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Search : PETER MAILLAND PLAY

1584 results

Brooklyniana, No. 37

  • Date: 11 October 1862
  • Creator(s): Walt Whitman
Text:

See Iona and Peter Opie, The Lore and Language of Schoolchildren (New York: New York Review of Books,

Whitman is playing here on Hamlet's line in Act 2, Scene 2 of Hamlet : "I am but mad north-north-west

Annotations Text:

Whitman is playing here on Hamlet's line in Act 2, Scene 2 of Hamlet: "I am but mad north-north-west:

Washington

  • Date: 12 March 1865
  • Creator(s): Walt Whitman
Text:

and cold, or what underlies them all, are affected with what affects man in masses, and follow his play

floating along, rising, falling leisurely, with here and there a long-drawn note; the bugle, well played

Brooklyniana, No. 35

  • Date: 30 August 1862
  • Creator(s): Walt Whitman
Text:

Holloway's note] ) the bricks were imported from Holland; in the administration of Stuyvesant, Governor Peter

Brooklyniana, No. 17.

  • Date: 5 April 1862
  • Creator(s): Walt Whitman
Text:

Plays and equestrian performances of a second-rate character were given there at intervals for about

Brooklyniana; A Series of Local Articles, on Past and Present

  • Date: 5 June 1861
  • Creator(s): Walt Whitman
Text:

When Sarah's father, George Jansen De Rapelje, was settled on his farm in the Wallabout, Peter Minnet

It was Peter Minnet (alternately Minuit) who, on May 6, 1626, purchased Manhattan from the Lenape Indians

Letters from Paumanok

  • Date: 14 August 1851
  • Creator(s): Walt Whitman
Text:

And the dark and glistening water formed an under-tone to the play of vehement color up above.

Have you not, in like manner, while listening to the well-played music of some band like Maretzek's,

Number III

  • Date: 28 October 1849
  • Creator(s): Walt Whitman
Text:

A very large majority never entered a theatre or read a play, or saw a piano or any thing worthy to be

that these people might be very intelligent, and very manly and womanly, without ever having seen a play

Brooklyniana; A Series of Local Articles, Past and Present

  • Date: 3 June 1861
  • Creator(s): Walt Whitman
Text:

events and persons departed from the stage, now in the midst of the turmoil and excitement of the great play

the same period, two other worthy men, immigrants also from Holland, named Frederick Lubertse and Peter

City Photographs—No. VI

  • Date: 3 May 1862
  • Creator(s): Walt Whitman
Text:

Ingersoll played Richmond .

And how he used to play such parts as Pythias , to Forrest's Damon ?

For such were the plays, and finely sustained, that we used to go and see at the Old Bowery.)

Charley Thorne, who was then young and strong, and rosy and full of fire, played Tressel .

The Lady of Lyons was a play by Edward Bulwer-Lytton.

Annotations Text:

.; The Last Days of Pompeii was a play by Louisa Medina, who would later marry the actor Tom Hamblin.

It was the first play to achieve a "long run" in the United States, remaining on stage for twenty-nine

Like Booth, he also played Richard III in New York.; The "Kemble school" refers to a style and philosophy

It is clear that Whitman prefers Scott's style of acting.; The Sledge Driver was a play by Eliza Planche

, whose husband, James Robinson Planche, was also a playwright.; The Lady of Lyons was a play by Edward

Advice to Strangers

  • Date: 23 August 1856
  • Creator(s): Walt Whitman
Text:

The chief traps for these good folks are the mock auction shops, or "Peter Funk" establishments.

