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Search : William White

3753 results

Heart Rending

  • Date: 5 April 1842
  • Creator(s): Walt Whitman
Text:

opinion of the living and working conditions of England in the New York Aurora editorials "Black and White

In "Black and White Slaves" he writes, "In England, nine-tenths of the population do not enjoy the common

Annotations Text:

opinion of the living and working conditions of England in the New York Aurora editorials "Black and White

In "Black and White Slaves" he writes, "In England, nine-tenths of the population do not enjoy the common

"Marble Time" in the Park.

  • Date: 4 April 1842
  • Creator(s): Walt Whitman
Text:

See: John Boag, Popular and Complete English Dictionary (London: William Collins, 1848), 903. twice the

White, 1839], 532). to the north. What troops of children, large and small, appear on every side!

Annotations Text:

White, 1839], 532).; "fen scrapins" was perhaps a slang term used during the game of "Ring Taw."

Dickens and Democracy

  • Date: 2 April 1842
  • Creator(s): Walt Whitman
Text:

Quilp—the dull, callous insensibility to any virtue, of Sikes Fagin (Whitman misspells his name) and William

"Black and White Slaves."

  • Date: 2 April 1842
  • Creator(s): Walt Whitman
Text:

"Black and White Slaves." "Black and White Slaves."

texts show that he had little tolerance for abolitionism, that he thought blacks were inferior to whites

The lithograph to which Whitman refers was actually entitled "Black and White Slavery," and was created

by a Northern slavery apologist named Edward Williams Clay.

It compares Britain's "white slaves" (factory workers) to America's black slaves in an effort to show

Annotations Text:

texts show that he had little tolerance for abolitionism, that he thought blacks were inferior to whites

Vintage Books, 1996), 125–127.; The lithograph to which Whitman refers was actually entitled "Black and White

It compares Britain's "white slaves" (factory workers) to America's black slaves in an effort to show

The School Question

  • Date: 2 April 1842
  • Creator(s): Walt Whitman
Text:

A bill written by William B.

Maclay (1812–1882), a New York Democrat, as a response to Governor William Seward's (1802–1872) call

Scenes of Last Night

  • Date: 1 April 1842
  • Creator(s): Walt Whitman
Text:

Wisdom mentioned by Whitman is Captain William A.

[We have read with attention]

  • Date: 1 April 1842
  • Creator(s): Walt Whitman
Text:

Roediger, The Wages of Whiteness: Race and the Making of the American Working Class (London: Verso, 2002

William Leete Stone (1793–1844) was described in an 1856 biographical sketch as "the editor and one of

In Whitman's written appeal to the minds of all men (where "all men" refers to native-born white males

Annotations Text:

Roediger, The Wages of Whiteness: Race and the Making of the American Working Class (London: Verso, 2002

In Whitman's written appeal to the minds of all men (where "all men" refers to native-born white males

Defining "Our Position"

  • Date: 30 March 1842
  • Creator(s): Walt Whitman
Text:

White, 1839]).

White, 1839]). This piece is unsigned.

Annotations Text:

White, 1839]).

White, 1839]).; Our transcription is based on a digital image of an original issue.

Organs of the Democracy

  • Date: 29 March 1842
  • Creator(s): Walt Whitman
Text:

The first editor-in-chief was William Coleman (1766–1829).

The poet William Cullen Bryant (1794–1878) took over in the 1830s, and was the editor-in-chief for nearly

For more information on William Cullen Bryant and the Evening Post , see: Allan Nevins, The Evening Post

The Right of Search

  • Date: 29 March 1842
  • Creator(s): Walt Whitman
Text:

William Scott Stowell (1745–1836) was an English civil lawyer turned jurist and later a judge.

and Determined in the High Court of Admiralty Commencing with the Judgements of the Right Honor Sir William

The New York Press

  • Date: 29 March 1842
  • Creator(s): Walt Whitman
Text:

William Cullen Bryant (1794–1878) served as the editor of the Evening Post for nearly fifty years, from

Stone is a good writer, William Leete Stone (1792–1844) was the editor of the Commercial Advertiser from

New Era and Whitman's poem published there, see Wendy Katz, "A Newly Discovered Whitman Poem About William

The School Bill

  • Date: 29 March 1842
  • Creator(s): Walt Whitman
Text:

William Seward (1801–1872), as governor of New York, passed the so-called Maclay Bill to increase funding

The Maclay Bill was written by William B.

