeveloped intellect, and by day throw a veil of undefined beauty over the play
Volume I: 1834–1846 (New York: Peter Lang, 1998).
These jesuits understand how to play their cards as well as the other fellow.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
marble time;" and in many a nook and many a sunny spot around, we observe groups of the little people playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Never was there a darker, more treacherous, despicable, and selfish game than that played, in this business
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
The "corps" has been playing for some time in that capital—but hitherto, from some underhand intrigue
She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."
"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in
an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play
By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.
She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."
"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in
an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play
He played an "English pickpocket" and his performance was considered a "unique and laughable personation
By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.
A number of children were at play—some kind of a game which required that they should take each others
Volume I: 1834–1846 (New York: Peter Lang, 1998).
See Peter Adams, Bowery Boys: Street Corner Radicals and the Politics of Rebellion (Westport, CT: Praeger
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
For more information on Levi Slamm and the Locofocos, see: Peters Adams, The Bowery Boys: Street Corner
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Recchia (New York: Peter Lang, 1998), 1: 93.
For more on financial bubbles, see: Peter M.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Labor Reform and Persona in Whitman's Journalism and The First Leaves of Grass, 1840-1855 (New York: Peter
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Tammany Hall, founded in 1786, was the New York City headquarters of the Democratic Party that played
.; Tammany Hall, founded in 1786, was the New York City headquarters of the Democratic Party that played
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
For further reading, see Peter Adams, The Bowery Boys: Street Corner Radicals and the Politics of Rebellion
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Similarly, Shylock is a character from the William Shakespeare play, The Merchant of Venice .
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Similarly, Shylock is a character from the William Shakespeare play, The Merchant of Venice.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Herbert Bergman (New York: Peter Lang, 1998), 98. the difficulties now so varied would have been rare
Volume I: 1834–1846 (New York: Peter Lang, 1998).