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Search : PETER MAILLAND PLAY

1584 results

Cluster: Bathed in War's Perfume. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with me, and play

Cluster: By the Roadside. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: By the Roadside. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: Calamus. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Cluster: Calamus. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Cluster: Calamus. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Cluster: Calamus. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Calamus. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Chants Democratic and Native American. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

These are not to be cherished for themselves, They fill their hour, the dancers dance, the musicians play

13* The most renowned poems would be ashes, orations and plays would be vacuums.

Let priests still play at immortality! Let Death be inaugurated!

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

Cluster: Children of Adam. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

, He shall be lawless, rude, illiterate—he shall be one condemn'd by others for deeds done; I will play

Cluster: Children of Adam. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

, He shall be lawless, rude, illiterate—he shall be one condemn'd by others for deeds done; I will play

Cluster: Children of Adam. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Children of Adam. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Drum-Taps. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

defiles through the woods, gain'd at night, The British advancing, wedging in from the east, fiercely playing

Maryland have march'd forth to intercept the enemy; They are cut off—murderous artillery from the hills plays

Cluster: Drum-Taps. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Cluster: Drum-Taps. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Cluster: Enfans D'adam. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

Amorous, mature—all beautiful to me—all won- drous wondrous , My limbs, and the quivering fire that ever plays

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or feared of hell, are now consumed, Mad filaments, ungovernable shoots play

, He shall be lawless, rude, illiterate—he shall be one condemned by others for deeds done; I will play

Cluster: Inscriptions. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the strange sad war revolv- ing revolving , With all its angry and vehement play

Cluster: Inscriptions. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Inscriptions. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Leaves of Grass. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

limitless—in vain I try to think how limitless; I do not doubt that the orbs, and the systems of orbs, play

the openings, and the pink turf, Different colors, pale gray and green, purple, white, and gold—the play

Cluster: Leaves of Grass. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

the openings, and the pink turf, Different colors, pale gray and green, purple, white, and gold—the play

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Trottoirs throng'd—vehicles—Broadway—the women— the shops and shows, The parades, processions, bugles playing

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

That you are here—that life exists, and identity; That the powerful play goes on, and you will contribute

Cluster: Marches Now the War Is Over. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

head; No more of soft astral, but dazzling and fierce, With war's flames, and the lambent lightnings playing

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

Let the priest still play at immortality! Let death be inaugurated!

Cluster: Sea-Drift. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: Sea-Drift. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: Songs of Parting. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage; (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

Cluster: Songs of Parting. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

Cluster: Songs of Parting. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

Cluster: Thoughts. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

AS I sit with others, at a great feast, suddenly, while the music is playing, To my mind, (whence it

Cluster: Thoughts. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

AS I sit with others, at a great feast, suddenly, while the music is playing, To my mind, (whence it

Cluster: Whispers of Heavenly Death. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

limitless, in vain I try to think how limitless, I do not doubt that the orbs and the systems of orbs play

AS I sit with others at a great feast, suddenly while the music is playing, To my mind, (whence it comes

Cluster: Whispers of Heavenly Death. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

limitless, in vain I try to think how limitless, I do not doubt that the orbs and the systems of orbs play

AS I sit with others at a great feast, suddenly while the music is playing, To my mind, (whence it comes

Collage of Myself: Walt Whitman and the Making of Leaves of Grass

  • Date: 2010
  • Creator(s): Miller, Matt
Text:

—Workofsomesort Play?

Play? “Novel?

, but if a play it must straddle the line with poetry, with even the stage directions in some kind of

Oxford: Peter Lang, 2005. ———.

Gloucester ma: Peter Smith, 1972. ———. “Walt Whitman and His Poems.”

