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Search : PETER MAILLAND PLAY

1585 results

Style and Technique(s)

  • Creator(s): Warren, James Perrin
Text:

Between the two ends of the spectrum, however, Whitman displays great artistry in the play of stanza

Section 11 of "Song of Myself," for instance, owes much of its dreamlike tone to the delicate play of

Walt Whitman & the Class Struggle

  • Date: 2006
  • Creator(s): Lawson, Andrew
Text:

My thanks to Aidan Arrowsmith, Peter Heaney, Laura Peters, and Shaun Richards.

(LG 85) Whitman, the reader of dictionaries, is playing a complicated game here.

Peter G. Buckley, “Culture, Class, and Place in Antebellum New York,” 34. 26.

For a more nuanced reading of Whitman’s class location, see Peter G.

Buckley, Peter G. “Culture, Class, and Place in Antebellum New York.”

Visits to Walt Whitman in 1890–1891: In Camden

  • Date: 1917
  • Creator(s): John Johnston
Text:

for a full hour, facing the golden sunset, in the cool evening breeze, with the summer lightning playing

than all, the sweetness of his voice, the loving sympathy, the touches of humour, the smile that played

I told him I had got an autograph copy of "Peter Peppercorn's" poems, and he said he was glad I had,

because he knew "Peter" very well, and liked him for his genuine goodness of heart and his sharpness

To Walt Whitman, America

  • Date: 2004
  • Creator(s): Price, Kenneth M.
Text:

Kevin Kline, Meryl Streep, and Peter MacNicol in Sophie's Choice 14.

Peter Hassrick comments on the aura of Miller's works: "His characters, whether trappers or Indians,

In contrast, in Whitman's lines, the rifle plays a much more threatening role.

Given that Oliver's father, Peter Alden, wants his son to "understand America" and wants to free Oliver

She frequently played the self-sacrificing and self-effacing mother, a role Fullerton encouraged.

Walt Whitman to Richard Maurice Bucke, 6 January 1888

  • Date: January 6, 1888
  • Creator(s): Walt Whitman
Text:

Dressed as Portia, when a Shakespeare masquerade (in which everyone took some part from the plays) was

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Friday, August 23, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

suggested: "How would you like it for us to arrange to have him come over to see you in the fall, while he plays

Sunday, March 27, 1892

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The light played a strange beauty into his hair, and the pallor was no way painful.

Saturday, December 5, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

It is a sad game to play." Then asked, "You know what hetchel is?

Saturday, September 13, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

senses: it is the great gorge, the canyon, the pass, we meet in the Rockies: it is the sea in its play

Wednesday, September 2, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

My memory plays me the devil's own trips." Will "try" to "have it made ready tomorrow."

About "The Angel of Tears"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

The New York Aurora

  • Date: 2017
  • Creator(s): Jason Stacy
Text:

Whitman's former tone from the "Sun-Down Papers—From the Desk of a Schoolmaster" (1840-1841), where he played

Waterworks editorials in the Brooklyn Daily Times

  • Date: 2024
  • Creator(s): Stephanie M. Blalock | Kevin McMullen | Stefan Schöberlein | Jason Stacy
Text:

constituted "an important chapter in the history of U.S. public works" and the role that local journalism played

Williamsburgh Word Portraits, No. 3

  • Date: 26 May 1859
  • Creator(s): Walt Whitman
Text:

description—yet as my series of sketches would be incomplete if it did not include a man who has played

The Celebration

  • Date: 25 April 1859
  • Creator(s): Walt Whitman
Text:

A number of the idle boys were playing around the basin and climbing up the marble jet, and it was generally

Whitman's November

  • Date: 27 August 1888
  • Creator(s): Anonymous
Text:

Press About six weeks ago the children on Mickle street, below Fifth street, in Camden, were asked to play

A Visit to Walt Whitman

  • Date: November 1909
  • Creator(s): William Hawley Smith
Text:

He made no grand-stand play, nor did we. We just "visited", like "lovers and friends".

Stoicism

  • Creator(s): Hutchinson, George
Text:

Moreover, Stoics tend to see one's personal existence as a role in a play directed by nature, thus conceiving

Poem of the Propositions of Nakedness.

  • Date: 1856
  • Creator(s): Walt Whitman
Text:

Let priests still play at immortality! Let death be inaugurated!

Respondez!

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

Let the priest still play at immortality! Let death be inaugurated!

Whitman futur, ou l'avenir à venir: "Poets to Come" in French Translation

  • Creator(s): Éric Athenot | Blake Bronson-Bartlett
Text:

complete French edition of the 1891–92 Leaves of Grass under the title Feuilles d'herbe in 1909, played

intimacy and imaginative coupling between reader and poet usually found in Whitman's poems—and at play

acts unto themselves, which bring new life to the original by transforming and enriching its lexical play

Saturday, April 27, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

by and by the capital will go west—somwhere along the Mississippi—the Missouri: that is the natural play

Every pianist should learn to sing and play the violin; then their ears would hear more critically the

But the average pianist plays by sight only, and has no ears.

Saturday, May 12, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Peter's. It is grand, grand—O how grand!

The New York Press

  • Date: 29 March 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Holy Bible—illuminated: Harpers' edition

  • Date: 21 October 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Visit to Plumbe's Gallery

  • Date: 2 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

An Hour Among the Porcelain Manufactories in Greenpoint

  • Date: 3 August 1857
  • Creator(s): Walt Whitman
Text:

Here were the calcined bone, fresh from Peter Cooper’s, the feldspar, glittering with mica and newly

New York City

  • Creator(s): Thomas, M. Wynn
Text:

Conrad, Peter. The Art of the City. Oxford: Oxford UP, 1984. Jackson, Kenneth T., ed.