Prospects of War

  • Date: 1842-03-29
  • Creator(s): Walt Whitman
Text:

John Tyler (1790–1862) became president of the United States upon the death of William Henry Harrison

A Peep at the Israelites

  • Date: 28 March 1842
  • Creator(s): Walt Whitman
Text:

A white silken mantle, somewhat like a scarf, was worn by every person; it encircled the neck, falling

The silk scarf that Whitman is referring to is a tallit, a white garment that is shawl-like and is worn

platform which made part of this structure, there was another figure standing, half shrouded in a white

Scott" and "Shakespeare's Shylock" are both Jewish characters in works from Sir Walter Scott and William

Similarly, Shylock is a character from the William Shakespeare play, The Merchant of Venice .

Annotations Text:

.; The silk scarf that Whitman is referring to is a tallit, a white garment that is shawl-like and is

What's the Row?

  • Date: 28 March 1842
  • Creator(s): Walt Whitman
Text:

In the election of 1840, Van Buren lost to William Henry Harrison (1774–1841), a former general during

President William Henry Harrison died from complications of pnuemonia four weeks after taking the oath

The Last of the Sacred Army

  • Date: March 1842
  • Creator(s): Walt Whitman
Text:

length of years seldom vouchsafed to his kind; and his head was thinly covered with hair of a silvery whiteness

assured him I was not jesting, he began telling me of former times, and how it came to be that this white-haired

In a short time, as the white-haired ancient was out of sight, the square was cleared, and I stood in

The Tomb-Blossoms

  • Date: January 1842
  • Creator(s): Walt Whitman
Text:

I stopped and leaned my back against the fence, with my face turned toward the white marble stones a

White hairs, and pale blossoms, and stone tablets of Death!

The Child's Champion

  • Date: November 20, 1841
  • Creator(s): Walt Whitman
Text:

She who sat on the door-step was a widow; her neat white cap covered locks of gray, and her dress though

Death in the School-Room. A Fact.

  • Date: August 1841
  • Creator(s): Walt Whitman
Text:

The perspiration ran down his white forehead like rain-drops. "Speak, sir!"

His countenance turned to a leaden whiteness; the ratan dropped from his grasp; and his eyes, stretched

Sun-Down Papers.—[No. 10]

  • Date: 20 July 1841
  • Creator(s): Walt Whitman
Text:

Bright, we started forth to visit the other side, whereon the surf comes tumbling, like lots of little white

Sun-Down Papers.—[No. 9 bis]

  • Date: 6 July 1841
  • Creator(s): Walt Whitman
Text:

See William Godwin, St.

Sun-Down Papers.—[No. 9]

  • Date: 24 November 1840
  • Creator(s): Walt Whitman
Text:

The ideologial founder of the Loco focos, William Leggett (1801-1839), advocated for free trade, and

Sun-Down Papers.—[No. 8]

  • Date: 20 October 1840
  • Creator(s): Walt Whitman
Text:

delightfully variegated with rolls and slight elevations of land: on the highest of these I beheld a white

Sun-Down Papers.—[No. 6]

  • Date: 11 August 1840
  • Creator(s): Walt Whitman
Text:

For instance, in a poem titled "The Ideal," by William H.C.

