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Search : PETER MAILLAND PLAY

1584 results

The Half-Breed; A Tale of the Western Frontier

  • Date: June 9, 1846
  • Creator(s): Walt Whitman
Text:

appearance, which had been uttered several days previous, when Master Caleb gave his flock a holiday, for Peter

just as gleesome, commemorated the bestowal, that morning, of another holiday, for the hanging of Peter

of the stream, to see, reclining there in the sunshine, the shape of the now wan and pallid-faced Peter

with wild and ghastly visage, and with the phrenzied contortions of a madman in his worst paroxysm, Peter

Peter Brown, although he has quite a family of little children, finds time, now and then, to utter eloquent

Visit to Plumbe's Gallery

  • Date: 2 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Memorials of the Red Men

  • Date: 9 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

That Indian Gallery

  • Date: 22 July 1846
  • Creator(s): Walt Whitman
Text:

Catlin as a "precious collection" Painter George Peter Alexander Healy (1813–1894) was one of more than

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The monthly Magazines

  • Date: 28 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

City Intelligence

  • Date: 4 August 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary Notices

  • Date: 10 August 1846
  • Creator(s): Walt Whitman
Text:

likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play

Literary Notices

  • Date: 15 August 1846
  • Creator(s): Walt Whitman
Text:

Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary Notices

  • Date: 26 August 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The Literary World

  • Date: 12 October 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Holy Bible—illuminated: Harpers' edition

  • Date: 21 October 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Free Exhibitions of Works of Art

  • Date: 21 October 1846
  • Creator(s): Walt Whitman
Text:

Peter's Basilica in the Vatican, the largest and most distinguished Renaissance church in Italy.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Notices of New Books

  • Date: 16 November 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 19, 1846
  • Creator(s): Walt Whitman
Text:

The curtain drew up and the play began.

When the play was over, we went out.

Matters Which Were Seen and Done in an Afternoon Ramble

  • Date: 19 November 1846
  • Creator(s): Walt Whitman
Text:

presentment of "The Troublesome Raigne of John, King of England," (which is probably more Marlowe's play

From first to last it was a continuous stretch of unsurpassed by–play and fine elocution.

Only the morbid appetite for unnatural strained effect can complain of want of interest in such a play

Arthur took the sympathies of the whole house; she played with quiet, grace, and modesty.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 20, 1846
  • Creator(s): Walt Whitman
Text:

"But it is a dangerous game, and should be played cautiously."

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 21, 1846
  • Creator(s): Walt Whitman
Text:

"We have made up a fine party for the play to-night, and you must promise to be one of us."

finished my meal before my companions came, according to arrangement, to take me with them to the play

About Pictures, &c.

  • Date: 21 Novermber 1846
  • Creator(s): Walt Whitman
Text:

(an instrument, by the by, which discourses very eloquent music, well–played, and is cheap to buy, and

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 24, 1846
  • Creator(s): Walt Whitman
Text:

Like an actor who plays a part, I became warmed in the delineation, and the very passion I feigned, came

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 28, 1846
  • Creator(s): Walt Whitman
Text:

Whether any suspicions of foul play were as yet aroused in the breasts of other persons, is more than

[Among the embellished periodicals]

  • Date: 17 March 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Books Lately Issued

  • Date: 22 July 1847
  • Creator(s): Walt Whitman
Text:

Such provocatives of patriotism as then existed cannot now come in play again.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Robert Southey

  • Date: After 1847; February 1851; September 25, 1847
  • Creator(s): Walt Whitman | Anonymous
Text:

Coleridge was to himself throughout his life, what the Spectre was to the hero of one of Calderon's plays

["Pastourel," by Frederick Soulie]

  • Date: 28 September 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

["The new Juvenile Drawing Book"]

  • Date: 29 September 1847
  • Creator(s): Walt Whitman
Text:

For efforts to promote drawing in the schools see especially Peter C.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Some Thoughts about This Matter of the Washington Monument

  • Date: 18 October 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

New publications

  • Date: 8 November 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Walt Whitman to the Editors of The Daily Crescent, 30 July 1848

  • Date: July 30, 1848
  • Creator(s): Walt Whitman
Annotations Text:

Claude Melnotte is a character in the play The Lady of Lyons; or, Love and Pride, which was written by

The play was first performed in London's Convent Garden Theatre in the late-1830s, and it became the

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Text:

To Richings's Caliban, how sweetly she could then play and sing the gentle Ariel.

Hers was playing.

She "did" Marianne, in The Wife; and many a man, who had visited the theatre for years, then saw playing

Annotations Text:

He started performing at the Park Theatre as a child, acted in numerous plays, and, later, leased and

She acted in many principal women's roles of the era, including playing Juliet in William Shakespeare's

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

I saw the procession return about 8 o'clock, music playing, and so forth; contrary to the usual practice

, they played the most plaintive marches and held a solemn demeanor.

