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Dan Lewis played a major role in the complex job ofgathering and editing the materials for this volume

Hermann Peter Piwit and Peter Rtihmkorf, eds.Literaturmagazins.Das Vergehen von Horen und Sehen.

Bazalgette translated The Wound-Dresser (Le Panseur de Plaies) (1917).

We shall see later the part played by this same spectacle in the growth ofthe poem.

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Age 48— 51. new country — Description of Philadelphia— Edward The Carpenter — Walt Whitman at the play

Round the Priory we findart and nature playing into each other's hands.

A fondness for music was soon to show itself;an announcement ,that her mistress would play asonata of

Tennyson is all that he said. having men- tioned that they had just come over from Peters- field, and

His play ought to be worth reading and seeing.

86 He evidently wanted this play on words.

The passionate teeming plays this curtain hid!).

Letter to Peter Doyle, September 6, I87o, SPL, p. 993· 3x.

See also "The Mystic Trum peter,"Inc. Ed., p. 39I, §6, II.

But in a letter to Peter Doyle June 27, I872 (SPL, pp.

That, like all the rest, plays about the surface,andneverintroducesmeintothereality,forcontactwithwhich

Fromthecinder-strew’dthresholdIfollowtheir movements, Thelithesheer of their waists plays evenwith their

;heis,ofcourse,thesolesubjectoftheconcluding book 4, and, as I have argued elsewhere, his writings play

the nation made him less willing to delegate political action to politicians and more inclined to play

Peter Lang, 2012), 383–92.

Play up there! the fit is whirling me fast” (71).

Miller Jr., Colleen Lamos, Wayne Koestenbaum, and John Peter.

See also Peter, “Postscript (1969),” 165–66; and James E.

Peter also discusses canto 26 (“Postscript [1969],” 170).

Bellis, Peter J. “Whitman in 1855: Against Representation.”

sponded,infact,toaninitialbreakupofregularItalianmetrics:itallowed a certain degree of freedom, of play

Carducci’s experience, in which Whitman played, as we have seen, a relevantrole,comesparticularlyclosetothatofRussian

had hardly ever been used in Italian poetry before, and it is highly probable that Whitman’s poetry played

of Whitman’sLeavesofGrass(1855), diSanPietro”(“AnEveningofSaint 210;and2017translationof Whitman’s Peter

Dissolving a national literature in the fluid play of genres,lyricandepicmergehereintoasea-bornetradition

1990),296,280. 5.Walcott’sfascinationwiththeOdysseyisevidentnotonlyinOmerosbutevenmoreclearlyin his play

newgreatmasters”—or,moreprecisely,this call for a call—so much as to situate his poetry within the play

its part and passing on, Another generation playing its part and passing on in its turn, With faces

{ kirsten silva gruesz } “dim” of the bus station; the fierce current of economic opportunity they play

Peter Coviello. New York: Oxford University Press, 2004. PW ProseWorks 1892. 2 vols. Ed.

Peter Coviello (New York: Oxford University Press, 2004), 3. Hereafter MDW.

In his biographyof Peter Doyle, Martin G.

“Pete the Great: A Biography of Peter Doyle.”

Edited by Peter Coviello. NewYork: Oxford University Press, 2004. ———. ProseWorks.

Even Whitman’s use of anonymity in the 1855 edition may have drawn upon the games of attribution played

“It seems to me as if it would give the book a formidably scientific appearance,” he hinted, playing

Whitman “played Indian,” taking the pen name of “Paumanok” early in his career.

(Gloucester: Peter Smith, 1972), 2:316–317. 88.

