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Volume I: 1834–1846 (New York: Peter Lang, 1998).

"To love Rome more than Caesar" refers to Shakespeare's play, "Julius Caesar."

The play is about the fall of Caesar and the war that ensues after Caesar's assassination.

Hughes and the New Era Bishop John Hughes (1797–1864), who played an important role in New York City

Volume I: 1834–1846 (New York: Peter Lang, 1998).

.; "To love Rome more than Caesar" refers to Shakespeare's play, "Julius Caesar."

The play is about the fall of Caesar and the war that ensues after Caesar's assassination.

Adams, distinguishing all three from the current Democrats.; Bishop John Hughes (1797–1864), who played

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

.; Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.; Bishop

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

For more information on Levi Slamm and the Locofocos, see: Peters Adams, The Bowery Boys: Street Corner

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Similarly, Shylock is a character from the William Shakespeare play, The Merchant of Venice .

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Similarly, Shylock is a character from the William Shakespeare play, The Merchant of Venice.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

deficient in loveableness lovableness , as to not be pleased with the spectacle of little children at play

Celebration of children at play was a relatively new concept used by upper-middle class families who

Whitman references children at play to point to a particular type of family one would see at a park,

Celebration of children at play was a relatively new concept used by upper-middle class families who

Whitman references children at play to point to a particular type of family one would see at a park,

so fully upon it, that I really fear, sir, your refusal would excite him more than the sight of the play

deliberately rose—raised his hand to his head—lifted his hat, and bowed low and long—a cool sarcastic smile playing

started forth to visit the other side, whereon the surf comes tumbling, like lots of little white pigs playing

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

28The Play-Ground (1846).

A.MS. draft.loc.00264xxx.00741The Play-GroundAbout 1846poetryhandwritten1 leaf20 x 16.5 cm; A draft of

the early poem The Play-Ground, nearly as it appeared in the Brooklyn Daily Eagle on June 1, 1846 (during

The Play-Ground

I [New York: Peter Lang Publishers, 1998], 222).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

—With the dead girl or boy, the transient play is finished: we know that the worst deeds they ever committed

Shakespeare’s plays were performed by and for all classes in the United States during the nineteenth

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Shakespeare’s plays were performed by and for all classes in the United States during the nineteenth

(Herbert Bergman, et al., eds., The Collected Writings of Walt Whitman: The Journalism [New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

who is "young, employed, and impressionable" (see Jason Stacy, Walt Whitman’s Multitudes [New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

on this concept of a natural aristocrat, see: Jason Stacy, Walt Whitman’s Multitudes , (New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

as it is now; It could as easily have unfolded to him, the counsel of God, as to bid him send for Peter

ordained the use of instrumental means, was it any reason, why Cornelius should reject the teaching of Peter

If when Peter came, Cornelius had said to him, I have the Light in myself–this is all-sufficient for

What Lurks Behind Shakspere's Historical Plays?

The Play-Ground

Plays and Operas too

As Whitman's health failed, he needed more help with daily tasks, and from the mid-1880s, Traubel played

periodical pretends to cater to; but only, instead, put in to do the poet harm, the dull insults of Peter

Bayne—Peter Bayne, the purblind devotee of weak superstition, whose essays in criticism, marked by such

in his age, his poverty, his infirmity, no friend of his could desire a worthier tribute than fair play

The bugles play—presently you hear them afar off, deaden'd, mix'd with other noises.

The vital play and significance moves one more than books.

Some of the inmates are laughing and joking, others are playing checkers or cards, others are reading

The President came betimes, and, with his wife, witness'd the play, from the large stage-boxes of the

Well, there isn't a band playing—and there isn't a flag but clings ashamed and lank to its staff.....

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with us, and play

defiles through the woods, gain'd at night, The British advancing, wedging in from the east, fiercely playing

Maryland have march'd forth to intercept the enemy; They are cut off—murderous artillery from the hills plays

races; I see that force advancing with irresistible power on the world's stage; (Have the old forces played

At the same time he plays on the multiple meanings of the verb "exponserse," which can mean both to risk

arrive with powerful musics, between the thundering of my trumpets and of my drums, I do not only play

marches for sacred victors, I also play them for the vanquished and the victims.

there is a repetition of the morpheme bride; Chukovsky decides to preserve the effect, but in so doing plays

skreplyali vse, i budut vechno Indeed, in the history of Russian Symbolism the poetry of Walt Whitman has played

thematically combines music and marine imagery as he explains the crucial role that the Leviathanic Whitman plays

mighty dweller on the earth, in love with Earth in an earthly way, this face of a giant who, as if playing

. . .( , 84)] Whitman's famous imagined cities of amativeness and adhesiveness here arise as if in play

The writers began to bandy possible words back and forth, playing with the text and with the ideas Kornei

The poem by Wellbrock (born in 1949), a Berlin-based writer of poems, short stories, and radio plays,

its part and passing on, Another generation playing its part and passing on in its turn, With faces

There played the famous Booth, whom the 15-year-old Whitman had a first chance to see as Richard III.

Gedichte der Nachgeborenen (Wuppertal: Peter Hammer, 1971), 154–155.

Hermann Peter Piwit and Peter Rühmkorf, eds., Literaturmagazin 5. Das Vergehen von Hören und Sehen.

developed an idiom and a voice of his own, but most Russian critics are quick to agree that Whitman played

poetry mostly through the eyes of Mayakovsky," and he goes on to suggest that Mayakovsky's poems "play

on Whitman in the 1930s and 1940s one can also find a note of genuine affection for a poet who had played

"I believe it is inevitable that the American bard will play an important role in our poetry, too.

Marx was a man who for forty years had played "an inscrutable but puissant part in the revolutionary

Bazalgette translated The Wound-Dresser ( Le Panseur de Plaies ) (1917).

In eight hundred finely written pages, she methodically and exhaustively followed the role played by

We shall see later the part played by this same spectacle in the growth of the poem.

We think every great artist is a conscious one and that in every great work of art the part played by

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Peters, "Edmund Gosse's Two Whitmans," 11 (1965): 19–21.

the first time, since it was not only England but each of the countries in the British Isles that played

deepest influence on Irish literature was, however, transmitted by different means, through figures who played

Whitman finds himself, and other men and women, to be a compound of soul and body; he finds that body plays

3 To play more steadily than a pendulum; neither hurrying nor delaying, but marking the right moment

complete French edition of the 1891–92 Leaves of Grass under the title Feuilles d'herbe in 1909, played

intimacy and imaginative coupling between reader and poet usually found in Whitman's poems—and at play

acts unto themselves, which bring new life to the original by transforming and enriching its lexical play

Whitman played an important role in the friendship of the two men.

Responding to different cultural and ideological needs, they played important and well-differentiated

Across the Atlantic , edited by Marina Camboni, Andrea Carosso, Sonia Di Loreto, and Marco Mariano (Peter

ideological construction of society, tells of the new role writers and intellectuals were expected to play

One year later, in 1989, the film Dead Poets Society , directed by Peter Weir, made Whitman popular again

played a large role in that film, of course) and the book's appeal to a larger, and possibly younger,

contours of linguistic choices made by translators of the poem and offers a glimpse into the role it has played

Because he goes on to suggest that Canada, too, will play a part in his realization, the future he addresses

That he addresses the future is clear, though, and we can feel Whitman playing with the etymology of

a "fear" that is "generally submerged or disguised, since Whitman attempts to deny it in order to play