Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1600-#-# to 2100-#-#
Month 1600-#-1 to 2100-#-31
Day 1600-01-# to 2100-12-#

Work title

See more

Year

Search : PETER MAILLAND PLAY

1584 results

Walt Whitman to William D. O'Connor, 18 March 1889

  • Date: March 18, 1889
  • Creator(s): Walt Whitman
Text:

capital investors — N[elly]'s card came this mn'g—I am easier to-day—Hope the cold in the head is "petering

Walt Whitman to William D. O'Connor, 11 July 1888

  • Date: July 11, 1888
  • Creator(s): Walt Whitman
Annotations Text:

book" in England (probably The Great Cryptogram: Francis Bacon's Cipher in the So-Called Shakespeare Plays

Walt Whitman to Louisa Van Velsor Whitman, 28 March [1873]

  • Date: March 28, [1873]
  • Creator(s): Walt Whitman
Text:

papers—he comes & sits a few minutes every morning before going to work—he has been very good indeed—he & Peter

Walt Whitman to Ernest Rhys, 22 January 1890

  • Date: January 22, 1890
  • Creator(s): Walt Whitman
Annotations Text:

theatre as an actor and director (she directed and acted in the production of one of Ernest Rhys's plays

Walt Whitman to Abby H. Price, 7 April 1869

  • Date: April 7, 1869
  • Creator(s): Walt Whitman
Text:

of my book the ensuing summer —stereotyped—( positively last appearance for the season &c) as the play

Walt Whitman to Louisa Van Velsor Whitman, 25 December [1871]

  • Date: December 25, 1871
  • Creator(s): Walt Whitman
Text:

bells are all ringing for 7 oclock church—there is a chime of bells in one of the churches—they are playing

Walt Whitman to Louisa Van Velsor Whitman, 1 January 1872

  • Date: January 1, 1872
  • Creator(s): Walt Whitman
Text:

three letters to you last week, & papers—I knew that policeman Doyle that was shot dead here—he was Peter

Walt Whitman to Richard Maurice Bucke, 27 December 1890

  • Date: December 27, 1890
  • Creator(s): Walt Whitman
Text:

heavy-headed, congested—good fire—no mail for me to-day—Warren has gone out sleighing—I hear the boys playing

Walt Whitman to Richard Maurice Bucke, 23 May 1891

  • Date: May 23, 1891
  • Creator(s): Walt Whitman
Annotations Text:

Whitman is referring to King Lear, the titular character of William Shakespeare's play King Lear (1606

In the play, Lear abdicates his throne and loses his former glory, becoming insane and impoverished.

Walt Whitman to the Editors of The Daily Crescent, 30 July 1848

  • Date: July 30, 1848
  • Creator(s): Walt Whitman
Annotations Text:

Claude Melnotte is a character in the play The Lady of Lyons; or, Love and Pride, which was written by

The play was first performed in London's Convent Garden Theatre in the late-1830s, and it became the

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Text:

To Richings's Caliban, how sweetly she could then play and sing the gentle Ariel.

Hers was playing.

She "did" Marianne, in The Wife; and many a man, who had visited the theatre for years, then saw playing

Annotations Text:

He started performing at the Park Theatre as a child, acted in numerous plays, and, later, leased and

She acted in many principal women's roles of the era, including playing Juliet in William Shakespeare's

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

I saw the procession return about 8 o'clock, music playing, and so forth; contrary to the usual practice

, they played the most plaintive marches and held a solemn demeanor.

Walt Whitman to the Editors of The Daily Crescent, 2 October 1848

  • Date: October 2, 1848
  • Creator(s): Walt Whitman
Text:

Collins continues at the Broadway; Esmeralda at the Park; Hamblin is playing a round of tragedy characters

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

Forrest played all last week at the Broadway to crowded and applauding houses. Mr.

He is very popular, and really plays better than any Irish comedian at present among us.

Barrett, who will probably play together.