"Peter Funk" was a popular term for a decoy purchaser who falsely bid up prices on a product in partnership

See Louise Pound, "'Peter Funk': The Pedigree of a Westernism," American Speech 4.3 (February 1929),

the client's clothes while he slept" (Shane White, Stephen Garton, Stephen Robertson, Graham White, Playing

Annotations Text:

the client's clothes while he slept" (Shane White, Stephen Garton, Stephen Robertson, Graham White, Playing

Letters from a Travelling Bachelor–No. II

  • Date: 21 October 1849
  • Creator(s): Walt Whitman
Text:

See Peter Ross and William Smith Pelletreau, A History of Long Island: From Its Earliest Settlement to

Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio

Annotations Text:

.; Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio

New York Amuses Itself—The Fourth of July

  • Date: 12 July 1856
  • Creator(s): Walt Whitman
Text:

At the hinder lower corner of each saddlecloth is a gay, red tassel, which swings to and fro, and plays

The great fountain is playing, and round it is a ring of pleased faces of old and young, watching the

City Photographs—No. III

  • Date: 29 March 1862
  • Creator(s): Walt Whitman
Text:

Recchia (New York: Peter Lang, 2003), 2:268.

Recchia (New York: Peter Lang, 2003), 2:25. —and later ones of the great Kean.

Peters, and Doctors A. C. Post, T. F.

Number VII

  • Date: 25 November 1849
  • Creator(s): Walt Whitman
Text:

The fountain is playing, and so let us stroll about here a few minutes.

The fountain here plays more frequently than any of the other fountains—at least it is always playing

Letter IX

  • Date: 16 December 1849
  • Creator(s): Walt Whitman
Text:

Thoughts of the boundless Creation must have expanded my mind, for it certainly played the most unconscionable

Sun-Down Papers.—[No. 2]

  • Date: 14 March 1840
  • Creator(s): Walt Whitman
Text:

on this concept of a natural aristocrat, see: Jason Stacy, Walt Whitman’s Multitudes , (New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 1]

  • Date: 29 February 1840
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 4]

  • Date: 11 April 1840
  • Creator(s): Walt Whitman
Text:

(Herbert Bergman, et al., eds., The Collected Writings of Walt Whitman: The Journalism [New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 3]

  • Date: 28 March 1840
  • Creator(s): Walt Whitman
Text:

who is "young, employed, and impressionable" (see Jason Stacy, Walt Whitman’s Multitudes [New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 9 bis]

  • Date: 6 July 1841
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 9]

  • Date: 24 November 1840
  • Creator(s): Walt Whitman
Text:

I [New York: Peter Lang Publishers, 1998], 222).

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 10]

  • Date: 20 July 1841
  • Creator(s): Walt Whitman
Text:

started forth to visit the other side, whereon the surf comes tumbling, like lots of little white pigs playing

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Dickens and Democracy

  • Date: 2 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Recchia (New York: Peter Lang, 1998), 1: 93.

The Catholic Rows not ended

  • Date: 16 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

[We proceed this morning to]

  • Date: 5 April 1842
  • Creator(s): Walt Whitman
Text:

For more on financial bubbles, see: Peter M.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Defining "Our Position"

  • Date: 30 March 1842
  • Creator(s): Walt Whitman
Text:

Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

.; Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.; Bishop

[Yesterday was dull]

  • Date: 19 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The Late Riots

  • Date: 15 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Old England

  • Date: 21 April 1842
  • Creator(s): Walt Whitman
Text:

Suppose, in case of a war, we should play our game after the same fashion.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

[Reader, we fear you have]

  • Date: 6 April 1842
  • Creator(s): Walt Whitman
Text:

A number of children were at play—some kind of a game which required that they should take each others

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 6]

  • Date: 11 August 1840
  • Creator(s): Walt Whitman
Text:

—With the dead girl or boy, the transient play is finished: we know that the worst deeds they ever committed

Shakespeare’s plays were performed by and for all classes in the United States during the nineteenth

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

Shakespeare’s plays were performed by and for all classes in the United States during the nineteenth

Sun-Down Papers.—[No. 7]

  • Date: 29 September 1840
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Sun-Down Papers.—[No. 8]

  • Date: 20 October 1840
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

[On Saturday night]

