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Then the thought intervenes that I maybe do not know all my own meanings" (With Walt Whitman 1:76–77)

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

Resources for American Literary Study 20 (1994): 1–15.Whitman, Walt. The Correspondence. Ed.

Walt Whitman Quarterly Review (Special Double Issue) 8.3–4 (1991): 1–106.____.

Christian New Age Quarterly July-Sept. 1989: 1, 6, 12.Lozynsky, Artem. "Dr.

Canadian Bulletin of Medical History 1 (1984): 55–70. Cosmic Consciousness

outrageously and do as great harm as an oligarchy or despotism," he wrote in Specimen Days (Prose Works 1:

of the throes of Democracy" every bit as much as its victories ("By Blue Ontario's Shore," section 1)

troops in the Civil War and the peaceful disbanding of the armies after the war was over (Prose Works 1:

most of all affiliates with the open air, is sunny and hardy and sane only with Nature" (Prose Works 1:

"The earth," he wrote in "A Song of the Rolling Earth" (section 1), "makes no discriminations."

Eager to see his book published, Whitman made his own arrangements and, on 1 April 1865, signed a contract

He attended School District No. 1 in Brooklyn (then the only Brooklyn public school) from about 1824

Vol. 1. New York: Putnam, 1920.____. Walt Whitman Looks at the Schools. Ed.

Lawrence: U of Kansas P, 1956. 1–18.Larson, Kerry C. Whitman's Drama of Consensus.

," section 1).

Vol. 1. New York: New York UP, 1980. xv–xxv.Duncan, Isadora. My Life.

American Speech 1 (1926): 421–430.Schwiebert, John E.

exclaimed, "Restrict nothing—keep everything open: to Italy, to China, to anybody" (With Walt Whitman 1:

as "legislative nonsense," "utterly ridiculous, impracticable—and, moreover, unnecessary" (Gathering 1:

He was struck by the sturdiness of the men and the "patience, honesty, and good nature" (Notebooks 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908.Whitman, Walt.

and he answered, "I have no doubt of it" (Prose Works 1:253).

Lilacs," the lilac becomes a symbol of immortality by being described as "blooming perennial" (section 1)

Vol. 1. Boston: Small, Maynard, 1906.Whicher, Stephen.

Studies in Romanticism 1 (1961): 9–28.Whitman, Walt. The Correspondence. Ed.

in Rivulets of Prose, "The interior American republic shall also be declared free and independent" (1)

O'Connor in 1865 (Correspondence 1:247).Whitman used himself and his observations of his own culture

reader into the drama of self-creation: "every atom belonging to me as good belongs to you" (section 1)

Vol. 1. Oxford: Clarendon, 1986. Ireland, Whitman in

Parts 1 and 2. Masa 8 (29 May 1952): 4–5; 9 (12 June 1952): 3, 8, 9, 11.Porat, Zephyra.

swart-cheek'd two-sworded envoys" riding through Manhattan on 16 June 1860 ("A Broadway Pageant," section 1)

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Lawrence, Kansas

end, that is all there is to it: I never attribute any other significance to it" (With Walt Whitman 1:

cause of the masses—a means whereby men may be revealed to each other as brothers" (With Walt Whitman 1:

Vol. 1. Boston: Small Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 4. Ed. Sculley Bradley.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. London, Ontario, Canada

Vol. 1. Ed. Holloway. Garden City, N.Y.: Doubleday, Page, 1921. xxiii–xcii.Reynolds, David S.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Long Island, New York

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.____.

American Speech 1 (1926): 421–430.Rajasekharaiah, T.R. The Roots of Whitman's Grass.

Actor John Carradine performed "Poets to Come" with a jazz setting for vol. 1 of An Anthology of Poetry

(Gathering 1:247).

would not be emancipated; nor could dark-skinned Mexicans be incorporated into the union (Gathering 1:

1864, he confessed that Mexico was "the only one to whom we have ever really done wrong" (Prose Works 1:

Vol. 1.

singing, her method, gave the foundation, the start . . . to all my poetic literary efforts" (Prose Works 1:

Whitman opens the poem by addressing this "strange musician" (section 1), calling it forward so "I may

Walt Whitman Quarterly Review 5.2 (1987): 1–7.Asselineau, Roger.

Walt Whitman Quarterly Review 5.2 (1987): 1–7.Killingsworth, M. Jimmie.

of Myself": "I permit to speak at every hazard / Nature without check with original energy" (section 1)

Walt Whitman Quarterly Review 2.3 (1984): 1–9.Eby, Edwin Harold, ed.

1851, Whitman wrote at least five articles for the Post: "Something About Art and Brooklyn Artists" (1

"Aware of mighty Niagara," he informs the reader in "Starting from Paumanok" (section 1); in "Song of

us is pouring now more than Niagara pouring," from "Rise O Days from Your Fathomless Deeps" (section 1)

Vol. 1 of Prose Works 1892. New York: New York UP, 1963. Niagara Falls

" and "Good-day my brother, to Cudge that hoes in the sugar-field" ("Song of the Answerer," section 1)

Manhood, purpose of all, pois'd on yourself—giving, not taking law" ("Song of the Redwood-Tree," section 1)

(Whitman, Blue Book 1:188).

Thus the statements in lines 1 and 10 which from 1856 to 1867 read "For I swear I will go farther" and

human beings, the persona declares: "I see them and complain not, and am content with all" (section 1)

Vol. 1. New York: New York UP, 1980. "Faces" (1855)

visits, he discovered a mission that would pull him out of his "New York stagnation" (Correspondence 1:

Vol. 1. New York: New York UP, 1963. Falmouth, Virginia

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Ferries and Omnibuses

Harvard Studies and Notes in Philology and Literature 14 (1932): 1–33.Marx, Leo, ed.

Walt Whitman Quarterly Review 7 (1989): 1–14.McWilliams, John P., Jr.

American Speech 1 (1926): 421–430.Whitman, Walt. An American Primer. Ed. Horace Traubel.

review Whitman's work was Louis Étienne, whose "Walt Whitman, poète, philosophe et 'rowdy'" appeared 1

La Revue Européene 1 Nov. 1861: 104–117.Greenspan, Ezra.

La Nouvelle Revue 1 (1882): 121–154.Sarrazin, Gabriel.

Walt Whitman Quarterly Review 3.1 (1985): 1–15.Whitman, Walt.

The opening section (lines 1–14) articulates the foreground to this "song of procreation": the long ache

Vol. 1. New York: New York UP, 1961. Galaxy, The

Gissing Journal 27.3 (1991): 1–20 and 27.4 (1991): 16–35.____. "Walt Whitman: Ein Charakterbild."

Walt Whitman Quarterly Review 4.1 (1986): 1–6.Schaper, Monika.

assigning to each a conventional epithet: "ripe and red" fruit, "odorous" and "beautiful" flowers (section 1)

actually met, but on the Washington streets the two exchanged "bows, and very cordial ones" (Prose Works 1:

: through his own persona, linking it to the reader's—"And what I assume you shall assume" (section 1)

Vol. 1. Cambridge: Cambridge UP, 1968. 84–116. ———. "Walt Whitman: A Dialogue." 1890.

broken or cheap edition" in his pocket so that he could read it "when the mood demanded" (Prose Works 1:

of them, frequenting "the old Park, the Bowery, Broadway and Chatham-square theatres" (Prose Works 1:

On 1 November 1891, in a long, complimentary article in the Recorder, Huneker condemned America's neglect