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Search : PETER MAILLAND PLAY

1584 results

George Washington Whitman to Louisa Van Velsor Whitman, 22 January 1863

  • Date: January 22, 1863
  • Creator(s): George Washington Whitman
Text:

storm here for the last 48 hours, raining and blowing like great guns, but it appears to be about played

George Washington Whitman to Louisa Van Velsor Whitman, 25 February 1863

  • Date: February 25, 1863
  • Creator(s): George Washington Whitman
Text:

There is a lot of dead beats that get off by playing sick, but a chap that eats as much and looks as

George Washington Whitman to Louisa Van Velsor Whitman, 18 June 1864

  • Date: June 18, 1864
  • Creator(s): George Washington Whitman
Text:

Sometimes we are rather short of grub, and sometimes pretty well played out with hard work, but as long

A Place for Humility: Whitman, Dickinson, and the Natural World

  • Date: 2014
  • Creator(s): Gerhardt, Christine
Text:

In ecocriticism, the concept does not yet play a significant role, either.

Bowler, Peter J. The Earth Encompassed: A History of the Environmental Sciences.

Friztell, Peter A. Nature Writing and America: Essays upon a Cultural Type.

Temin, Peter. “The Industrialization of New England, 1830–1880.”

Wenz, Peter S. Environmental Justice. Albany: State University of New York Press, 1988.

Pre-Leaves Poems

  • Creator(s): Gibson, Brent L.
Text:

A Parody," "Death of the Nature-Lover" (revision of "My Departure"), "The Play-Ground," "Ode," "The House

Brooklyn, New York

  • Creator(s): Gill, Jonathan
Text:

It was also in Brooklyn that the youthful Whitman saw two more figures who would later play an important

Walt Whitman's Complete Volume

  • Date: 12 August 1882
  • Creator(s): Gordon, T. Francis
Text:

Love's like a red, red rose, That's newly sprung in June: O my Love's like a melodie That's sweetly played

Boker, George Henry (1823–1890)

  • Creator(s): Gould, Mitch
Text:

Turkey (1871–1875) and Russia (1875) and is best known for Francesca da Rimini (staged 1855), a popular play

Boker was dissatisfied with his theatrical career and desperately wanted a following for his Plays and

Love

  • Creator(s): Gould, Mitch
Text:

Whitman's major lovers—Fred Vaughan, Peter Doyle, and Harry Stafford—were cut from much the same depressive

Chats with Walt Whitman

  • Date: February 1898
  • Creator(s): Grace Gilchrist
Text:

enjoyment in the free exercise of his lungs than from mere intellectual appreciation of the poem or play

chaffing, or nay form of "smart" talk—remaining always perfectly grave and silent amid that kind of by-play

I always compare Shakespeare's plays to large, rich, splendid tapestry—like Raphael's historical cartoons

Collected Writings of Walt Whitman, The (1961–1984)

  • Creator(s): Graham, Rosemary
Text:

Whole letters were published by Bucke in Calamus, which contains Whitman's letters to Peter Doyle, and

At this time, the first two volumes of a projected five are scheduled for publication by Peter Lang Press

Complete Writings of Walt Whitman, The (1902)

  • Creator(s): Graham, Rosemary
Text:

Calamus: A Series of Letters Written During the Years 1868–1880 by Walt Whitman to a Young Friend (Peter

"The Disenthralled Hosts of Freedom": Party Prophecy in the Antebellum Editions of Leaves of Grass

  • Date: 2021
  • Creator(s): Grant, David
Text:

anoutdatedidealopenedupnewavenuesforthecontrastwithslaverythat willbekeytohisaccomplishmentinLeavesofGrass.Thisdevelopmentwas anticipated when Whitman played

free-statesettlerswieldedtheweaponsoflaboritself.Thehistoricalprocess in“Broad-AxePoem,”wheretheheadsman’saxegiveswaytotheworker’s, was played

suggests one way to approach a matter that has received much scholarly attention in American studies—what Peter

Cook,Robert,170–71 50,62,75,76,93;astheprime Corwin,Thomas,159 historicalagentin“Broad-Axe Coviello,Peter

Pride

  • Creator(s): Griffin, Christopher O.
Text:

.: Peter Smith, 1972. Pride

Constructing the German Walt Whitman

  • Date: 1995
  • Creator(s): Grünzweig, Walter
Text:

Whitman played an interesting role in this endeavor.

Peter Boie read Walt Whitman's "Song ofMyself." ... Peter liked what he read about the animals.

child of nature, who feels equal to Peter and who tells him so.

Social Democrats' interest in Whitman comes into play here).

