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peace" was Epictetus's prescription that what is good for nature is good for oneself (With Walt Whitman 1:
Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.
Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Stoicism
Joseph P.HammondStevens, Oliver (b. 1825)Stevens, Oliver (b. 1825) In a letter dated 1 March 1882 Boston
in 1855" (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
Its proportion to the total mortality is about 1 in 8.
Assuming the population of Brooklyn to be 225,000, the ratio of deaths would be 1 in 43½, which compares
lengths.After identifying himself and announcing that he "will strike up for a New World" (section 1)
[s]olitary" identity all other identities are fused, he will "strike up" for "a New World" (section 1)
Rocking," which was composed in 1858–1859, but to "the hermit thrush from the swamp-cedars" (section 1)
Starting From Paumanok STARTING FROM PAUMANOK. 1 STARTING from fish-shape Paumanok, where I was born,
STARTING FROM PAUMANOK. 1 STARTING from fish-shape Paumanok, where I was born, Well-begotten, and rais'd
STARTING FROM PAUMANOK. 1 STARTING from fish-shape Paumanok where I was born, Well-begotten, and rais'd
STARTING FROM PAUMANOK. 1 STARTING from fish-shape Paumanok where I was born, Well-begotten, and rais'd
One of these recently published is History; Ireland Vol 1 Critical & Philosophical.
My other works are History of Ireland Heroic Period Vols 1 & 2, an epical representation chiefly of Cuculain's
New York: New York UP, 1964. 1–9.Shively, Charley.
Silent Sun," Whitman describes the desire to "warble spontaneous songs recluse by myself" (section 1)
Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.
Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.
Vol. 1. Santiago, Chile: Editorial Nascimiento, 1939.Erkkila, Betsy. Whitman the Political Poet.
har.00002xxx.00283bMS Am 1545 (1)SpainMarch 16, 1873poetry1 leafhandwritten; This is an unsigned draft
Archive I: Whitman Manuscripts at the Library of Congress, ed Joel Myerson (New York: Garland, 1993), 1:
which the poet witnessed in America following the Civil War "[n]estles the seed perfection" (section 1)
Song of the Universal June, 1874 Camden # Space 1 Come , said the Muse, Sing me a song no poet yet has
SONG OF THE UNIVERSAL. 1 COME said the Muse, Sing me a song no poet yet has chanted, Sing me the universal
SONG OF THE UNIVERSAL. 1 COME said the Muse, Sing me a song no poet yet has chanted, Sing me the universal
masters"—i.e., the true poets—"know the earth's words and use them more than audible words" (section 1)
: if the true words are "inaudible"—and, as Whitman later adds, "untransmissible by print" (section 1)
passage pivots on a description of the earth as a woman, "her ample back towards every beholder" (section 1)
Thus translated into visual terms, the "eloquent dumb great mother" (section 1) begins to seem oddly
Walt Whitman Quarterly Review 1.1 (1983): 1–8. Hollis, C. Carroll.
A SONG OF THE ROLLING EARTH. 1 A SONG of the rolling earth, and of words according, Were you thinking
A SONG OF THE ROLLING EARTH. 1 A SONG of the rolling earth, and of words according, Were you thinking
speaker in "Out of the Cradle Endlessly Rocking" (1859), hears the tree's voice in his "soul" (section 1)
This implied divine promise will be the culmination of humankind in an "empire new" (section 1), which
SONG OF THE REDWOOD-TREE. 1 A CALIFORNIA song, A prophecy and indirection, a thought impalpable to breathe
SONG OF THE REDWOOD-TREE. 1 A CALIFORNIA song, A prophecy and indirection, a thought impalpable to breathe
of the road's sights and sounds and his translation of them into a visionary consciousness (sections 1–
The Nassau Review 1 (1965). 101–110.Hollis, C. Carroll. Language and Style in "Leaves of Grass."
SONG OF THE OPEN ROAD. 1 AFOOT and light-hearted, I take to the open road, Healthy, free, the world before
SONG OF THE OPEN ROAD. 1 AFOOT and light-hearted I take to the open road, Healthy, free, the world before
SONG OF THE OPEN ROAD. 1 AFOOT and light-hearted I take to the open road, Healthy, free, the world before
Song of the Open Road SONG OF THE OPEN ROAD. 1 AFOOT and light-hearted, I take to the open road, Healthy
payment and traveling expenses and guaranteed publication in the "metropolitan press" (With Walt Whitman 1:
Vol. 1. Boston: Small, Maynard, 1906; Vol. 4. Ed. Sculley Bradley.
SONG OF THE EXPOSITION. 1 (AH little recks the laborer, How near his work is holding him to God, The
SONG OF THE EXPOSITION. 1 (AH little recks the laborer, How near his work is holding him to God, The
(section 1)The emphatic rhythm of these lines suggests a riddle (see Peavy), or perhaps, as M.
Walt Whitman Quarterly Review 2.1 (1984): 1–11.Knapp, Bettina L. Walt Whitman.
SONG OF THE BROAD-AXE. 1 WEAPON, shapely, naked, wan! Head from the mother's bowels drawn!
Song of the Broad-Axe SONG OF THE BROAD-AXE. 1 WEAPON, shapely, naked, wan; Head from the mother's bowels
SONG OF THE BROAD-AXE. 1 WEAPON shapely, naked, wan, Head from the mother's bowels drawn, Wooded flesh
SONG OF THE BROAD-AXE. 1 WEAPON shapely, naked, wan, Head from the mother's bowels drawn, Wooded flesh
In section 1, he takes on the mysterious name of the Answerer (always capitalized in the later editions
Especially in section 1, the vision of the poet as an all-permeating divine force, something like Ralph
Early versions of what becomes section 1 also include a passage, excised when Whitman created "Song of
SONG OF THE ANSWERER. 1 NOW list to my morning's romanza, I tell the signs of the Answerer, To the cities
SONG OF THE ANSWERER. 1 NOW list to my morning's romanza, I tell the signs of the Answerer, To the cities
He vows to "permit to speak at every hazard, / Nature without check with original energy" (section 1)
reeds and schools" behind, he goes "to the bank by the wood to become undisguised and naked" (sections 1
On beginning his journey (section 1) he promised he would "permit to speak at every hazard, / Nature
SONG OF MYSELF. 1 I CELEBRATE myself, and sing myself, And what I assume you shall assume, For every
SONG OF MYSELF. 1 I CELEBRATE myself, and sing myself, And what I assume you shall assume, For every
Vol. 1. New York: New York UP, 1984. "Song of Joys, A" (1860)
(section 1)More broadly, the image has taken precedence over substance, the abstract simulacra has replaced
(section 1) But the earlier version begins on an intimate, even erotic note:Come closer to me,Push closer
A SONG FOR OCCUPATIONS. 1 A SONG for occupations!
A SONG FOR OCCUPATIONS. 1 A SONG for occupations!