See also Whitman’s image of Dowden, Edward, 116, 117 neglect Doyle, Peter, 32, 143, 149, 218n11 drift

would quite enjoy, on a rainy after- noon, having a game of twenty questions such as he had "often played

far, far reaching, giving weight and permanent value to what would other- wise have been only two plays

The truth is, Peter, here at the present time mainly that I am in the midst of female women, some of

Isay the matter isnot very important because itis obvious that whatever part Emerson's teaching played

In his heart of hearts— though doubtless he thought Whitman had played him unfair, and 173 Days with

political, and other contests surrounding these poems, and the constitutive role these poems have played

or remain in the same room with you, littleyou know the subtle electric fire that for your sake is playing

Calamus  as a cluster of poems focused on the love between men, “live oak, with moss” played a crucial

Brown and other soldiers he met and cared for in the Washington hospitals, as well as with Peter doyle

Coviello, Peter. “Intimatenationality: anonymityand attachment inWhitman.”

(New York: Peter Lang, 1998–2003).

Play up there! the fit is whirling me fast.

Whitman and Peter Doyle, ca. 1869. Photograph by M. P. Rice, Washington, DC.

Covielo, Peter. “Intimate Nationality: Anonymity and Attachment in Whitman.”

New York: Peter Lang, 1998–2003. ———. Leaves of Grass: An Exact Copy of the First Edition 1855.

A photo of the actor playing the Whitman figure in The Carpenter.

In the play, the ad- mirers of Whitman are Agatha, Ginny (Merrill’s daughter), and Dr.

Fay Kanin’s original play makes clear that the college is set in Massachusetts.

Price sode treats the Peter Doyle–Whitman relationship.

Pantheism played an increas- ingly important role in shaping his own thought.

The night before, in Washington, Peter Doyle, who liked the theater and was attracted by celebrities,

had gone to see the play, the President, and his wife.

The vexed question ofreference comes into play here.

Jiirgen Wellbrock, "Dein Selbst kann ich nicht singen," in Hermann Peter Piwit and Peter Riihmkorf, eds

in Peter C.

From Peter Eckler. 1865 April 26. From Peter Eckler. January 4. From Dana F. Wright. Berg. May 1.

From Peter Doyle. Trent. November 25. From Louisa Van Velsor September 23. From Peter Doyle.

Schueller and Peters, 2: 201–3. [September?].

Peters, 2: 374–75. November 7. From Peter Doyle. CT: Shive- June 14. From John M. Rogers.

CT: Schueller and Peters, 3: January 6.

In ecocriticism, the concept does not yet play a significant role, either.

Bowler, Peter J. The Earth Encompassed: A History of the Environmental Sciences.

Friztell, Peter A. Nature Writing and America: Essays upon a Cultural Type.

Temin, Peter. “The Industrialization of New England, 1830–1880.”

Wenz, Peter S. Environmental Justice. Albany: State University of New York Press, 1988.

anoutdatedidealopenedupnewavenuesforthecontrastwithslaverythat willbekeytohisaccomplishmentinLeavesofGrass.Thisdevelopmentwas anticipated when Whitman played

free-statesettlerswieldedtheweaponsoflaboritself.Thehistoricalprocess in“Broad-AxePoem,”wheretheheadsman’saxegiveswaytotheworker’s, was played

suggests one way to approach a matter that has received much scholarly attention in American studies—what Peter

Cook,Robert,170–71 50,62,75,76,93;astheprime Corwin,Thomas,159 historicalagentin“Broad-Axe Coviello,Peter

Whitman played an interesting role in this endeavor.

Peter Boie read Walt Whitman's "Song ofMyself." ... Peter liked what he read about the animals.

child of nature, who feels equal to Peter and who tells him so.

Social Democrats' interest in Whitman comes into play here).

Hermann Peter Piwit and Peter Rtihmkorf (Reinbek: Rowohlt, 1976), p.l36.

Reconciliation as Sequel and Supplement: Drum- Taps and Battle-Pieces / 69 peTer J.

Robert Penn 80 } Peter J.

Olsen- Smith, Steven, Peter Norberg, and Dennis C. Marnon.

Peter Coviello. New York: Oxford University Press, 2004. ———.

Peter J.

Whitman gone, the fruitless. meeting had gone with him, as though a more than Hamelinic pipe had been played

In him 24 ADDRESSES. nature has ample play.