Whichever house they don't play in should forthwith checkmate them by engaging Charlotte Cushman, who

Annotations Text:

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Walt Whitman to Edwin Booth, 21 August 1884

  • Date: August 21, 1884
  • Creator(s): Walt Whitman
Text:

knowing I do)—I am writing for the magazine market—or rather have written—a reminiscence of the actors & plays

Walt Whitman to Louisa Van Velsor Whitman, 25 May 1865

  • Date: May 25, 1865
  • Creator(s): Walt Whitman
Text:

beautiful flag )—the great drum corps of sixty or eighty drummers massed at the heads of the brigades, playing

whistling fifes—but they sounded very lively—(perhaps a band of sixty drums & fifteen or twenty fifes playing

Walt Whitman to Jessie Louisa Whitman, 6 March [1887]

  • Date: March 6, 1887
  • Creator(s): Walt Whitman
Annotations Text:

He played the lead role in Clito, a new blank-verse drama set in ancient Greece, written by the English

Walt Whitman to William D. O'Connor, September (?) 1866

  • Date: September (?) 1866
  • Creator(s): Walt Whitman
Text:

enervation, and producing depression and enervation as their result;—or else that class of poetry, plays

Walt Whitman to Louisa Van Velsor Whitman, 29–[30] March [1873]

  • Date: March 29–30, 1873
  • Creator(s): Walt Whitman
Text:

been a beautiful day—I am now sitting in my room, by the stove, but there is hardly need of a fire—Peter

Walt Whitman to Louisa Van Velsor Whitman, 17 February [1873]

  • Date: February 17, 1873
  • Creator(s): Walt Whitman
Text:

now to improve in walking—& then I shall begin to feel all right—(but am still very feeble & slow)—Peter

Walt Whitman to Louisa Van Velsor Whitman, 31 January [1873]

  • Date: January 31, 1873
  • Creator(s): Walt Whitman
Text:

been—he says I am doing very well— John Burroughs is here temporarily—he comes in often—Eldridge and Peter

Walt Whitman to Louisa Van Velsor Whitman, 29 January [1873]

  • Date: January 29, 1873
  • Creator(s): Walt Whitman
Text:

whatever I wish—& two or three good friends here—So I want you to not feel at all uneasy—as I write, Peter

Whitman in the German-Speaking Countries

  • Creator(s): Walter Grünzweig
Text:

The poem by Wellbrock (born in 1949), a Berlin-based writer of poems, short stories, and radio plays,

its part and passing on, Another generation playing its part and passing on in its turn, With faces

There played the famous Booth, whom the 15-year-old Whitman had a first chance to see as Richard III.

Gedichte der Nachgeborenen (Wuppertal: Peter Hammer, 1971), 154–155.

Hermann Peter Piwit and Peter Rühmkorf, eds., Literaturmagazin 5. Das Vergehen von Hören und Sehen.

Style and Technique(s)

  • Creator(s): Warren, James Perrin
Text:

Between the two ends of the spectrum, however, Whitman displays great artistry in the play of stanza

Section 11 of "Song of Myself," for instance, owes much of its dreamlike tone to the delicate play of

"walter dear": The Letters from Louisa Van Velsor Whitman to Her Son Walt

  • Creator(s): Wesley Raabe
Text:

of the family in which Edward boarded after his mother's death, Edward sat silently the entire day playing

his family (again, though May 1873) far exceed in number those to any family member: forty-five to Peter

entry_25.html That Walt began his revision earlier is also suggested in his October 9, 1868 letter to Peter

October 9, 1868 letter to Peter Doyle.

William Michael Rossetti's expurgated London edition, Poems by Walt Whitman (Hotten, 1868), may have played

An English and an American Poet

  • Date: October 1855
  • Creator(s): Whitman, Walt
Text:

What play of Shakspeare, represented in America, is not an insult to America, to the marrow in its bones

Walt Whitman and His Poems

  • Date: September 1855
  • Creator(s): Whitman, Walt
Text:

Every move of him has the free play of the muscle of one who never knew what it was to feel that he stood

wound cuts, First rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song, or play

Catalog of the Walt Whitman Literary Manuscripts in the Harris Collection of American Poetry and Plays, John Hay Library, Brown University

  • Creator(s): Whitman, Walt, 1819-1892
Text:

The Harris Collection of American Poetry and Plays is composed of approximately 250,000 volumes of American

and Canadian poetry, plays, and vocal music dating from 1609 to the present day.

Catalog of the Walt Whitman Literary Manuscripts in the Harris Collection of American Poetry and Plays

Catalog of the Walt Whitman Literary Manuscripts in the Harris Collection of American Poetry and Plays

Walt. Whitman's New Poem

  • Date: 28 December 1859
  • Creator(s): Whitman, Walt, and Henry Clapp
Text:

wandered alone, bare- headed, barefoot, Down from the showered halo and the moonbeams, Up from the mystic play

Picaninies, and the Grand Panjandrum himself, with a little round button at the top; and they all fell to playing

Whitman's New Book

  • Date: 15 October 1882
  • Creator(s): Whitman, Walt, and Sylvester Baxter
Text:

