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Vol. 1. 1906. New York: Rowman and Littlefield, 1961. Gilchrist, Herbert Harlakenden (1857–1914)

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

Vol. 1. New York: New York UP, 1961. Heyde, Charles Louis (1822–1892)

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

one of which he perpetrated in the Mercure de France (to which he was a regular contributor) in the 1

which lasted for ten months in the pages of the Mercure de France as well as in other journals, until 1

I am not to be known as a piece of something but as a totality" (With Walt Whitman 1:271–272).

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908.Trent, Josiah C.

Walt Whitman Quarterly Review 5.2 (1987): 1–7. Killingsworth, M. Jimmie.

He concludes section 1 with a metaphor of the solitary singer: "Solitary, singing in the West, I strike

you shall assume / For every atom belonging to me as good belongs to you" ("Song of Myself, section 1)

Whitman's New Adam is "well-begotten and raised by a perfect mother" ("Starting from Paumanok," section 1)

Knoxville: U of Tennessee P, 1994. 1–17. Lewis, R.W.B. The American Adam.

Walt Whitman Quarterly Review 1 (1983) 1–7. ____. Walt Whitman's Language Experiment.

Walt Whitman Quarterly Review 6 (1988): 1–15. Paul, Sherman.

the "sublime moral beauty" of rebels and innovators, whether in deeds or in works of art (Uncollected 1:

New Brunswick, N.J.: Rutgers UP, 1992. 1–27. Folsom, Ed. Walt Whitman's Native Representations.

Special issue of Walt Whitman Quarterly Review 4.2–3 (1986–1987): 1–5. Fussell, Paul.

Gissing Journal 27.3 (1991): 1–20 and 27.4 (1991): 16–35. ———.

Vol. 1. New York: New York UP, 1961. Brown, Lewis Kirk (1843–1926)

Vol. 1. New York: New York UP, 1963. 254–262. ———. "Death of Thomas Carlyle." Prose Works 1892. Ed.

Vol. 1. New York: New York UP, 1963. 248–253. Wilson, David Alec. Life of Thomas Carlyle. 6 vols.

Vol. 1. New York: Putnam's, 1920.  ____. Walt Whitman Looks at the Schools . Ed.

I must be continually bringing out poems—now is the hey day" ( 1:185).

Vol. 1. New York: New York UP, 1963.  . New York: Basic Books, 1984. 

Vol. 1 of . Ed. Floyd Stovall. New York: New York UP, 1963. James E., Jr.

Vol. 1. London: GMP, 1984. 10–77. Geoffrey M.

He attended School District No. 1 in Brooklyn (then the only Brooklyn public school) from about 1824

Vol. 1. New York: Putnam's, 1920. ____. Walt Whitman Looks at the Schools. Ed.

Walt Whitman Quarterly Review 12 (1994): 1–51.Whitman, Walt.

Vol. 1. 1906. New York: Rowman and Littlefield, 1961. Whitman, Walt.

On 1 October, Whitman finalized a ten-year contract with Osgood, and the seventh edition of Leaves of

Although Whitman had removed some of the sexual content of Leaves, on 1 March 1882, the Boston district

Vol. 1. 1906. New York: Rowman and Littlefield, 1961. Williams, Talcott. The Newspaperman.

As the wife of George, who "believes in pipes, not poems" (Traubel 1:227), Louisa was probably also somewhat

Vol. 1. Small, Maynard, 1906; Vol. 4. Ed. Sculley Bradley. Philadelphia: U of Pennsylvania P, 1953.

Vol. 1. Boston: Small, Maynard, 1906. Whitman, Walt. The Correspondence. Ed. Edwin Haviland Miller.

Vol. 1. Boston: Small, Maynard, 1906. Winter, William.

