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Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
Ruys, "Heloise," in The Oxford Encyclopedia of Women in World History, Volume 1 , ed. Bonnie G.
Lang, Sports Betting and Bookmaking: An American History [New York: Rowman and Littfield, 2016], 1).
Life and the Development of English Prize Law [Boston and New York: Houghton Mifflin Company, 1916], 1-
A Newly Discovered Whitman Poem About William Cullen Bryant," Walt Whitman Quarterly Review 32, no. 1
Snorer No. 1—Bass; deep and strong voice, bu but rather ragged, thus— "Who-o-o caw, puff; who-o-o caw
The Aurora of April 1 contained an untitled article that began with a quotation from "a report of the
History of the Good Book in the United States, 1777–1880 (Stanford: Stanford University Press, 1999), 70–1.
This edition, (in parts at 37 1/2 cents each,) of a work which seems destined to hold a long time yet
Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times
& Noah's Weekly Messenger (New York), The Journalism , 1: 190–91; and "City Intelligence, An Afternoon
at Greenwood," June 13, 1846, Brooklyn Daily Eagle and Kings County Democrat , The Journalism , 1: 421
A line from Shakespeare's Julius Caesar , Act 3, Scene 1, line 270.
Godine; Fort Worth: Amon Carter Museum of Western Art, 1979], 1–22). cheap casts of statuary, Inexpensive
Development of a Popular Market for Sculpture in America: 1850–1880," Journal of American Culture 4, no. 1
Price, in muslin, $1 50—in sheep, $1 75.
See Duff Green, "[Untitled]," The Pilot and Transcript 1, No. 78 (Baltimore, July 15, 1840): 2; Richard
Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.
1 O TAKE my hand, Walt Whitman! Such gliding wonders! such sights and sounds!
SONG OF THE BROAD-AXE. 1 WEAPON, shapely, naked, wan! Head from the mother's bowels drawn!
1 BEAT! beat! drums!—Blow! bugles! blow!
FACES 1 SAUNTERING the pavement, or riding the country by- road by-road —lo! such faces!
TO A FOIL'D EUROPEAN REVOLUTIONAIRE. 1 COURAGE yet! my brother or my sister! Keep on!
AS I PONDER'D IN SILENCE. 1 AS I ponder'd in silence, Returning upon my poems, considering, lingering
IN CABIN'D SHIPS AT SEA. 1 IN cabin'd ships, at sea, The boundless blue on every side expanding, With
I SING THE BODY ELECTRIC. 1 I SING the Body electric; The armies of those I love engirth me, and I engirth
OUT OF THE ROLLING OCEAN, THE CROWD. 1 OUT of the rolling ocean, the crowd, came a drop gently to me,
A SONG. 1 COME, I will make the continent indissoluble; I will make the most splendid race the sun ever
NOW LIST TO MY MORNING'S ROMANZA. 1 Now list to my morning's romanza—I tell the signs of the Answerer
DRUM-TAPS. 1 FIRST, O songs, for a prelude, Lightly strike on the stretch'd tympanum, pride and joy in
1 BEAT! beat! drums!—Blow! bugles! blow!
Come Up from the Fields, Father. 1 COME up from the fields, father, here's a letter from our Pete; And
THE DRESSER. 1 AN old man bending, I come, among new faces, Years looking backward, resuming, in answer
GIVE ME THE SPLENDID SILENT SUN. 1 GIVE me the splendid silent sun, with all his beams full- dazzling
FACES 1 SAUNTERING the pavement, or riding the country by- road by-road —lo! such faces!
MANHATTAN'S STREETS I SAUNTER'D, PONDERING. 1 MANHATTAN'S streets I saunter'd, pondering, On time, space
AS I SAT ALONE BY BLUE ONTARIO'S SHORE. 1 As I sat alone, by blue Ontario's shore, As I mused of these
Weather-beaten vessels, landings, settlements, embryo stature and muscle, The haughty defiance of the Year 1—
1 COME, my tan-faced children, Follow well in order, get your weapons ready; Have you your pistols?
THIS COMPOST. 1 SOMETHING startles me where I thought I was safest; I withdraw from the still woods I
(A Reminiscence of 1864.) 1 WHO are you, dusky woman, so ancient, hardly human, With your woolly-white
TO A FOIL'D EUROPEAN REVOLUTIONAIRE. 1 COURAGE yet! my brother or my sister! Keep on!