  • Date: 11 April 1842
  • Creator(s): Walt Whitman
Text:

Never was there a darker, more treacherous, despicable, and selfish game than that played, in this business

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Dreams

  • Date: 23 April 1842
  • Creator(s): Walt Whitman
Text:

twinkle through the mists of undeveloped intellect, and by day throw a veil of undefined beauty over the play

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Newspaperial Etiquette

  • Date: 18 April 1842
  • Creator(s): Walt Whitman
Text:

Bolton Comfort is a character from the play The Irish Heiress: A Five Act Comedy by Dion Boucicault,

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

Bolton Comfort is a character from the play The Irish Heiress: A Five Act Comedy by Dion Boucicault,

Result of the Election

  • Date: 13 April 1842
  • Creator(s): Walt Whitman
Text:

In New York City the party often played a minority role to the dominance of the Democratic Party in the

Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855 (New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

In New York City the party often played a minority role to the dominance of the Democratic Party in the

"Marble Time" in the Park.

  • Date: 4 April 1842
  • Creator(s): Walt Whitman
Text:

marble time;" and in many a nook and many a sunny spot around, we observe groups of the little people playing

Volume I: 1834–1846 (New York: Peter Lang, 1998).

[New York Atlas, 7 November 1858]

  • Date: 7 November 1858
  • Creator(s): Walt Whitman
Text:

The physique, of course, partakes largely of all this play of causes and effects.

lead and the appetite of gain—even those whose career is the career of prostitution, "pleasure" and play—are

for those inquirers who indeed think that the proper study for mankind is man, with all the strange play

[New York Atlas, 17 October 1858]

  • Date: 17 October 1858
  • Creator(s): Walt Whitman
Text:

See also Whitman's description of "youngsters playing 'base,' a certain game of ball," in an article

Recchia (New York: Peter Lang, 1998), 477. the same may be said of cricket—and, in short, of all games

Boys should be encouraged to play the game.

In country places it is often played with flat stones, or with horse-shoes.

Most of our American cities have grounds where it is regularly played.

Annotations Text:

See also Whitman's description of "youngsters playing 'base,' a certain game of ball," in an article

[New York Atlas, 24 October 1858]

  • Date: 24 October 1858
  • Creator(s): Walt Whitman
Text:

Drenching the stomach with it just before, or during a hearty meal, plays the mischief with the digestion

In one of the feet there are thirty-six bones, and the same number of joints, continually playing in

Yet they are always squeezed into boots not modeled from them, nor allowing the play and ease they require

Last Evening

  • Date: 12 April 1842
  • Creator(s): Walt Whitman
Text:

[New York: Peter Lang Publishers, 1998], 1: 222).

The whole of this manœuvre is about as bungling and poorly worked a game as we ever saw played.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Plots of the Jesuits!

  • Date: 14 April 1842
  • Creator(s): Walt Whitman
Text:

These jesuits understand how to play their cards as well as the other fellow.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Incidents of Last Night

  • Date: 13 April 1842
  • Creator(s): Walt Whitman
Text:

For further reading, see Peter Adams, The Bowery Boys: Street Corner Radicals and the Politics of Rebellion

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Old Land Marks

  • Date: 18 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The English troubles in India, and our difficulties with Great Britain

  • Date: 19 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

[New York Atlas, 19 September 1858]

  • Date: 19 September 1858
  • Creator(s): Walt Whitman
Text:

the theatre of Bacchus, in Athens, where the tragedies of Sophocles and the other Greek poets were played

"Black and White Slaves."

  • Date: 2 April 1842
  • Creator(s): Walt Whitman
Text:

He became so familiar that his name frequently appeared in books, plays, periodical titles, and as a

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

He became so familiar that his name frequently appeared in books, plays, periodical titles, and as a

Life and Love

  • Date: 20 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Scenes of Last Night

  • Date: 1 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

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