Romanticism

  • Creator(s): Hodder, Harbour Fraser
Text:

.: Peter Smith, 1972.____. Walt Whitman's Workshop: A Collection of Unpublished Manuscripts. Ed.

Review of Leaves of Grass (1855)

  • Date: 23 July 1855
  • Creator(s): Dana, Charles A.
Text:

He sees eternity less like a play with a prologue and denouement…he sees eternity in men and women…he

The most renowned poems would be ashes…orations and plays would be vacuums.

Saturday, December 8, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

books about me: not cumbersome—light: carried them in my pocket: Shakespeare, for instance—one of the Plays

respects the most characteristic—I carried it most: I would buy a cheap second-hand book—tear out the play

Monday, September 3, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Lust, whiskey, such things, played heavy cards in his game of life.

letter of a literary man but of a man: a man simply possessed of the first impulse to help make fair play

Monday, November 2, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

"It makes a good play. Did you know that, Horace? A capital play—with fire and feeling—oh!

Cluster: By the Roadside. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: By the Roadside. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Whitman in France and Belgium

  • Creator(s): Asselineau, Roger
Text:

Bazalgette translated The Wound-Dresser ( Le Panseur de Plaies ) (1917).

In eight hundred finely written pages, she methodically and exhaustively followed the role played by

We shall see later the part played by this same spectacle in the growth of the poem.

We think every great artist is a conscious one and that in every great work of art the part played by

not marches for accepted victors only, I play marches for conquer'd and slain persons.

James W. Wallace to Walt Whitman, 3 April 1891

  • Date: April 3, 1891
  • Creator(s): James W. Wallace
Annotations Text:

is referencing Hamlet's "To be, or not to be" soliloquy in Act 3, Scene 1 of William Shakespeare's play

Walt Whitman to Jessie Louisa Whitman, 6 March [1887]

  • Date: March 6, 1887
  • Creator(s): Walt Whitman
Annotations Text:

He played the lead role in Clito, a new blank-verse drama set in ancient Greece, written by the English

“This Mighty Convlusion”: Whitman and Melville Write the Civil War

  • Date: 2019
  • Creator(s): Sten, Christopher | Hoffman, Tyler
Text:

Reconciliation as Sequel and Supplement: Drum- Taps and Battle-Pieces / 69 peTer J.

Robert Penn 80 } Peter J.

Olsen- Smith, Steven, Peter Norberg, and Dennis C. Marnon.

Peter Coviello. New York: Oxford University Press, 2004. ———.

Peter J.

Documents Related to the 1855 Leaves of Grass: Early Draft Advertisements

  • Creator(s): Stephanie Blalock
Text:

more information on Whitman's complex relationship to and uses of manuscripts and printed proofs, see Peter

Stallybrass, Peter. "Walt Whitman's Slips: Manufacturing Manuscript." , 37.1 (2019), 66–106. .

Cluster: Children of Adam. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

, He shall be lawless, rude, illiterate—he shall be one condemn'd by others for deeds done; I will play

Cluster: Children of Adam. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Enfans D'adam. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

Amorous, mature—all beautiful to me—all won- drous wondrous , My limbs, and the quivering fire that ever plays

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or feared of hell, are now consumed, Mad filaments, ungovernable shoots play

, He shall be lawless, rude, illiterate—he shall be one condemned by others for deeds done; I will play

Cluster: Children of Adam. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

The Continuing Presence of Walt Whitman: The Life after the Life

  • Date: 1992
  • Creator(s): Martin, Robert K.
Text:

The song plays variations on its principal themes, "I am a reaper" and "I hunger."

is based on a photo of Peter pulling himself up on the hood of a car.

The viewer is located within the room from which Peter apparently wants to escape.

He told her that the next issue of his newspaper was to be about Peter Doyle.

Outrageously elusive play is its essence.

Whitman among the Bohemians

  • Date: 2014
  • Creator(s): Levin, Joanna | Whitley, Edward
Text:

Rather, in puffing Whitman, the Saturday Press played at and played with repre- sentations of Whitman

, play-goers, and ye general reader, in a state of utter despair. . . .

“‘Pete the Great’: A Biography of Peter Doyle.”

Gloucester, ma: Peter Smith, 1872. Winter,William.

Feminist Conversations: Fuller, Emerson, and the Play of Reading.

A Defence of the Christian Doctrines of the Society of Friends

  • Date: After 1838; 1825
  • Creator(s): Walt Whitman | Anonymous
Text:

as it is now; It could as easily have unfolded to him, the counsel of God, as to bid him send for Peter

ordained the use of instrumental means, was it any reason, why Cornelius should reject the teaching of Peter

If when Peter came, Cornelius had said to him, I have the Light in myself–this is all-sufficient for

Review of Leaves of Grass (1855)

  • Date: January 1856
  • Creator(s): Hale, Edward Everett
Text:

cuts, First-rate to ride, to fight, to hit the bull's-eye, to sail a skiff, to sing a song, or to play

Sunday, July 22, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

deserted, fall from his high place, sink into total obscurity: but on the stage, at the moment, while the play

Sunday, April 21, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I believe in unplugging the day—in inviting freedom—in having the boys play their ball, people go to

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