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Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Lawrence, Kansas

end, that is all there is to it: I never attribute any other significance to it" (With Walt Whitman 1:

cause of the masses—a means whereby men may be revealed to each other as brothers" (With Walt Whitman 1:

Vol. 1. Boston: Small Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 4. Ed. Sculley Bradley.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. London, Ontario, Canada

Vol. 1. Ed. Holloway. Garden City, N.Y.: Doubleday, Page, 1921. xxiii–xcii.Reynolds, David S.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Long Island, New York

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.____.

American Speech 1 (1926): 421–430.Rajasekharaiah, T.R. The Roots of Whitman's Grass.

Actor John Carradine performed "Poets to Come" with a jazz setting for vol. 1 of An Anthology of Poetry

(Gathering 1:247).

would not be emancipated; nor could dark-skinned Mexicans be incorporated into the union (Gathering 1:

1864, he confessed that Mexico was "the only one to whom we have ever really done wrong" (Prose Works 1:

Vol. 1.

singing, her method, gave the foundation, the start . . . to all my poetic literary efforts" (Prose Works 1:

Whitman opens the poem by addressing this "strange musician" (section 1), calling it forward so "I may

Walt Whitman Quarterly Review 5.2 (1987): 1–7.Asselineau, Roger.

Walt Whitman Quarterly Review 5.2 (1987): 1–7.Killingsworth, M. Jimmie.

of Myself": "I permit to speak at every hazard / Nature without check with original energy" (section 1)

Walt Whitman Quarterly Review 2.3 (1984): 1–9.Eby, Edwin Harold, ed.

1851, Whitman wrote at least five articles for the Post: "Something About Art and Brooklyn Artists" (1

"Aware of mighty Niagara," he informs the reader in "Starting from Paumanok" (section 1); in "Song of

us is pouring now more than Niagara pouring," from "Rise O Days from Your Fathomless Deeps" (section 1)

Vol. 1 of Prose Works 1892. New York: New York UP, 1963. Niagara Falls

Whitman explained that "Whispers" would explore the "deep themes of Death & Immortality" (Correspondence 1:

Vol. 1. New York: Funk and Wagnalls, 1968. 3–39.Miller, James E., Jr. Walt Whitman.

Vol. 1. New York: Putnam, 1920.____. "Human Nature Under an Unfavorable Aspect."

Huntington Library Quarterly 19 (1955): 1–11.Whitman, Walt. Complete Poetry and Collected Prose.

the scene's temporal requirements were among the formal qualities Whitman admired most (Uncollected 1:

artists], ardent, radical and progressive" to strengthen this country's artistic base (Uncollected 1:

art's moral value and his equation between the "perfect man" and the "perfect artist" (Uncollected 1:

widely criticized by Whitman and his circle, who dubbed it the "parlor" Whitman (With Walt Whitman 1:

Vol. 1. 1906. New York: Rowman and Littlefield, 1961; Vol. 2. 1908.

Vol. 1. New York: New York UP, 1984. Pantheism

Vol. 1. Boston: Small, Maynard, 1906. "Passage to India" (1871)

meet new Walt Whitmans every day," he said; "I don't know which Walt Whitman I am" (With Walt Whitman 1:

life: "It is hard to extract a man's real self . . . from such historic débris" (With Walt Whitman 1:

than the oils," Whitman said; "they are perhaps mechanical, but they are honest" (With Walt Whitman 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

(Correspondence 1:44), a turn of events probably encouraged by Samuel R.

Vol. 1. New York: Appleton, 1906.Wallace, James K.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Timber Creek

Accentuating the circularity of time, the poet observes that the sun that is now "half an hour high" (section 1)

He writes, "Not Time affects me—I am Time, old, modern as any" (section 1).

ATQ 1 (1987): 291–299. "To a Foil'd European Revolutionaire" (1856)

The first (lines 1–17) is a chanting apostrophe, cast as a "recitative."

The "you" and "I" of line 1 thus become interchangeable, with "you" as reader/patron or poet.BibliographyAllen

Garden the World" (1860)"To the Garden the World" (1860)First published in Leaves (1860) as number 1

the amative love of woman" and treating Adam "as a central figure and type" of the new man (Notebooks 1:

States" in line 1 is not a shorthand for a radically unified and single-willed United States of America

(section 1)—it develops persuasive answers.

Whitman described his ongoing work on Leaves as "the Great Construction of the New Bible" (Notebooks 1:

arrived at the junction of the Mississippi, which Walt called "the great father of waters" (Uncollected 1:

journeying companions in "Song of the Open Road" (1856) or the "gay gang of blackguards" in section 1

Before the present line 1 there appeared, "You and I—what the earth is, we are," and the following after

From an analysis of Whitman's copy, Golden concludes that the poet first transposed lines 1 and 2, by

Whitman's poetry, as when the speaker of "Song of Myself" puts "Creeds and schools in abeyance" (section 1)

wartime hospital experiences and his urge to be the war's memorialist, "to be witness again" (section 1)

fascinating it is, with its hospital surroundings of sadness & scenes of repulsion and death" (Correspondence 1:

as a seasoned veteran summoning up ("resuming") memories of "the mightiest armies of earth" (section 1)

and I resign'd myself / To sit by the wounded and soothe them, or silently watch the dead" (section 1)

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1964.____.

October 1-31, 1889 32 November 1-30, 1889 105 December 1-31, 1889 170 January 1-31, 1890 223 February

1-28, 1890 273 March 1-31, 1890 312 April 1-30, 1890 347 May 1-31, 1890 385 June 1-30, 1890 444 July

Tuesday, October 1, 18898.05 P.M. W. in his room, reading letters.

Friday, November 1, 18897.30 P.M. W. reading The Century when I came.

Sunday, December 1, 1889 9.30 A.M.

Wednesday, May 1, 188910.45 A.M.

Wednesday, May 1, 1889

big book you bound for me seems to be first- rate duplicate sample of pictures herewith numbered No. 1—

page as written on in sample)—In trimming the plates, & (if yet to be done) trim them, especially No: 1,

paid for, the poem was not printed until after Whitman's death in 1892.draft pages, undated, image 1

Morris and Horace Traubel, Sept. 1, 1890photograph, dated Photograph of Harrison Morris and Horace Traubel

, dated September 1, 1890 Mary Whitall Smith, 1884photograph, dated Photograph of Mary Whitall Smith,

Saturday, June 1, 18897.45 P.M. W., as frequently happens, sitting at his doorstep.

Saturday, June 1, 1889

Tuesday, October 1, 18898.05 P.M. W. in his room, reading letters.

Tuesday, October 1, 1889

application to the whole, the globe, all history, all ranks, the 19/20th called evil just as well as the 1/

Had laid aside for me The Camden Courier, June 1, 1883, containing 2-column notice of Bucke's Whitman

Monday, July 1, 18897.50 P.M. It has been a rainy close day, keeping W. well indoors.

Monday, July 1, 1889

He went to bed early last evening so he could get up at 12 or 1 o'clock and keep the rest of us awake