Levine, "William Shakespeare in America," Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America

Walt Whitman to Abraham Paul Leech, 11 August [1840]

  • Date: August 11, [1840]
  • Creator(s): Walt Whitman
Text:

pork; believe L.I. sound and the south bay to be the ne plus ultra of creation; and the "gals" wear white

Walt Whitman to Abraham Paul Leech, 30 July [1840]

  • Date: July 30, [1840]
  • Creator(s): Walt Whitman
Text:

—Our conversation, too, was a caution to white folks; it consisted principally, as you may imagine, of

Sun-Down Papers.—[No. 3]

  • Date: 28 March 1840
  • Creator(s): Walt Whitman
Text:

Levine, "William Shakespeare and the American People: A Study in Cultural Transformation," The American

Sun-Down Papers.—[No. 2]

  • Date: 14 March 1840
  • Creator(s): Walt Whitman
Text:

the reference to the “Youth’s guide to Polite Manners” could be related to the 1833 publication of William

Many advice manuals quoted William Scott’s definition of good-breeding from his 1817 publication of Lessons

Sun-Down Papers.—[No. 1]

  • Date: 29 February 1840
  • Creator(s): Walt Whitman
Text:

—Forms that the coffin shrouds in its white linings; voices that once sounded joyous and light, but which

Of this broad and majestic

  • Date: Between 1850 and 1855
Text:

Later in the manuscript he writes of "the buckwheat and its white tops and the bees that hum there all

day," and on page 36 of the 1855 Leaves he writes of the "white and brown buckwheat, a hummer and a

A Defence of the Christian Doctrines of the Society of Friends

  • Date: After 1838; 1825
  • Creator(s): Walt Whitman | Anonymous
Text:

William Penn, in his "Testimony to the truth as held by the people called Quakers,"written in 1698, says

"— Elias Hicks' letter to William B.

The next quotation, on page 72 of the pamphlet, is taken from William Penn's "Guide Mistaken, and Temporizing

To which distinction of persons William Penn replies– "As for his strange distinction of the Deity, which

[Here William Penn introduces M 298 inference, I say, is as irrational, as it would be for any to conclude

After all, not to create only

  • Date: about 1871
Text:

A note at the top of the manuscript, written by Whitman's friend William Sloane Kennedy, indicates that

Maize-Tassels

  • Date: undated
Text:

Written at the top of the manuscript is the note, "White Horse notes."

[Peace no more]

  • Date: undated
Text:

leaf16 x 19 cm; A draft beginning "Peace no more, but flag of war" written in pencil on a sheet of white

Scantlings. White

Text:

White

Death of William Cullen Bryant

Text:

Death of William Cullen Bryant

Introduction to Horace Traubel

  • Creator(s): Matt Cohen
Text:

(William Sloane Kennedy, for example, wrote that Whitman would "probably have desired to have him privately

Biography of William Douglas O'Connor

  • Creator(s): Deshae E. Lott
Text:

William Douglas O'Connor photograph of William Douglas O'Connor Walt Whitman met William Douglas O'Connor

Walt Whitman's Champion: William Douglas O'Connor . College Station: Texas A&M UP, 1978.

O'Connor, William Douglas. "The Carpenter: A Christmas Story."

"O'Connor, William Douglas [1832–1889]," by Deshae E.

Biography of William Douglas O'Connor

A Woman's Estimate of Walt Whitman

  • Creator(s): Anne Gilchrist [unsigned in original]
Text:

what is unsuitable is also unintelligible to her; and, if no dark shadow from without be cast on the white

In a letter on July 19, 1869, William Michael Rossetti had urged Gilchrist to "suppress" her name; see

The Letters of William Michael Rossetti , ed.

writing positively of it in his December 9, 1869 letter to Rossetti and in his May 11, 1870 letter to William

Memoranda During the War

  • Date: 1875–1876
  • Creator(s): Walt Whitman
Text:

The White House by Moonlight — . 24.—A spell of fine soft weather.

—everything so white, so marbly pure and dazzling, yet soft—the White House of future poems, and of dreams

There are fires in large stoves, and the prevailing white of the walls is reliev'd by some ornaments,

Williams, age 21, 3d Va. Cavalry.

Father, John Williams, Millensport, Ohio. 9–10.