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

Forrest played all last week at the Broadway to crowded and applauding houses. Mr.

He is very popular, and really plays better than any Irish comedian at present among us.

Barrett, who will probably play together.

Whichever house they don't play in should forthwith checkmate them by engaging Charlotte Cushman, who

Annotations Text:

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Walt Whitman to the Editors of The Daily Crescent, 2 October 1848

  • Date: October 2, 1848
  • Creator(s): Walt Whitman
Text:

Collins continues at the Broadway; Esmeralda at the Park; Hamblin is playing a round of tragedy characters

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

Walt Whitman to the Editors of The Daily Crescent, 4 October 1848

  • Date: October 4, 1848
  • Creator(s): Walt Whitman
Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Walt Whitman to the Editors of The Daily Crescent, 9 October 1848

  • Date: October 9, 1848
  • Creator(s): Walt Whitman
Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Walt Whitman to the Editors of The Daily Crescent, 12 October 1848

  • Date: October 12, 1848
  • Creator(s): Walt Whitman
Text:

The band played a complimentary tune, and the folks stared at the old hero; but there was no hurrahing

Macready still "goes it s'rong" at the Astor Place; to-night he plays Hamlet—his best performance.

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Walt Whitman to the Editors of The Daily Crescent, 28 October 1848

  • Date: October 28, 1848
  • Creator(s): Walt Whitman
Text:

beauty of the latter place, this fine autumn weather, is the fountain, which they are now allowing to play

the place, who used to count upon walking there during the intermissions, as much as on seeing the play

Walt Whitman to the Editors of The Daily Crescent, 25 November 1848

  • Date: November 25, 1848
  • Creator(s): Walt Whitman
Text:

I should not be much surprised if a dash of Lynch law were to come in play, then, unless the police muster

Walt Whitman to the Editors of The Daily Crescent, 9 December 1848

  • Date: December 9, 1848
  • Creator(s): Walt Whitman
Text:

The play and performances generally were well sustained.....Exhibitions of various kinds—pictures and

Letters from a Travelling Bachelor–No. II

  • Date: 21 October 1849
  • Creator(s): Walt Whitman
Text:

See Peter Ross and William Smith Pelletreau, A History of Long Island: From Its Earliest Settlement to

Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio

Annotations Text:

.; Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio

Number III

  • Date: 28 October 1849
  • Creator(s): Walt Whitman
Text:

A very large majority never entered a theatre or read a play, or saw a piano or any thing worthy to be

that these people might be very intelligent, and very manly and womanly, without ever having seen a play

Number VII

  • Date: 25 November 1849
  • Creator(s): Walt Whitman
Text:

The fountain is playing, and so let us stroll about here a few minutes.

The fountain here plays more frequently than any of the other fountains—at least it is always playing

Letter IX

  • Date: 16 December 1849
  • Creator(s): Walt Whitman
Text:

Thoughts of the boundless Creation must have expanded my mind, for it certainly played the most unconscionable

Sweet flag

  • Date: Between 1850 and 1855
Text:

Play up there! the fit is whirling me fast."

Letters from Paumanok

  • Date: 14 August 1851
  • Creator(s): Walt Whitman
Text:

And the dark and glistening water formed an under-tone to the play of vehement color up above.

Have you not, in like manner, while listening to the well-played music of some band like Maretzek's,

A Sermon Preached in the Central Reformed Protestant Dutch Church

  • Date: After July 27, 1851; 1851
  • Creator(s): Walt Whitman | Jacob Brodhead
Text:

In the summer of the next year, Director Peter Minuit purchased from the aborigines, the whole of Manhattan

Bill Guess

  • Date: March 20, 1854
  • Creator(s): Walt Whitman
Text:

.— Peter — —large, strong boned youn young fellow, driver.—should guess he weigh ed s 200 180 .

Bill Guess

  • Date: March 20, 1854
Text:

This manuscript contains notes about the characters and physical traits of three men: Bill Guess, Peter

med Cophósis

  • Date: Between 1852 and 1854
  • Creator(s): Walt Whitman
Text:

—Work of some sort Play?

weapons or helmets—all emblematic of peace—shadowy—rapidly approaches and pauses sweeping by— if in a play—let

Talbot Wilson

  • Date: Between 1847 and 1854
  • Creator(s): Walt Whitman
Text:

Great latitude must be allowed to others Bring Play your muscle, and it will be lithe as willow and gutta

Whitman and His Poems," first published in the United States Review : "Every move of him has the free play

Leaves of Grass (1855)

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

He sees eternity less like a play with a prologue and denouement . . . . he sees eternity in men and

I play not a march for victors only . . . . I play great marches for conquered and slain persons.

The most renowned poems would be ashes . . . . orations and plays would be vacuums.

Play up there! the fit is whirling me fast.

I hope the fifes will play Yankee Doodle.

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