Printing Office—Old Brooklyn…Lafayette…Broadway Sights…My Passion for Ferries…Omnibus Jaunts and Drivers…Plays

The play of imagination, with the sensuous objects of nature for symbols, and faith—with love and pride

He says "there is another shape of personality dearer far to the artist sense (which likes the play of

Will W. Wallace to Walt Whitman, 31 October 1868

  • Date: October 31, 1868
  • Creator(s): Will W. Wallace
Annotations Text:

Thompson (1839 or 1840–1911), commonly known as "Snacks" after an amateur role he had once acted in a play

William D. O'Connor to Walt Whitman, 29 May 1882

  • Date: May 29, 1882
  • Creator(s): William D. O'Connor
Text:

I think John will be delighted with my sword-play.

William D. O'Connor to Walt Whitman, 28 August 1882

  • Date: August 28, 1882
  • Creator(s): William D. O'Connor
Text:

I have been much played out this summer, especially the last month.

William D. O'Connor to Walt Whitman, 19 August 1882

  • Date: August 19, 1882
  • Creator(s): William D. O'Connor
Text:

have not again written him, being quite satisfied with letting him know what I thought of his fair-play

William D. O'Connor to Walt Whitman, 31 August 1888

  • Date: August 31, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 12 July 1888

  • Date: July 12, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 25 July 1888

  • Date: July 25, 1888
  • Creator(s): William D. O'Connor
Text:

He is certainly the winter of my discontent mentioned by Lord Bacon in his play of Richard III.

Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 3 January 1888

  • Date: January 3, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 2 October 1884

  • Date: October 2, 1884
  • Creator(s): William D. O'Connor
Text:

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions

William D. O'Connor to Walt Whitman, 25 May 1886

  • Date: May 25, 1886
  • Creator(s): William D. O'Connor
Annotations Text:

Elegancies, was the text that was often cited by Baconians as evidence that Bacon was the author of the plays

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

The Good Gray Poet

  • Date: 1866 (republished 1883)
  • Creator(s): William Douglas O'Connor
Text:

I play Alphonso neither to genius nor to God.

Here in my knowledge is an estimable family which, when the baby playing on the floor kicked up its skirts

This is one of the central ideas which rule the myriad teeming play of his volume, and interpret it as

a law of Nature interprets the complex play of facts which proceeds from it.

The Carpenter

  • Date: 1868
  • Creator(s): William Douglas O'Connor
Text:

"When the children come, you'll have a good time playing with them.

"Old uncle Peter always said he was alive, and going round doing good.

"That's a sample lot of old Peter Dyzer," he resumed. "Lord, sir!

'That's him,—that's Christ,' says old Peter. 'But, Mr.

"I mentioned that old Peter Dyzer left me this place.

William Douglas O'Connor to Walt Whitman, 17 August 1886

  • Date: August 17, 1886
  • Creator(s): William Douglas O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman: Is He Persecuted?

  • Creator(s): William Douglass O'Connor
Text:

periodical pretends to cater to; but only, instead, put in to do the poet harm, the dull insults of Peter

Bayne—Peter Bayne, the purblind devotee of weak superstition, whose essays in criticism, marked by such

in his age, his poverty, his infirmity, no friend of his could desire a worthier tribute than fair play

Suppressing Walt Whitman.

  • Date: April 22, 1876
  • Creator(s): William Douglass O'Connor
Text:

blackened corpse of Glanas swung beside the carcass of the regicide for having translated Plato, and where Peter

Walt Whitman

  • Date: 28 June 1885
  • Creator(s): William H. Ballou
Text:

day I went into the country and naked, bathed in sunshine, lived with the birds and squirrels and played

Walt Whitman and the Tennyson Visit

  • Date: 3 July 1885
  • Creator(s): William H. Ballou
Text:

A canary sang with all his might, and a kitten played to and fro.

country, found a secluded Creek, and naked bathed in sunshine, lived with the birds and squirrels and played

William H. McFarland to Walt Whitman, 11 November 1863

  • Date: November 11, 1863
  • Creator(s): William H. McFarland
Text:

it is estimated 15,000 Majority for the Union that is the home vote the copperheads are completely played

A Visit to Walt Whitman

  • Date: November 1909
  • Creator(s): William Hawley Smith
Text:

He made no grand-stand play, nor did we. We just "visited", like "lovers and friends".

William Michael Rossetti to Walt Whitman, 12 April 1868

  • Date: April 12, 1868
  • Creator(s): William Michael Rossetti
Text:

Perhaps I ought to apologize for saying so much to you about a matter I know plays but the smallest part

Back to top