Hermann Peter Piwit and Peter Rtihmkorf (Reinbek: Rowohlt, 1976), p.l36.

German-speaking Countries, Whitman in the

  • Creator(s): Grünzweig, Walter
Text:

based on "new developments in the human nervous system" (Das dritte Reich, 1900; Die Suchenden, 1902; Peter

years later in France with Bertz, Bazalgette, and others as active participants—Whitman continued to play

Heine, Heinrich (1797–1856)

  • Creator(s): Grünzweig, Walter
Text:

Peter Uwe Hohendahl and Sander L. Gilman. Lincoln: U of Nebraska P, 1991. 199–223.

'I Sing the Body Electric' [1855]

  • Creator(s): Gutman, Huck
Text:

naked in the swimming-bath," the "embrace of love and resistance" of two young boy wrestlers, the "play

presents women as exceedingly sexual, for "mad filaments, ungovernable shoots" of erotic attraction play

Review of Leaves of Grass (1855)

  • Date: January 1856
  • Creator(s): Hale, Edward Everett
Text:

cuts, First-rate to ride, to fight, to hit the bull's-eye, to sail a skiff, to sing a song, or to play

Hamlin Garland to Walt Whitman, [June 1889]

  • Date: [June 1889]
  • Creator(s): Walt Whitman | Hamlin Garland
Annotations Text:

Fragments of three plays are held in the Hamlin Garland Collection at the University of Southern California

He published only one play, entitled "Under the Wheel: A Modern Play in Six Scenes."

Hannah Whitman Heyde to Walt Whitman, 4 March [1873]

  • Date: March 4, [1873]
  • Creator(s): Hannah Whitman Heyde
Text:

the same here I only want you to be well again I do like that young fellow that is so kind to you, Peter

Hannah Whitman Heyde to Walt Whitman, 22 September [1891]

  • Date: September 22, [1891]
  • Creator(s): Hannah Whitman Heyde
Annotations Text:

Walt's favorite brother, Jeff played the piano and had a lively sense of humor.

Walt Whitman's "November Boughs"

  • Date: 19 January 1889
  • Creator(s): Harrison, W.
Text:

Tennyson' (originally published in this journal, together with 'What Lurks behind Shakspeare's Historical Plays

Harry Buxton Forman to Walt Whitman, 7 May 1891

  • Date: May 7, 1891
  • Creator(s): Harry Buxton Forman
Annotations Text:

The play was given its first performance on May 7, 1886, in the Grand Theatre, Islington, London, by

"Song of the Answerer" (1881)

  • Creator(s): Hatlen, Burton
Text:

Traces of this same paradox also play through "Song of the Answerer."

"Song of the Banner at Daybreak" (1865)

  • Creator(s): Hatlen, Burton
Text:

"Song of the Banner" plays a similar role in what eventually became the "Drum-Taps" cluster.

"Song of the Broad-Axe" (1856)

  • Creator(s): Hatlen, Burton
Text:

can, with Thomas, read the poem's opening lines as a ritual purification of the axe so that it can play

Helena de Kay Gilder to Walt Whitman, 20 November 1880

  • Date: November 20, 1880
  • Creator(s): Helena de Kay Gilder | Richard Watson Gilder
Annotations Text:

Helena Modjeska (1840–1909) was a well-known Polish actress, particularly famous for playing Shakespearean

"Live Oak with Moss" (1953–1954)

  • Creator(s): Helms, Alan
Text:

formed the nucleus of "Calamus," and it gave Whitman the idea of the "cluster," a formal feature that plays

Whitman’s “Live Oak with Moss”

  • Date: 1992
  • Creator(s): Helms, Alan
Text:

Granted, other influences played their part in the sea-change that took place in Whitman's life and work

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Henry Latchford to Walt Whitman, 28 May 1889

  • Date: May 28, 1889
  • Creator(s): Henry Latchford
Text:

When he makes "any kind of a decent deal" at all he just plays with millions—the other fellows witnessing

considerable of the "play" but somewhat less of the millions.

