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Search : PETER MAILLAND PLAY

1584 results

Walt Whitman & the World

  • Date: 1995
  • Creator(s): Allen, Gay Wilson | Folsom, Ed
Text:

Dan Lewis played a major role in the complex job ofgathering and editing the materials for this volume

Hermann Peter Piwit and Peter Rtihmkorf, eds.Literaturmagazins.Das Vergehen von Horen und Sehen.

Bazalgette translated The Wound-Dresser (Le Panseur de Plaies) (1917).

We shall see later the part played by this same spectacle in the growth ofthe poem.

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Ada H. Spaulding to Walt Whitman, 4 January 1890

  • Date: January 4, 1890
  • Creator(s): Ada H. Spaulding
Text:

Please have something that you want—and play that I sent it, instead of this unbeautiful Money Order.

Walt Whitman, the American Poet

  • Date: May 1876
  • Creator(s): Adams, Robert Dudley
Text:

while admitting that the venerable and heavenly forms of chiming versification have in their time played

caste, joyfully enlarging, adapting itself to comprehend the size of the whole people, with the free play

The passionate, teeming plays this curtain hid!)

Amos T. Akerman to Thomas M. Peters, 28 December 1871

  • Date: December 28, 1871
  • Creator(s): Akerman, Amos T. | Walt Whitman
Text:

Peters, Moulton, Ala.

Peters, 28 December 1871

Alfred Janson Bloor to Walt Whitman, 7 June 1879

  • Date: June 7, 1879
  • Creator(s): Alfred Janson Bloor
Text:

The play was "Our American Cousin."

I knew the play very well, & recollect asking Miss — at what point in it the tragedy occurred, but her

Lincoln laughed heartily at the comical situations & dialogue of the play, and paid close attention to

Miss — was leaning forward, she said, to catch some by-play that was going on at the back of the stage

shouted his cry of "Sic semper tyrannis" & run off the stage, she still thought it was part of the play

Review of Leaves of Grass (1856)

  • Date: November 1856
  • Creator(s): Alger, William Rounseville
Text:

or not he is considered among his friends to be of a sane mind,—whether he is in earnest, or only playing

Allen Upward to Walt Whitman, 12 March 1884

  • Date: March 12, 1884
  • Creator(s): Allen Upward
Text:

I have written plays, comedy & tragedy, allegory, satire and biting political pieces, a few of them printed

Yet for its better advancement I have to play the part of a genteel citizen,—part repugnant!

Personal Memories of Walt Whitman

  • Date: November 1891
  • Creator(s): Alma Calder Johnston
Text:

glad I could manage to brew some tea, and equally delighted to make the old, slow, quizzical smile play

Alonzo S. Bush to Walt Whitman, 7 March 1864

  • Date: March 7, 1864
  • Creator(s): Alonzo S. Bush
Text:

So you must com down when it gets in full blast a boat will play between here & Washington so it will

Alonzo S. Bush to Walt Whitman, 22 December 1863

  • Date: December 22, 1863
  • Creator(s): Alonzo S. Bush
Text:

undr her charge While I was there I never Shall forget and that I often think of the games we used to play

Walt Whitman: Preface to the Sixth Edition

  • Creator(s): Álvaro Armando Vasseur
Text:

phrase "finas hierbas" here can refer to grass, herbs, or poisonous or noxious weeds; the terms also play

emphasized with delight, to signal to me how much he knew and loved it: The hands I held and the cards I played

summer hub of artistic culture that was the great Casino, where the divas of music, song, dance, and play

To drag poetry back to its theogonic babblings—when in the faunal caverns the goats played at being oracles

How deep is its play in animal life .

Amos T. Akerman to William W. Belknap, 16 March 1871

  • Date: March 16, 1871
  • Creator(s): Amos T. Akerman | Walt Whitman
Text:

Sir: In answer to your letter of the 13th instant, in reference to the U.S. military land at Point Peter

Amos T. Akerman to Peter M. Dox, 24 April 1871

  • Date: April 24, 1871
  • Creator(s): Amos T. Akerman | Walt Whitman
Text:

Peter M. Dox, House of Representatives, Washington, D. C.

