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Ihavebeenwronged....Iamoppressed....Ihatehimthatoppresses me,Iwilleitherdestroyhim,orheshallreleaseme. 1
andunconnectedwitheachother,theselinessharethesame fate:allwereexcisedfromLeavesofGrass.Itwouldbepossibletocreateanimpressive 1.
sPoetryoftheBody(ChapelHill,N.C.,1989), 144–49. love, war, and revision in the blue book 689 figure 1.
contemplated revising a key moment of self- definitionin“WaltWhitman”(later,“SongofMyself”),asshownabove(fig.1)
See also nupm 1:62. 34. See also nupm 1:1349 35. See also nupm 1:287. 36.
See nupm 1:83. 40.
See nupm 1:351. 9.
Le Baron’ by his friends at Pfaff’s” (nupm 1:351). 10. See nupm 1:335.
Walt Whitman Quarterly Review 1 (March 1984): 1–11. Genoways, Ted.
questions, though I do think that if we ever moved toward a crowdsourcing model the key issues would be 1)
Gordon, "Experiencing Women's History as a Documentary Editor," Documentary Editing 31 (2010), 1–9.
makesitdifferinproportiontotheswimming“S”nexttoit,formingasmallerbottom halfoftheletter,asiftheletterisupsidedown(fig.1)
[NewYork,1961–77],1:347).
delightedthatthey“tookmetothestereotypefoundry,and[gave]orderstofollowmy directions”(Correspondence,1:
inplainterms,thefreshestandhandsomestpieceoftypographythathad everpassedthroughhismill”(Correspondence,1:
catejusthowdemandingWhitman’srequestsweretocreatewhathefinallydeemeda “quite‘odd’”physicalartifact(Correspondence,1: