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Search : 新视野大学英语读写教程1 pdf

1944 results

Norton, Charles Eliot (1827–1908)

  • Creator(s): Buckingham, Willis J.
Text:

Vol. 1. Boston: Houghton Mifflin, 1913. Rubin, Joan Shelley. The Making of Middle/Brow Culture.

Vol. 1. Boston: Small, Maynard, 1906. Vanderbilt, Kermit.

Media Interpretations of Whitman's Life and Works

  • Creator(s): Britton, Wesley A.
Text:

Actor John Carradine performed "Poets to Come" with a jazz setting for vol. 1 of An Anthology of Poetry

An Online Guide to Walt Whitman's Dispersed Manuscripts

  • Creator(s): Brett Barney
Text:

The description as it now appears in the follows: Item: 1 Title: "Wood Odors" Date: ca. 1875 Physical

Description: 1 leaf, handwritten A draft of a poem unpublished in Whitman's lifetime entitled "Wood

The steps are shown in figure 1, entitled "Integrated Guide to Walt Whitman's Poetry Manuscripts: the

References Boles, F. (1982), "Disrespecting original order," The American Archivist , Vol. 45, No. 1,

No. 1, pp. 73–80.

Documents Related to the 1855 Leaves of Grass: Whitman's Copy

  • Creator(s): Brett Barney
Text:

Among the possible reasons for the discrepancies among these accounts are that 1) some of the items that

Rare Book Division, The New York Public Library, The New York Public Library Digital Collections . 1

Sculptors and Sculpture

  • Creator(s): Bohan, Ruth L.
Text:

Washington Monument in the nation's capital and Boston's "chimney-shaped" Bunker Hill Monument (Uncollected 1:

In the Brooklyn Daily Eagle, Whitman cited Brown as an artist of "genius and industry" (Uncollected 1:

Painters and Painting

  • Creator(s): Bohan, Ruth L.
Text:

the scene's temporal requirements were among the formal qualities Whitman admired most (Uncollected 1:

artists], ardent, radical and progressive" to strengthen this country's artistic base (Uncollected 1:

art's moral value and his equation between the "perfect man" and the "perfect artist" (Uncollected 1:

widely criticized by Whitman and his circle, who dubbed it the "parlor" Whitman (With Walt Whitman 1:

Vol. 1. 1906. New York: Rowman and Littlefield, 1961; Vol. 2. 1908.

"Eighteenth Presidency!, The" (1928)

  • Creator(s): Blake, David Haven
Text:

Lawrence: U of Kansas P, 1956. 1–18.Larson, Kerry C. Whitman's Drama of Consensus.

Jackson, Andrew (1767–1845)

  • Creator(s): Blake, David Haven
Text:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 3. New York: Mitchell Kinnerley, 1914. Watson, Harry L.

Paine, Thomas (1737–1809)

  • Creator(s): Blake, David Haven
Text:

confirmed Paine's "noble personality," pointing to the philosophical calm with which he died (Prose Works 1:

Psychological Approaches

  • Creator(s): Black, Stephen A.
Text:

Vol. 1. Boston: Small, Maynard, 1906.Zweig, Paul. Walt Whitman: The Making of the Poet.

Collectors and Collections, Whitman

  • Creator(s): Birney, Alice L.
Text:

notice.A list of the major public repositories of manuscripts, letters, and related papers follows.1.

This set includes three volumes in six physical books: parts one and two of volume 1 include the poetry

Russia and Other Slavic Countries, Whitman in

  • Creator(s): Bidney, Martin
Text:

Calamus: Walt Whitman Quarterly International 22 (1972): 1–17.Mayakovsky, Vladimir.

Bertha Johnston to Walt Whitman, 1 February 1891

  • Date: February 1, 1891
  • Creator(s): Bertha Johnston
Text:

f'm Bertha Johnston | NY | Grace (the new Mrs: Johnston) | has a little girl baby 305 E. 17 St., Feb 1,

love— Affectionately Yours, Bertha Johnston. see notes Feb. 4, '91 Bertha Johnston to Walt Whitman, 1

Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945

  • Date: 2021
  • Creator(s): Bernardini, Caterina
Text:

•Emanuel Carnevali Contents Acknowledgments . . . xi Introduction . . . 1 Chapter 1 . . . 19 Post-RisorgimentoEncounters

Chapter 1 1.

Chapter 6 1.

Chapter 8 1.

Chapter 10 1.

Howells, William Dean (1837–1920)

  • Creator(s): Berkove, Lawrence I.
Text:

Whitman as a bull in the china shop of poetry and, ironically, the critics as fretful "Misses Nancy" (1:

The 1865 review of Drum-Taps granted pathos and "purity" to the collection (1:49), but concluded that

Selected Literary Criticism, Volume 1:1859–1885. Ed. Ulrich Halfmann, Christopher K.

Japan, Whitman in

  • Creator(s): Beppu, Keiko
Text:

swart-cheek'd two-sworded envoys" riding through Manhattan on 16 June 1860 ("A Broadway Pageant," section 1)

Bible, The

  • Creator(s): Becknell, Thomas
Text:

Construction of the New Bible / Not to be diverted from the principal object—the main life work" (Notebooks 1:

Van Velsor, Naomi [Amy] Williams [d. 1826]

  • Creator(s): Bawcom, Amy M.
Text:

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.

Van Velsor, Cornelius (1768–1837)

  • Creator(s): Bawcom, Amy M.
Text:

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.

City, Whitman and the

  • Creator(s): Bauerlein, Mark
Text:

declamations and escapades undoubtedly enter'd into the gestation of 'Leaves of Grass'" (Prose Works 1:

daily reportage Whitman always recalled fondly (see, for example, "Starting Newspapers," Prose Works 1:

fields, trees, birds, sun-warmth and free skies, or it will certainly dwindle and pale" (Prose Works 1:

Hegel, Georg Wilhelm Friedrich (1770–1831)

  • Creator(s): Bauerlein, Mark
Text:

of natural and artificial" appear as "radiations of one consistent and eternal purpose" (Prose Works 1:

en-masse," equality and singularity, are but polar terms in "the endless process of Creative thought" (1:

In other words, Hegel's "catholic standard and faith" (Prose Works 1:259) Whitman interprets as a metaphysical

Chopin, Kate (1850–1904)

  • Creator(s): Barton, Gay
Text:

Journal of the American Studies Association of Texas 27 (1996): 1–18. Bloom, Harold. Introduction.

New York: Chelsea House, 1987. 1–6. Chopin, Kate.

Walt Whitman by Bartlett F. Kenney, 1881

  • Date: 1881
  • Creator(s): Bartlett F. Kenney
Text:

Ironically, on March 1, 1882, the District Attorney of Boston declared the book “obscene” and ordered

Walt Whitman by Bartlett F. Kenney, 1881

  • Date: 1881
  • Creator(s): Bartlett F. Kenney
Text:

Ironically, on March 1, 1882, the District Attorney of Boston declared the book “obscene” and ordered

Walt Whitman by Bartlett F. Kenney, 1881

  • Date: 1881
  • Creator(s): Bartlett F. Kenney
Text:

Ironically, on March 1, 1882, the District Attorney of Boston declared the book “obscene” and ordered

Walt Whitman by Bartlett F. Kenney, 1881

  • Date: 1881
  • Creator(s): Bartlett F. Kenney
Text:

Ironically, on March 1, 1882, the District Attorney of Boston declared the book “obscene” and ordered

Huneker, James Gibbons (1857–1921)

  • Creator(s): Barcus, James E., Jr.
Text:

On 1 November 1891, in a long, complimentary article in the Recorder, Huneker condemned America's neglect

Heroes and Heroines

  • Creator(s): Baldwin, David B.
Text:

actually met, but on the Washington streets the two exchanged "bows, and very cordial ones" (Prose Works 1:

: through his own persona, linking it to the reader's—"And what I assume you shall assume" (section 1)

"Thou Orb Aloft Full-Dazzling" (1881)

  • Creator(s): Baldwin, David B.
Text:

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.

Roughs

  • Creator(s): Baker, Danielle L. and Donald C. Irving
Text:

eccentric,' 'vagabond' or queer person, that the commentators … persist in making him" (Correspondence 1:

Whitman in France and Belgium

  • Creator(s): Asselineau, Roger
Text:

It was by Louis Etienne and was published in La Revue Européenne (November 1, 1861) under the title "

Blanc (Thérèse Bentzon) could still write in the Revue des Deux Mondes (June 1, 1872) an article entitled

Claudel was all the more shocked by Whitman's homosexuality when on April 1, 1913 (All Fools Day!)

Henri Clouard, Histoire de la littéerature française (Paris: Albin Michel, 1947), 1: 114.

"The Sleepers," §1, , p. 356.

The Evolution of Walt Whitman: An Expanded Edition

  • Date: 1999
  • Creator(s): Asselineau, Roger
Text:

THE WOUND DRESSER 1 4 1 Nevertheless, in spite of the inappropriateness of these arti cles, Whitman was

I,pp. xxxiii-xxxiv, n. 1. 32.

Io9. 47· www, p. 1 1 0 . 48. www, pp. II2-II3. 49• WWW, pp. I I I-I I2. 50. Inc. Ed., p. 236.

, p. 5, §4 (1 1-12), Inc.

I.1 1 . 63. "Twilight,''NB, p. 35,Inc.