But the gentleman willnot slapthe pick-pocket on the back and play the political harlotto gain his favor

Then willcome into play, for the firsttime, the marvellous genius of the poet who sang the "Song of Myself

Then the band the National Anthem and we went played into the house.

The great poems Homer's Iliad,' Shakespeare's plays, etc. discuss great themes and are long poems.

His assistants had told me that Peter Peppercorn had been in the day before. "Do you know Peter?"

A Play in Five Acts By LEONIDAS ANDREIEV. Translated by C. J. HOGARTH. A remarkable Times.

Lar "Cn 8vo '25'M ' net" play.

it in the edition of 1856. publishing enlarged It must be inserted here,for the part this letter played

This played propagation spirit was somewhat grotesquely exhibited in his table-talk at a banquet held

His lofty and vigorous nature lent itself to the of this which would have playing part, been unbearable

During my darkest hours, itcomforted me with inthe the conviction that I too played my part illimitable

take that he the section. it recognised right and the of " native moments " in that necessity free play

his rank aftera time familiar, contemporaneity; you willsurely see the lambent spiritualflames that play

"Oncere I to charge you give play your self.

He presents you the elements of good and evil in himself in vitalfusion and play; your part to how the

Sin, repentance, fear,Satan, hell, Creation had resulted play important parts. in a tragedy in which

Death is the right hand of God, and evil a also. plays necessary part Nothing is discriminated against

Comprised of 630 Early Modern English plays, pageants, and other 6 entertainments by non-Shakespearean

systematic effort to harness the energy and imagination of undergraduates as editors and explorers of old plays

list—and also larger analytical undertakings including writing an account of the reception history of a play

, reviewing the scholarly literature, comparing different versions of a play if more than one exists,

"The Play-Ground," a poem about children at play, appears in theEagle. LATE JUNE.

Peter Doyle's brother, police officer Fran cis M.

Whitman sends a postcard greeting to Peter Doyle.

Peter Doyle visits Whitman (DN,2:325). g DECEMBER.

"'Pete the Great': A Biography of Peter Doyle."

My thanks to Aidan Arrowsmith, Peter Heaney, Laura Peters, and Shaun Richards.

(LG 85) Whitman, the reader of dictionaries, is playing a complicated game here.

Peter G. Buckley, “Culture, Class, and Place in Antebellum New York,” 34. 26.

For a more nuanced reading of Whitman’s class location, see Peter G.

Buckley, Peter G. “Culture, Class, and Place in Antebellum New York.”

Rather, in puffing Whitman, the Saturday Press played at and played with repre- sentations of Whitman

, play-goers, and ye general reader, in a state of utter despair. . . .

“‘Pete the Great’: A Biography of Peter Doyle.”

Gloucester, ma: Peter Smith, 1872. Winter,William.

Feminist Conversations: Fuller, Emerson, and the Play of Reading.

The song plays variations on its principal themes, "I am a reaper" and "I hunger."

is based on a photo of Peter pulling himself up on the hood of a car.

The viewer is located within the room from which Peter apparently wants to escape.

He told her that the next issue of his newspaper was to be about Peter Doyle.

Outrageously elusive play is its essence.

Well, Tom, it looks as though secesh was nearly played o u t-if they lose Charleston, as I believe they

Late in 1865 Whitman met a veteran of the Confederate Army, Peter Doyle, now a streetcar conductor in

Instead ofthat, the Book is the product ofthe largest universal law & play of things, & of that sense

The truth is, Peter, that I am here at present times mainly in the midst of female women, some of them

I also read the Peter Bayne article. 30(It was copied in full here at once, & circulated quite largely

I play not a march for victors only .... I play great marches for conquered and slain persons.

Miller (1968, 21): The scene is played out in regressive sexual imagery.

What part do I have to play?

What will he, she, or they do in this or that event, what role am I to play?

Press, 1981. 168 BIBLIOGRAPHY Peters, Robert L.

—Workofsomesort Play?

Play? “Novel?

