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Search : PETER MAILLAND PLAY

1584 results

Hugo, Victor (1802–1885)

  • Creator(s): Moore, Andy J.
Text:

Hugo's plays were also enjoying successful performances on the New York stage.

Whitman told Horace Traubel that "Hugo's immortal works were the dramas, the plays, the poems: least

Simpson, Louis (1923–2012)

  • Creator(s): Schneider, Steven P.
Text:

In his poetry and prose, Simpson has played an influential role in the ongoing "dialogue" between post-World

Shakespeare, William (1564–1616)

  • Creator(s): McBride, Phyllis
Text:

of Lucrece (1594), and 154 sonnets, this Renaissance poet and playwright remains best known for his plays

, which include histories, comedies, tragicomedies (the so-called problem plays), tragedies (most notably

While he recognized and acknowledged Shakespeare's poems and plays as masterpieces, he at the same time

Shakespeare's works, reading and rereading them and even carrying a copy of the Sonnets or one of the plays

Indeed, Whitman memorized long passages from Shakespeare's plays (especially from Richard II), then "

Joyce, James (1882–1941)

  • Creator(s): Moore, Andy J.
Text:

echoes and phrases from "Song of Myself": "I have heard the melodious harp / On the streets of Cork playing

Hughes, Langston (1902–1967)

  • Creator(s): Britton, Wesley A.
Text:

In a 1946 essay Hughes expressed his belief that, since Whitman had played with slave children in his

Heine, Heinrich (1797–1856)

  • Creator(s): Grünzweig, Walter
Text:

Peter Uwe Hohendahl and Sander L. Gilman. Lincoln: U of Nebraska P, 1991. 199–223.

Goethe, Johann Wolfgang von (1749–1832)

  • Creator(s): Round, Phillip H.
Text:

.: Peter Smith, 1972. 139–141. ———. Notebooks and Unpublished Prose Manuscripts. Ed. Edward F.

Boker, George Henry (1823–1890)

  • Creator(s): Gould, Mitch
Text:

Turkey (1871–1875) and Russia (1875) and is best known for Francesca da Rimini (staged 1855), a popular play

Boker was dissatisfied with his theatrical career and desperately wanted a following for his Plays and

Mathews, Cornelius (ca. 1817–1889)

  • Creator(s): Yannella, Donald
Text:

periodical editor throughout his long career and wrote across the genres: fiction, sketches, poetry, and plays

Beach, Juliette H. (1829–1900)

  • Creator(s): Mullins, Maire
Text:

.: Peter Smith, 1972. lviii–lix n15. Kaplan, Justin. Walt Whitman: A Life.

Hartmann, C. Sadakichi (ca. 1867–1944)

  • Creator(s): Roche, John F.
Text:

Sadakichi (ca. 1867–1944) Like the character he played in the 1924 film The Thief of Bagdad, Whitman

Sadakichi Hartmann played court magician to successive bohemian circles.

"Legend of Life and Love, A" (1842)

  • Creator(s): McGuire, Patrick
Text:

Allen sees the grandfather in this story as a variation on the cruel father theme that plays through

"My Boys and Girls" (1844)

  • Creator(s): McGuire, Patrick
Text:

There is some humorous play in the sketch.

Ashton, J. Hubley (1836–1907)

  • Creator(s): Bawcom, Amy M.
Text:

In January 1865, in his capacity as Assistant Attorney General of the United States, Ashton played a

Popular Culture, Whitman and

  • Creator(s): Reynolds, David S.
Text:

turned to the Bowery b'hoy, a figure of urban street culture who had been mythologized in popular plays

Gloucester, Mass.: Peter Smith, 1972.____. "Walt Whitman and His Poems." In Re Walt Whitman. Ed.

Pre-Leaves Poems

  • Creator(s): Gibson, Brent L.
Text:

A Parody," "Death of the Nature-Lover" (revision of "My Departure"), "The Play-Ground," "Ode," "The House

Pride

  • Creator(s): Griffin, Christopher O.
Text:

.: Peter Smith, 1972. Pride

Prosody

  • Creator(s): Winslow, Rosemary Gates
Text:

Whitman's musical working of regularized accentual contours drawn from speech is able to contain the play

Pseudoscience

  • Creator(s): Wrobel, Arthur
Text:

contemporary sources, including animal magnetism, phreno-magnetism, and phrenology.Though the various roles played

Psychological Approaches

  • Creator(s): Black, Stephen A.
Text:

Schyberg concluded that Whitman remained identified with his mother throughout his life, and often played

Reading, Whitman's

  • Creator(s): French, R.W.
Text:

.: Peter Smith, 1972. Reading, Whitman's

Realism

  • Creator(s): Dean, Thomas K.
Text:

Yet in 1898, James finds Whitman's posthumously published letters to Peter Doyle in Calamus "positively

Religion

  • Creator(s): Kuebrich, David
Text:

example, see "To Thee Old Cause" and "To a Certain Cantatrice"), and he envisioned the United States as playing

Rhetorical Theory and Practice

  • Creator(s): Higgins, Andrew C.
Text:

The rhetorician is interested in the ways that writers play on these different identities, highlighting

Romanticism

  • Creator(s): Hodder, Harbour Fraser
Text:

.: Peter Smith, 1972.____. Walt Whitman's Workshop: A Collection of Unpublished Manuscripts. Ed.

