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sponded,infact,toaninitialbreakupofregularItalianmetrics:itallowed a certain degree of freedom, of play
Carducci’s experience, in which Whitman played, as we have seen, a relevantrole,comesparticularlyclosetothatofRussian
had hardly ever been used in Italian poetry before, and it is highly probable that Whitman’s poetry played
of Whitman’sLeavesofGrass(1855), diSanPietro”(“AnEveningofSaint 210;and2017translationof Whitman’s Peter
anoutdatedidealopenedupnewavenuesforthecontrastwithslaverythat willbekeytohisaccomplishmentinLeavesofGrass.Thisdevelopmentwas anticipated when Whitman played
free-statesettlerswieldedtheweaponsoflaboritself.Thehistoricalprocess in“Broad-AxePoem,”wheretheheadsman’saxegiveswaytotheworker’s, was played
suggests one way to approach a matter that has received much scholarly attention in American studies—what Peter
Cook,Robert,170–71 50,62,75,76,93;astheprime Corwin,Thomas,159 historicalagentin“Broad-Axe Coviello,Peter