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Smith (New York: Oxford University Press, 2008), 445; John Marenbon, The Philosophy of Peter Abelard
The phrase "not wisely, but too well" is from the Shakespeare play Othello , Act Five, Scene Two.
See The Plays of William Shakspeare , ed. Samuel Maunder (London: J.W.
.; The phrase "not wisely, but too well" is from the Shakespeare play Othello, Act Five, Scene Two.
See The Plays of William Shakspeare, ed. Samuel Maunder (London: J.W.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
deficient in loveableness lovableness , as to not be pleased with the spectacle of little children at play
Celebration of children at play was a relatively new concept used by upper-middle class families who
Whitman references children at play to point to a particular type of family one would see at a park,
Celebration of children at play was a relatively new concept used by upper-middle class families who
Whitman references children at play to point to a particular type of family one would see at a park,
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Tammany Hall, founded in 1786, was the New York City headquarters of the Democratic Party that played
.; Tammany Hall, founded in 1786, was the New York City headquarters of the Democratic Party that played
See Peter Adams, Bowery Boys: Street Corner Radicals and the Politics of Rebellion (Westport, CT: Praeger
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Playing in the Park P LAYING IN THE P ARK .— It is customary for numbers of boys, of pleasant days, to
congregate in the Park, and amuse themselves by running races, trundling hoops, playing marbles, and
other public grounds, any quantity of the offspring of the rich and fashionable may be daily seen playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Such provocatives of patriotism as then existed cannot now come in play again.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
presentment of "The Troublesome Raigne of John, King of England," (which is probably more Marlowe's play
From first to last it was a continuous stretch of unsurpassed by–play and fine elocution.
Only the morbid appetite for unnatural strained effect can complain of want of interest in such a play
Arthur took the sympathies of the whole house; she played with quiet, grace, and modesty.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
(an instrument, by the by, which discourses very eloquent music, well–played, and is cheap to buy, and
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Peter's Basilica in the Vatican, the largest and most distinguished Renaissance church in Italy.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play
Volume I: 1834–1846 (New York: Peter Lang, 1998).
likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Catlin as a "precious collection" Painter George Peter Alexander Healy (1813–1894) was one of more than
Volume I: 1834–1846 (New York: Peter Lang, 1998).
What can be more merry than their voices, ringing out upon the air in play—and what, than their innocent
The "corps" has been playing for some time in that capital—but hitherto, from some underhand intrigue
She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."
"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in
an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play
By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.
She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."
"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in
an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play
He played an "English pickpocket" and his performance was considered a "unique and laughable personation
By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.
Chromolithographs, art historian Peter Marzio writes, served the "democratization of culture" by making
possible the distribution of inexpensive fine-art imagery to the burgeoning middle class (Peter C.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
For efforts to promote drawing in the schools see especially Peter C.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Then the trees and their dark and glistening verdure play their part.
extra-powerful here,) besides a large effect of green, varied with the white of the Capitol, fountains playing
The vital play and significance of their talk moves one more than books.
Whether the Board of Commissioners have in any way played foul with the funds under their control.
steam-power, iron, granite, and hardening cement—these made to subserve the most stupendous and swiftly-playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).