Collected Writings of Walt Whitman, The (1961–1984)

  • Creator(s): Graham, Rosemary
Text:

Whole letters were published by Bucke in Calamus, which contains Whitman's letters to Peter Doyle, and

At this time, the first two volumes of a projected five are scheduled for publication by Peter Lang Press

Comparison between Homer's Iliad

  • Date: Undated
  • Creator(s): Walt Whitman
Text:

Comparison between Homer's Iliad Shakespeare's plays & Leaves of Grass Transcribed from digital images

Complete Prose Works

  • Date: 1892
  • Creator(s): Walt Whitman
Text:

What Lurks Behind Shakspere's Historical Plays?

Austin as Ariel, and Peter Richings as Caliban.

The vocal play and significance moves one more than books.

All work seem'd play to him.

Not for nothing does evil play its part among us.

Complete Writings of Walt Whitman, The (1902)

  • Creator(s): Graham, Rosemary
Text:

Calamus: A Series of Letters Written During the Years 1868–1880 by Walt Whitman to a Young Friend (Peter

Comradeship

  • Creator(s): Kuebrich, David
Text:

own personal reflections in his notebooks around 1870 in which he anguishes over his affection for Peter

The extensive body of letters Whitman wrote to Civil War soldiers, and especially Peter Doyle, usually

Congressional Manners

  • Date: 6 February 1858
  • Creator(s): Walt Whitman
Text:

Brooks, has essayed to play principal (instead of second, as before) in a Congressional outrage, and

Conserving Walt Whitman’s Fame: Selections from Horace Traubel’s Conservator, 1890-1919

  • Date: 2006
  • Creator(s): Schmidgall, Gary
Text:

Yours truly, Peter G. Doyle.

This is where Shaw plays trumps.

The “Interview with Peter Doyle” by Dr.

a cat is passing through my poem; See—it plays the fiddle, rapturously: It plays sonatas, fugues, rigodons

aged cow; But most of all it plays nocturnes, and plays them pyrotechnically as befits the night time

Constructing the German Walt Whitman

  • Date: 1995
  • Creator(s): Grünzweig, Walter
Text:

Whitman played an interesting role in this endeavor.

Peter Boie read Walt Whitman's "Song ofMyself." ... Peter liked what he read about the animals.

child of nature, who feels equal to Peter and who tells him so.

Social Democrats' interest in Whitman comes into play here).

Hermann Peter Piwit and Peter Rtihmkorf (Reinbek: Rowohlt, 1976), p.l36.

The Continuing Presence of Walt Whitman: The Life after the Life

  • Date: 1992
  • Creator(s): Martin, Robert K.
Text:

The song plays variations on its principal themes, "I am a reaper" and "I hunger."

is based on a photo of Peter pulling himself up on the hood of a car.

The viewer is located within the room from which Peter apparently wants to escape.

He told her that the next issue of his newspaper was to be about Peter Doyle.

Outrageously elusive play is its essence.

Conversations with Walt Whitman: My First Visit

  • Date: 1895
  • Creator(s): Sadakichi Hartmann
Text:

contemplated a special study of Shakespeare's fools (though I was rather too tall for them, they should be played

He spoke of a German street band that now and then played in the neighborhood, "very well."

Later during the afternoon his little son asked me to play with him: we rambled over the ground, climbed

Correspondence of Walt Whitman, The (1961–1977)

  • Creator(s): Costanzo, Angelo
Text:

His affectionate bond with Peter Doyle, the Washington, D.C., streetcar conductor he met in late 1865

Craig McGinnis to Walt Whitman, 30 April 1883

  • Date: April 30, 1883
  • Creator(s): Craig McGinnis
Annotations Text:

The quote is from Roman playwright Publius Terentius Afer's adaptation of the ancient Greek play "Heauton

Critics, Whitman's

  • Creator(s): Hindus, Milton
Text:

Antipathy has reached inspired heights in such writers as Peter Bayne and Knut Hamsun, and this makes

Crossing Brooklyn Ferry.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

play the part that looks back on the actor or actress!

Play the old role, the role that is great or small, ac- cording according as one makes it!

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