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twelve of the poems had originally formed a sequence entitled "Live Oak with Moss," which tells the story
Only in "Live Oak" do we get a clear story of a love affair with a man, along with a story of a coming
Poem 2 gives the sequence part of its title: "I saw in Louisiana a live-oak growing."
But he knows he can't—except of course in "parting," which by this point in Whitman's career has become
He's extremely ambivalent about the act of writing poetry: in poem 2 he needs a lover to "utter leaves
, while another part of herself (her body?)
But then everything is also part of everything else, in a sort of mystic relation of parts to wholes.
I am thinking of book 1,part 3 ("Statement"), and the more obviously parodic section of book 2 called
Only in "Live Oak" do we get a clear story of a love affair with a man, along with a story of a coming
Poem 2 gives the sequence part of its title: "I saw in Louisiana a live-oak growing."