Drum-Taps (1865)

  • Date: 1865
  • Creator(s): Walt Whitman
Text:

in toward land; The great steady wind from west and west-by-south, Floating so buoyant, with milk-white

, I was refresh'd by the storm; I watch'd with joy the threatening maws of the waves; I mark'd the white

Then to the third—a face nor child, nor old, very calm, as of beautiful yellow-white ivory: Young man

NOT alone our camps of white, O soldiers, When, as order'd forward, after a long march, Footsore and

WORLD, take good notice, silver stars fading, Milky hue ript, weft of white detaching, Coals thirty-six

Bohemians in America

  • Date: [1882 or before]
  • Creator(s): Jay Charlton
Text:

table Henry Clapp, Walt Whitman, Fitz James O'Brien, Ned Wilkins, George Arnold, Sheppard, Gardette, William

William Winter was its literary critic.

William Winter came from the Cambridge (Mass.) Chronicle in 1859.

Our transcription is based on William Shepard, ed., Pen Pictures of Modern Authors (New York: G. P.

[party, a night of]

  • Creator(s): Anonymous
Text:

looked a moment at the blaze of the great wood fire, ran his forefinger and left through the heavy white

Introduction to Walt Whitman, Poemas, by Álvaro Armando Vasseur

  • Creator(s): Matt Cohen | Rachel Price
Text:

The Italian bedfellow kisses and hugs, and fills the house with white towels.

The youth float on their backs, their white bellies soak up the sun; they do not wonder who clasps them

I neither suffer nor despair despite my exhaustion, Beautiful and white are the people surrounding me

I depart like the air, shake my white hair towards the setting sun, Throw my flesh into eddies, let it

Hall Walt Whitman in Europe Today Roger Asselineau and William White Detroit Wayne State University Press

Leviathan, Yggdrasil, Earth Titan, Eagle: Balʹmont's Reimagining of Walt Whitman

  • Creator(s): Martin Bidney
Text:

" ("Pevec ličnosti i žizni") and "The Poetry of Struggle" ("Poèzija borʹby"), appear in the volume White

which has in effect powerfully recreated: Me and mine, loose windrows, little corpses, Froth, snowy white

Whitman in the German-Speaking Countries

  • Creator(s): Walter Grünzweig
Text:

By the time he became acquainted with Whitman's poetry through William Rossetti's British edition of

It was facilitated by Whitman's friends, probably under the aegis of William D.

The translators were an unlikely team—Thomas William Rolleston (1857–1920) was an Irish nationalist and

He is also a prominent translator of American dramatists (among them Williams, Miller, and Wilder).

And four voices under the high white hats reply: "Et c'est bon!" . . .

Whitman in Russia

  • Creator(s): Stephen Stepanchev
Text:

William Parry reports that in Baku poems by Whitman were distributed as morale builders to oil workers

"I am both white and black, and belong to every caste—mine is every faith—I am a farmer, gentleman, mechanic

Traubel was fifteen years old when he began to chat occasionally with the white-bearded old poet on the

Whitman in France and Belgium

  • Creator(s): Asselineau, Roger
Text:

See Roger Asselineau and William White, eds., Walt Whitman in Europe Today (Detroit: Wayne State University

William White, ed., The Bicentennial Walt Whitman (Detroit: Wayne State University Press, 1976), 14.

Asselineau and White, , 19.

The early lilacs became part of this child, And grass and white and red morning-glories, and white and

Roger Asselineau and William White, eds., (Detroit, Wayne State University Press, 1972).

Whitman in the British Isles

  • Creator(s): M. Wynn Thomas
Text:

See, for instance, Swinburne's discussion of Whitman in William Blake: A Critical Essay (London: John

Hyder, "Swinburne's 'Changes of Aspect' and Short Notes," PLMA 58 (March 1943): 241; William J.

(Edinburgh: William Brown, 1884); originally published in the Round Table Series 4. 13.

This is what William Carlos Williams learned from Whitman, the natural cadence, the flow of breath as

William Carlos Williams once praised a poem by Marianne Moore as an anthology of transit, presumably

Whitman in Brazil

  • Creator(s): Maria Clara Bonetti Paro
Text:

that swing and bloom; in your dining room, close to the tiled stove that smells of pine resin and white

America] most nearly recognizes its image is good gray Whitman in his open-collared shirt, in his white

class or of his own intellectual caste, of his own region or territorial area, or of his own race of white-skinned

Perhaps his long white hair made him seem paternal or maternal in the eyes of fatally wounded young men

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