FRANCE, The 18th Year of These States. 1 A GREAT year and place; A harsh, discordant, natal scream out-sounding
EUROPE, The 72d and 73d Years of These States. 1 SUDDENLY, out of its stale and drowsy lair, the lair
AS THE TIME DRAWS NIGH. 1 As the time draws nigh, glooming, a cloud, A dread beyond, of I know not what
THOUGHTS. 1 OF these years I sing, How they pass and have pass'd, through convuls'd pains, as through
1 TO conclude—I announce what comes after me; I announce mightier offspring, orators, days, and then,
AS I PONDER'D IN SILENCE. 1 AS I ponder'd in silence, Returning upon my poems, considering, lingering
IN CABIN'D SHIPS AT SEA. 1 IN cabin'd ships, at sea, The boundless blue on every side expanding, With
STARTING FROM PAUMANOK. 1 STARTING from fish-shape Paumanok, where I was born, Well-begotten, and rais'd
WALT WHITMAN. 1 I CELEBRATE myself; And what I assume you shall assume; For every atom belonging to me
I SING THE BODY ELECTRIC. 1 I SING the Body electric; The armies of those I love engirth me, and I engirth
OUT OF THE ROLLING OCEAN, THE CROWD. 1 OUT of the rolling ocean, the crowd, came a drop gently to me,
I SING THE BODY ELECTRIC. 1 I SING the body electric, The armies of those I love engirth me and I engirth
SONG OF THE UNIVERSAL. 1 COME said the Muse, Sing me a song no poet yet has chanted, Sing me the universal
WITH ANTECEDENTS. 1 WITH antecedents, With my fathers and mothers and the accumulations of past ages,
AS I EBB'D WITH THE OCEAN OF LIFE. 1 AS I ebb'd with the ocean of life, As I wended the shores I know
RISE O DAYS FROM YOUR FATHOMLESS DEEPS. 1 RISE O days from your fathomless deeps, till you loftier, fiercer
THE WOUND-DRESSER. 1 AN old man bending I come among new faces, Years looking backward resuming in answer
GIVE ME THE SPLENDID SILENT SUN. 1 GIVE me the splendid silent sun with all his beams full-dazzling,
WHEN LILACS LAST IN THE DOORYARD BLOOM'D. 1 WHEN lilacs last in the dooryard bloom'd, And the great star
THE RETURN OF THE HEROES. 1 FOR the lands and for these passionate days and for myself, Now I awhile
THIS COMPOST. 1 SOMETHING startles me where I thought I was safest, I withdraw from the still woods I
THE SINGER IN THE PRISON. 1 O sight of pity, shame and dole! O fearful thought—a convict soul.
P., Buried 1870.) 1 WHAT may we chant, O thou within this tomb?
VOCALISM. 1 VOCALISM, measure, concentration, determination, and the divine power to speak words; Are
CHANTING THE SQUARE DEIFIC. 1 CHANTING the square deific, out of the One advancing, out of the sides,
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!
THE MYSTIC TRUMPETER. 1 HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates
THOUGHTS. 1 OF these years I sing, How they pass and have pass'd through convuls'd pains, as through
STARTING FROM PAUMANOK. 1 STARTING from fish-shape Paumanok where I was born, Well-begotten, and rais'd
SONG OF MYSELF. 1 I CELEBRATE myself, and sing myself, And what I assume you shall assume, For every
I SING THE BODY ELECTRIC. 1 I SING the body electric, The armies of those I love engirth me and I engirth
1 O TAKE my hand Walt Whitman! Such gliding wonders! such sights and sounds!
CROSSING BROOKLYN FERRY. 1 FLOOD-TIDE below me! I see you face to face!
A SONG FOR OCCUPATIONS. 1 A SONG for occupations!
P., Buried 1870.) 1 WHAT may we chant, O thou within this tomb?
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!