"Scented Herbage of My Breast" (1860)

  • Creator(s): Martin, Robert K.
Text:

rejection of false identity ("the sham that was proposed to me" in 1860, originally "the costume, the play

Sentimentality

  • Creator(s): Kete, Mary Louise
Text:

Two issues that are of increasing critical interest concern the role played by sentimentality in shaping

"Shakspere-Bacon's Cipher" (1891)

  • Creator(s): Collmer, Robert G.
Text:

proposition in the two-volume The Great Cryptogram: Francis Bacon's Cipher in the So-Called Shakespeare Plays

Bacon-authorship proposal had been launched first in book form—Was Lord Bacon the Author of Shakespeare's Plays

The theory gained prominence through Delia Bacon's The Philosophy of the Plays of Shakespeare Unfolded

"Sometimes with One I Love"(1860)

  • Creator(s): Chandran, K. Narayana
Text:

finds the revision rather pointless because he feels that for all the poet's supposed intimacy with Peter

"Song of Prudence" (1856)

  • Creator(s): Barton, Gay
Text:

Whitman plays with the conventional meaning of the word "prudence" by employing the vocabulary of finance—good

"Song of the Answerer" (1881)

  • Creator(s): Hatlen, Burton
Text:

Traces of this same paradox also play through "Song of the Answerer."

"Song of the Banner at Daybreak" (1865)

  • Creator(s): Hatlen, Burton
Text:

"Song of the Banner" plays a similar role in what eventually became the "Drum-Taps" cluster.

"Song of the Broad-Axe" (1856)

  • Creator(s): Hatlen, Burton
Text:

can, with Thomas, read the poem's opening lines as a ritual purification of the axe so that it can play

Soul, The

  • Creator(s): Kuebrich, David
Text:

DavidKuebrichSoul, TheSoul, TheWhitman's understanding of the soul is extremely complex, and it plays

"Starting from Paumanok" (1860)

  • Creator(s): Marki, Ivan
Text:

exuberance and excitement do not allow the speaker to advance a carefully reasoned argument; the poem plays

Stoicism

  • Creator(s): Hutchinson, George
Text:

Moreover, Stoics tend to see one's personal existence as a role in a play directed by nature, thus conceiving

Style and Technique(s)

  • Creator(s): Warren, James Perrin
Text:

Between the two ends of the spectrum, however, Whitman displays great artistry in the play of stanza

Section 11 of "Song of Myself," for instance, owes much of its dreamlike tone to the delicate play of

"That Music Always Round Me" (1860)

  • Creator(s): King, Jerry F.
Text:

here uses correctly; it is the musical notation for full tonality of all instruments in an orchestra played

"Italian Music in Dakota" (1881)

  • Creator(s): Krieg, Joann P.
Text:

When played by the regimental band in the western wilderness, rather than in a city opera house, the

Italy, Whitman in

  • Creator(s): Sanfilip, Thomas
Text:

Peter Mitilineos. Washington, D.C.: NCR Microcard Editions, 1973.McCain, Rea.

Lawrence, Kansas

  • Creator(s): Schroeder, Steven
Text:

Its history from 1854 to the time of Whitman's visit was a crucible for the struggle that played such

Leaves of Grass, 1876, Author's Edition

  • Creator(s): Keuling-Stout, Frances E.
Text:

he unceremoniously exited Washington for Camden, which left him separated from his intimate friend, Peter

"Live Oak with Moss" (1953–1954)

  • Creator(s): Helms, Alan
Text:

formed the nucleus of "Calamus," and it gave Whitman the idea of the "cluster," a formal feature that plays

London, Ontario, Canada

  • Creator(s): Cederstrom, Lorelei
Text:

However, both Peter Rechnitzer's recent study and the Canadian film Beautiful Dreamers, which depicts

Iowa City: U of Iowa P, 1992. 141–151.Rechnitzer, Peter A. R.M.

Long Island Patriot

  • Creator(s): Karbiener, Karen
Text:

.: Peter Smith, 1972. Long Island Patriot

Long Island Star

  • Creator(s): Karbiener, Karen
Text:

.: Peter Smith, 1972. Long Island Star

Love

  • Creator(s): Gould, Mitch
Text:

Whitman's major lovers—Fred Vaughan, Peter Doyle, and Harry Stafford—were cut from much the same depressive

Media Interpretations of Whitman's Life and Works

  • Creator(s): Britton, Wesley A.
Text:

Peter Buffett's musical score merges various voices, emphasizing the film's themes of hope, joy, compassion

(Available on video.)Whitman is frequently quoted in director Peter Weir's Dead Poets Society (1989),

produced Song of Myself (first broadcast 9 March 1976), starring Rip Torn as Whitman and Brad Davis as Peter

which set Whitman's verse to original synthesizer music.In 1995 playwright Alan Brody and composer Peter

between Whitman's last breath of inspiration and his last exhalation, with dialogues between Whitman and Peter

Mississippi River

  • Creator(s): Field, Jack
Text:

New York: Peter Smith, 1932. Mississippi River

Music, Whitman and

  • Creator(s): Strassburg, Robert
Text:

Paul, and experienced the virtuoso playing of the French violinist Henry Vieuxtemps and the Norwegian

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