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Search : PETER MAILLAND PLAY

1584 results

Death of General Grant.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

As one by one withdraw the lofty actors, From that great play on history's stage eterne, That lurid,

Soon Shall the Winter's Foil Be Here.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

robin, lark and thrush, singing their songs—the flitting bluebird; For such the scenes the annual play

Years of the Modern.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

Song at Sunset.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

The Pallid Wreath.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

No, while memories subtly play—the past vivid as ever; For but last night I woke, and in that spectral

Old Chants.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Dante, flocks of singing birds, The Border Minstrelsy, the bye-gone ballads, feudal tales, essays, plays

The Unexpress'd.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

After the cycles, poems, singers, plays, Vaunted Ionia's, India's—Homer, Shakspere—the long, long times

O You Whom I Often and Silently Come.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Salut Au Monde!

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Who are the infants, some playing, some slumbering? Who are the girls? who are the married women?

Crossing Brooklyn Ferry.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

play the part that looks back on the actor or actress!

Play the old role, the role that is great or small according as one makes it!

Our Old Feuillage.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

rest standing, they are too tired, Afar on arctic ice the she-walrus lying drowsily while her cubs play

evening, the musket-muz- zles musket-muzzles all bear bunches of flowers presented by women; Children at play

A Song of Joys.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

To go to battle—to hear the bugles play and the drums beat!

Song of the Broad-Axe.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

these are not to be cherish'd for themselves, They fill their hour, the dancers dance, the musicians play

Song of the Exposition.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Away with novels, plots and plays of foreign courts, Away with love-verses sugar'd in rhyme, the intrigues

A Song for Occupations.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

Out of the Cradle Endlessly Rocking.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

The World Below the Brine.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Starting From Paumanok.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

Song of Myself.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

the common air that bathes the globe. 18 With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play marches for conquer'd and slain persons.

To the Garden the World

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

I Sing the Body Electric.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

Native Moments.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

By Blue Ontario's Shore.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

head, No more of soft astral, but dazzling and fierce, With war's flames and the lambent lightnings playing

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

Out From Behind This Mask.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The passionate teeming plays this curtain hid!)

A Boston Ballad.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

O Me! O Life!

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Song of the Banner at Daybreak.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

The Centenarian's Story.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Leaves of Grass (1891–1892)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

- ing playing within me.

play the part that looks back on the actor or actress!

To go to battle—to hear the bugles play and the drums beat!

The passionate teeming plays this curtain hid!)

I am a dance—play up there! the fit is whirling me fast!

Essay. Leaves of Grass (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

New World receives with joy the poems of the antique, with European feudalism's rich fund of epics, plays

Cluster: Inscriptions. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Children of Adam. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Calamus. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Sea-Drift. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: By the Roadside. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: Drum-Taps. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Cluster: Autumn Rivulets. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The passionate teeming plays this curtain hid!)

Cluster: Whispers of Heavenly Death. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

limitless, in vain I try to think how limitless, I do not doubt that the orbs and the systems of orbs play

AS I sit with others at a great feast, suddenly while the music is playing, To my mind, (whence it comes

Cluster: Songs of Parting. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

To Thee Old Cause.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Walt Whitman: A Dialogue

  • Date: 1890
  • Creator(s): Santayana, George
Text:

Ah, but Whitman is nothing if not a spectator, a cosmic poet to whom the whole world is a play.

Except play his harp and wear his crown.

We can't play at life without getting some knocks and bruises, and without running some chance of defeat

Walt Whitman to Richard Maurice Bucke, 27 December 1890

  • Date: December 27, 1890
  • Creator(s): Walt Whitman
Text:

heavy-headed, congested—good fire—no mail for me to-day—Warren has gone out sleighing—I hear the boys playing

Sophia Williams to Walt Whitman, 24 November 1890

  • Date: November 24, 1890
  • Creator(s): Sophia Williams
Annotations Text:

He played numerous parts during his career, including taking on a number of Shakespearean roles, sometimes

November 1890, Booth and Barrett, as part of their acclaimed 1889–1890 tour, performed in several plays

there; the plays included Francesca da Rimini, George Henry Boker's 1855 tragedy based on Dante, as

well as Edward Bulwer-Lytton's 1839 historical play Richelieu, along with Shakespeare's Hamlet, Othello

Walt Whitman to Richard Maurice Bucke, 8 November 1890

  • Date: November 8, 1890
  • Creator(s): Walt Whitman
Text:

to me once in N Y, anent old French Revo)—A bad head and belly ache as I end this—the children are playing

The Unexpress'd

  • Date: About 1889 or 1890
  • Creator(s): Walt Whitman
Text:

After the cycles, poems, singers, plays, Vaunted Ionia's, India's—Homer, Shakspere Shakespeare — all

Beloved Walt Whitman: An Ambrosial Night with his Devoted Friends and Admirers

  • Date: 26 October 1890
  • Creator(s): Anonymous
Text:

Ingersoll's facial play here was superb.

Dr. John Johnston to Walt Whitman, 21 October 1890

  • Date: October 21, 1890
  • Creator(s): Dr. John Johnston
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

be one of the founders of the German Romantic Movement, and his translations of sixteen Shakespeare plays

Richard Maurice Bucke to Walt Whitman, 18 September 1890

  • Date: September 18, 1890
  • Creator(s): Richard Maurice Bucke
Annotations Text:

Lev Nikolayevich Tolstoy (1828–1910) was a Russian realist writer of novels, plays, short stories and

Robert M. Sillard to Walt Whitman, 9 September 1890

  • Date: September 9, 1890
  • Creator(s): Robert M. Sillard
Text:

I should very much wish to know from you what stage play and what actor and actress you you remember

Which of Shakesperes Shakespeare's great plays do you find the most entertaing entertaining reading?

Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

William Sloane Kennedy to Walt Whitman, 19 June 1890

  • Date: June 19, 1890
  • Creator(s): William Sloane Kennedy
Text:

We are going tonight to a children's play (dramatic opera) down at town hall—tickets given me by our

dramatic critic on Transcript=Jenks —I'll say a word abt the play.

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