, but if a play it must straddle the line with poetry, with even the stage directions in some kind of

Oxford: Peter Lang, 2005. ———.

Gloucester ma: Peter Smith, 1972. ———. “Walt Whitman and His Poems.”

We played ball, but I don't think Walt ever took part in it.

He asso ciated more with the younger scholars, frolicing rather than playing games.

Were the Shakespeare plays the best acting plays? W. said: "That's a superstition-an exaggeration."

In his later publications, I find many passages that were dis played to me in embryo.

Some where in your play or novel let the sunlight in."

Croce saw all of history as a playing out of the human spirit into a multitude of individual acts.

It is an insistent, a loud work, like a long piece of music played continuously con brio.

Peter Bondanella and Julia Conaway Bondanella (Westport, CT: Greenwood Press, 1996)143; Antonio Gramsci

AAminta: a lyric, pastoral play first performed in 1573; considered Torquato Tasso’s most important and

That is, while he composed the national epic in which the figures and forces creating the nation play

Yes, unhesitatingly; the plays of the great poet are not only the concentration of all that lambently

played in the best fanciesof those times — not only the gathering sunset ofthe stirringdays of feudalism

corner of the room where there was a group ofyoung children, with whom he talked and laughed and played

I play Alphonso neither togenius nor to God.

, and interpret itas a law of Nature interpretsthe complex play of factswhich proceeds Iroiuit.

[A few days later:] W. told Ed: “Play your violin: play it as much as you choose: I like it: when I am

Ed at first played in the next room. I advised him to play downstairs.

Think of it—the games they play—the travesty!

Peter Doyle no writer In October 1891 Whitman was surprised to learn that Peter Doyle was thenbasedinBaltimore

Greeks versus Shakespeare The Shakespeare plays are essentially the plays of an aristocracy: they are

Yours truly, Peter G. Doyle.

This is where Shaw plays trumps.

The “Interview with Peter Doyle” by Dr.

a cat is passing through my poem; See—it plays the fiddle, rapturously: It plays sonatas, fugues, rigodons

aged cow; But most of all it plays nocturnes, and plays them pyrotechnically as befits the night time

his &Yest; but as to Bacon head, ; and Shaks- peare, admitting Shakspeare wrote the there is else plays

WHITMAN, LXIX. ofthe he Impotent Pieces Game Plays Upon the Chequer-board ofNights and Days : Hither

D. and Peters, Firestone, O. G.

Peters, all of Columbus, O. for their kindness in thematter of the buggy. 328MICKLE STREET, CAMDEN, N.J

When Peter asks thee of thy crimes, You answer not with clearness, Shrieking fiends with shame willyell

In a letter to Peter Doyle, Whitman wrote that Dr.

Peter N.

Peter W.

Halligan, Peter W. “Phantom Limbs: The Body in Mind.”

Sacks, Peter M. The English Elegy: Studies in the Genre from Spenser to Yeats.

A canary sang with all his might, and a kitten played toand fro.

When the committee handed him the he said: thisislike bag, "Why, a play.

How " " is it with you now, Robert Browning, maker of plays ?

The dialogues of the play are mostly in and the and inheroics.

In our modern-life plays the stifantiqueness of heroic verse is unendurable.

s letterto his mother and to Peter Doyle.

J., I give to my friend,Peter Doyle, my silverwatch. I give to H.

Bayne, Peter, 28, 29. Answerer, the. See Song.

Doyle, Peter, 261. Finta, Alexander, 118, 119.

Herald, 260; Letters to Peter sirs ^ , a.

Sundquist’s To Wake the Nations (1993) and Toni Morri- son’s Playing in the Dark (1992), among others

Vodou ritu- als played an integral role in fomenting the Haitian revolution. C. L. R.

Peter Coviello discusses racial solidarity in Whitman’s antebellum poetry.

Peter Coviello, introduction to Walt Whitman, Memoranda during theWar, ed.

Peter Coviello (New York: Oxford University Press, 2006), xlvi. 14.