In chapter 1, a New York fireman, George Willis, spends his day off traveling to Hoboken (New Jersey)

implicit in "Death in the School-Room (a Fact)" (1841) and explicit in "Dumb Kate" (1844) and in number 1

Aristidean, March 1845, as "Arrow-Tip" and reprinted with its current title in the Brooklyn Daily Eagle, 1–

hours—he is reading—the doctor has been in to–day—he says I am getting along very well— Monday afternoon 1

Am alone at present—is abt 1½ p.m.—quiet & sort o' warm—pleasant—rain last night. Sunday evening .

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.____.

He referred to the Democratic party as "the party of the sainted Jefferson and Jackson" (Gathering 1:

policies, but by late 1863 he conceded, "I still think him a pretty big President" (Correspondence 1:

Johnson's successor in the White House, and thought him "the noblest Roman of them all" (Correspondence 1:

His initial impression of Johnson, "I think he is a good man" (Correspondence 1:267), remained, and he

poetry—only practical sense, ability to do, or try his best to do, what devolv'd upon him" (Prose Works 1:

Vol. 1. Boston: Small, Maynard, 1906.Whitman, Walt.

In line 1, there are two phrasal groups, each containing two accents, falling in the same positions—primary

The two groups have the same accentual contour—falling 1–2, primary to secondary prominence.

Line 2 does not pick up the iambic rhythm of line one but rather this 1–2 falling contour.

Again there are two groups, with 1–2 contours, with the first accent on pronouns—I and you and -sume

version in 1881.Sidney Krause divides the poem's six numbered sections into three parts: I, section 1;

themes are specified respectively in line 51, "And man and art with nature fused at last" (section 1)

way from Life to Death" (section 6), which will provide for a new departure in his poetry.In section 1

world "[n]ourish'd henceforth by the celestial dream" (section 6) that he has described in sections 1

And, in "The Sleepers," the healer makes electrical healing pass over diseased sleepers (section 1).

recall the past and predict a joyous future, resembles the invisible musicians of séances (sections 1

Vol. 1. Boston: Small, Maynard, 1906.Zweig, Paul. Walt Whitman: The Making of the Poet.

Vol. 1. New York: New York UP, 1961.____. Prose Works 1892. Ed. Floyd Stovall. 2 vols.

Vol. 1. New York: Rowman and Littlefield, 1961.Whitman, Walt. Democratic Vistas.

between 1847 and early 1855: "Make no quotations, and no reference to any other writers" (Notebooks 1:

you could reduce the Leaves to their elements you would see Scott unmistakably active at the roots" (1:

injustices of the age, he was also "a mark'd illustration" of the maladies he condemned (Prose Works 1:

"Tennyson is an artist even when he writes a letter," Whitman commented in 1888 (With Walt Whitman 1:

Vols. 1–3. 1906–1914. New York: Rowman and Littlefield, 1961; Vol. 4. Ed. Sculley Bradley.

Vol. 1. Boston: Small, Maynard, 1906.Whitman, Walt. Notebooks and Unpublished Prose Manuscripts.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963. Riverby

reconstructing the relationship between poet and reader: "what I assume you shall assume" (section 1)

eccentric,' 'vagabond' or queer person, that the commentators … persist in making him" (Correspondence 1:

Calamus: Walt Whitman Quarterly International 22 (1972): 1–17.Mayakovsky, Vladimir.

Iowa City: U of Iowa P, 1995. 1–10.González de la Garza, Mauricio.

on 20 March 1847 which urged the construction of an observatory in Brooklyn (Gathering 2:146–149).On 1

, the substantial words are in the ground and sea, / They are in the air, they are in you" (section 1)

Washington Monument in the nation's capital and Boston's "chimney-shaped" Bunker Hill Monument (Uncollected 1:

In the Brooklyn Daily Eagle, Whitman cited Brown as an artist of "genius and industry" (Uncollected 1:

Whitman explained that "Whispers" would explore the "deep themes of Death & Immortality" (Correspondence 1:

Vol. 1. New York: Funk and Wagnalls, 1968. 3–39.Miller, James E., Jr. Walt Whitman.

Vol. 1. New York: Putnam, 1920.____. "Human Nature Under an Unfavorable Aspect."