Equality

  • Creator(s): Asselineau, Roger
Text:

" and "Good-day my brother, to Cudge that hoes in the sugar-field" ("Song of the Answerer," section 1)

Manhood, purpose of all, pois'd on yourself—giving, not taking law" ("Song of the Redwood-Tree," section 1)

Foreign Language Borrowings

  • Creator(s): Asselineau, Roger
Text:

American Speech 1 (1926): 421–430.Whitman, Walt. An American Primer. Ed. Horace Traubel.

Humor

  • Creator(s): Asselineau, Roger
Text:

," section 1).

Apollinaire, Guillaume (1880–1918)

  • Creator(s): Asselineau, Roger
Text:

one of which he perpetrated in the Mercure de France (to which he was a regular contributor) in the 1

which lasted for ten months in the pages of the Mercure de France as well as in other journals, until 1

Millet, Jean-François (1814–1875)

  • Creator(s): Asselineau, Roger
Text:

Harned; "they are the Millet that Walt Whitman has succeeded in putting into words" (With Walt Whitman 1:

Eakins errs just a little . . . in the direction of the flesh" (With Walt Whitman 1:131).

painter," Whitman said; "he belongs to me: I have written Walt Whitman all over him" (With Walt Whitman 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908. Whitman, Walt.

Vol. 1 of Prose Works 1892. New York: New York UP, 1963. Millet, Jean-François (1814–1875)

Catel, Jean (1891–1950)

  • Creator(s): Asselineau, Roger
Text:

translated by Sylvia Beach and Adrienne Monnier and the translation was published in Le Navire d'Argent (1

"Faces" (1855)

  • Creator(s): Aspiz, Harold
Text:

human beings, the persona declares: "I see them and complain not, and am content with all" (section 1)

Vol. 1. New York: New York UP, 1980. "Faces" (1855)

'There Was a Child Went Forth' [1855]

  • Creator(s): Aspiz, Harold
Text:

Vol. 1. New York: New York UP, 1980. 'There Was a Child Went Forth' [1855]

"Song of the Open Road" (1856)

  • Creator(s): Aspiz, Harold
Text:

of the road's sights and sounds and his translation of them into a visionary consciousness (sections 1

The Nassau Review 1 (1965). 101–110.Hollis, C. Carroll. Language and Style in "Leaves of Grass."

"This Compost" (1856)

  • Creator(s): Aspiz, Harold
Text:

fears of annihilation, expresses terror ("Something startles me where I thought I was safest" [section 1]

section 2) of which is packed with "all the foul liquid and meat" of "distemper'd corpses" (section 1)

Saint Paul's sermon on the conquest of death and the rebirth of the soul (1 Corinthians 15) speaks of

Vol. 1. New York: New York UP, 1980.____. Prose Works 1892. Ed. Floyd Stovall. 2 vols.

"Wound-Dresser, The" (1865)

  • Creator(s): Aspiz, Harold
Text:

wartime hospital experiences and his urge to be the war's memorialist, "to be witness again" (section 1)

fascinating it is, with its hospital surroundings of sadness & scenes of repulsion and death" (Correspondence 1:

as a seasoned veteran summoning up ("resuming") memories of "the mightiest armies of earth" (section 1)

and I resign'd myself / To sit by the wounded and soothe them, or silently watch the dead" (section 1)

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1964.____.

Leaves of Grass, 1856 edition

  • Creator(s): Aspiz, Harold
Text:

—They retard my book very much" (Correspondence 1:44).

Thus the dozen poems of the first edition are here distributed in the following sequence: 1, 4, 32, 26

Vol. 1. New York: New York UP, 1980. ____.

Asa K. Butts to Walt Whitman, 23 September 1876

  • Date: September 23, 1876
  • Creator(s): Asa K. Butts
Text:

Dey Street, New York, Sept 23 d 187 6 I would like to know how much of our indebtedness to you Dec. 1

Arthur Lynch to Walt Whitman, October 1891

  • Date: October 1891
  • Creator(s): Arthur Lynch
Text:

see notes Dec 1 1891 London October 1891 Dear Walt Whitman May it be permitted to offer, as a tribute

Studies Among the Leaves

  • Date: January 1856
  • Creator(s): Anonymous
Text:

Maud, Sec. ii., St. 1. "Do you suspect death? If I were to suspect death, I should die now.

The New Poets

  • Date: 19 May 1860
  • Creator(s): Anonymous
Text:

Year 85 of the States—1860-61. 1 vol., pp. 456.

Leaves Of Grass

  • Date: 14 July 1860
  • Creator(s): Anonymous
Text:

being by Walt Whitman's Ego, and the other by his Non Ego, a writer in the New York Saturday Press :— "1.

sending itself ahead count- less countless years to come. "1.

Drum Taps.—Walt Whitman

  • Date: 4 November 1865
  • Creator(s): Anonymous
Text:

1.

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