The Vanity and the Glory of Literature

  • Date: After April 1, 1849; April 1849; Date unknown
  • Creator(s): Walt Whitman | Henry Rogers
Text:

his discourses and in those of much better theologians, if we should ultimately allow the text to play

which in fact they derive, in nine instances out of ten, from the light of genius which he brought to play

in all liberal education, as the masters of language and models of taste, these venerable authors play

Herbert Gilchrist to Walt Whitman, 29 April 1883

  • Date: April 29, 1883
  • Creator(s): Herbert Gilchrist
Text:

You play a prominent part in this picture—seated at table bending over a nosegay of flowers, poetizing

Herbert Gilchrist to Walt Whitman, 9 November 1886

  • Date: November 9, 1886
  • Creator(s): Herbert Gilchrist
Text:

such an one should be clothed in pretty dress has been my first consideration— & cudos necessarily plays

Herbert Gilchrist to Walt Whitman, 15 January 1882

  • Date: January 15, 1882
  • Creator(s): Herbert Gilchrist
Text:

here in London very good-naturedly volunteered to stand to me for a picture of Consuelo & Hayden playing

Herbert Gilchrist to Walt Whitman, 16 August 1882

  • Date: August 16, 1882
  • Creator(s): Herbert Gilchrist
Text:

Wednesday afternoon I played the delightful game of lawn-tennis with them and their friends & the following

day I was asked to go and play tennis at the Rectory two miles off.

Excerpt from Chapter 19 of Anne Gilchrist: Her Life and Writings

  • Date: 1887
  • Creator(s): Herbert Harlakenden Gilchrist
Text:

; for unless it be the faithful servant in As You Like It, there is not a single character, in his plays

Symonds, John Addington [1840–1893]

  • Creator(s): Higgins, Andrew C.
Text:

Peters. 3 vols. Detroit: Wayne State UP, 1967–1969.____. Memoirs of John Addington Symonds. Ed.

Rhetorical Theory and Practice

  • Creator(s): Higgins, Andrew C.
Text:

The rhetorician is interested in the ways that writers play on these different identities, highlighting

Critics, Whitman's

  • Creator(s): Hindus, Milton
Text:

Antipathy has reached inspired heights in such writers as Peter Bayne and Knut Hamsun, and this makes

Education, Views on

  • Creator(s): Hirschhorn, Bernard
Text:

And it in turn solidified his conviction that the teacher played a pivotal role in their education.

Views on Education

  • Creator(s): Hirschhorn, Bernard
Text:

And it in turn solidified his conviction that the teacher played a pivotal role in their education.

Romanticism

  • Creator(s): Hodder, Harbour Fraser
Text:

.: Peter Smith, 1972.____. Walt Whitman's Workshop: A Collection of Unpublished Manuscripts. Ed.

“This Mighty Convlusion”: Whitman and Melville Write the Civil War

  • Date: 2019
  • Creator(s): Sten, Christopher | Hoffman, Tyler
Text:

Reconciliation as Sequel and Supplement: Drum- Taps and Battle-Pieces / 69 peTer J.

Robert Penn 80 } Peter J.

Olsen- Smith, Steven, Peter Norberg, and Dennis C. Marnon.

Peter Coviello. New York: Oxford University Press, 2004. ———.

Peter J.

Camden’s Compliment to Walt Whitman

  • Date: 1889
  • Creator(s): Horace L. Traubel
Text:

Whitman gone, the fruitless. meeting had gone with him, as though a more than Hamelinic pipe had been played

In him 24 ADDRESSES. nature has ample play.

But the gentleman willnot slapthe pick-pocket on the back and play the political harlotto gain his favor

Then willcome into play, for the firsttime, the marvellous genius of the poet who sang the "Song of Myself

In RE Walt Whitman: Walt Whitman at Date

  • Date: 1893
  • Creator(s): Horace L. Traubel
Text:

expansive life—a life which, while careless of sub- tleties, has turned unfailing reverence upon the play

In RE Walt Whitman: Round Table with Walt Whitman

  • Date: 1893
  • Creator(s): Horace L. Traubel
Text:

rivulets and bigger streams of literature—there is a splendid lesson that such notes as there is in the play

At the end of that interesting play, which I have seen, a great fellow who is in pursuit of it comes

Who will play his part for him? And Hawthorne—wasn't he expected?

How strange that Shelley and "Leaves of Grass" should play upon him together!

Whitman .—[ To Traubel ].— Did he suppose we intended that he should be left out of the play?

Horace L. Traubel to Walt Whitman, 10 June 1891

  • Date: June 10, 1891
  • Creator(s): Horace L. Traubel
Annotations Text:

King Edward VII, Gordon-Cumming was confronted and pressured to sign a document that he would not play

With Walt Whitman in Camden (vol. 2)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

But I, for my part—we—must not play the game with that end in view.

He often plays with his penknife, opening and shutting as he talks.

Lust, whiskey, such things, played heavy cards in his game of life.

I doubt whether I would ever care for the play." Better today.

Tom, don't play with fire."

Tuesday, July 17, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

But I, for my part—we—must not play the game with that end in view.

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