Akerman to Peter M. Dox, 24 April 1871

Amos T. Akerman to William W. Belknap, 22 August 1871

  • Date: August 22, 1871
  • Creator(s): Amos T. Akerman | Walt Whitman
Text:

honor to inform you that the District Attorney for Nebraska reports that no such persons as Swift, Peters

Amos T. Akerman to George S. Boutwell, 14 December 1871

  • Date: December 14, 1871
  • Creator(s): Amos T. Akerman | Walt Whitman
Text:

letter of the 12th isntant enclosing the letters of Major Poe, of the Light House Engineers, and of Peter

Amos T. Akerman to P. R. Carll, 10 November 1871

  • Date: November 10, 1871
  • Creator(s): Amos T. Akerman | Walt Whitman
Text:

Shipman, under date of 8th instant, desires that "eleven (11) volumes of Peters' Reports, and seventeen

Amos T. Akerman to A. B. Maynard, 14 December 1871

  • Date: December 14, 1871
  • Creator(s): Amos T. Akerman | Walt Whitman
Text:

Poe to the Light House Board, and of Peter Brown, Saginaw Bay Light House Keeper, to Major Poe, in relation

Notebooks and Unpublished Prose Manuscripts [1984]

  • Creator(s): Andriano, Joseph
Text:

avoid seeing her, or meeting her" (Notebooks 2:889), he had originally written "him," referring to Peter

Anna Gilchrist: Her Life and Writings

  • Date: 1887
  • Creator(s): Herbert Harlakendend Gilchrist | Anna Gilchrist | William Michael Rossetti
Text:

Age 48— 51. new country — Description of Philadelphia— Edward The Carpenter — Walt Whitman at the play

Round the Priory we findart and nature playing into each other's hands.

A fondness for music was soon to show itself;an announcement ,that her mistress would play asonata of

Tennyson is all that he said. having men- tioned that they had just come over from Peters- field, and

His play ought to be worth reading and seeing.

Anne Gilchrist to Walt Whitman, 4 September 1873

  • Date: September 4, 1873
  • Creator(s): Anne Gilchrist
Text:

same in natures nature's great soothing arms by the seashore with her reviving invigorating breath playing

Anne Gilchrist to Walt Whitman, 14 May 1874

  • Date: May 14, 1874
  • Creator(s): Anne Gilchrist
Text:

without undue fatigue, to all who aim to give practical shape to their ardent belief in equality & fair play

Anne Gilchrist to Walt Whitman, 3 June 1872

  • Date: June 3, 1872
  • Creator(s): Anne Gilchrist
Text:

how: to let my children grow fond of you—to take food with us; if my music pleased you, to let me play

Anne Gilchrist to Walt Whitman, 27 January 1879

  • Date: January 27, 1879
  • Creator(s): Anne Gilchrist
Text:

We had some fine harp playing & a witty recital at Miss Booth's. Miss Selous is back in America.

Anne Gilchrist to Walt Whitman, 20 July 1885

  • Date: July 20, 1885
  • Creator(s): Anne Gilchrist
Annotations Text:

Whitman's "old fashioned" furniture and a "canary" that "sang with all his might, and a kitten [that] played

Anne Gilchrist to Walt Whitman, 17 June 1881

  • Date: June 17, 1881
  • Creator(s): Anne Gilchrist
Text:

everything—the being with Norah (who is like one of my own) & the dearest jolliest little man digging & playing

Anne Gilchrist to Walt Whitman, 6–12 October 1879

  • Date: October 6–12, 1879
  • Creator(s): Anne Gilchrist
Text:

well and is little if at all aged since we went away; is a good deal bothered just now about his new play

Annie Nathan Meyer to Walt Whitman, 12 January 1891

  • Date: January 12, 1891
  • Creator(s): Annie Nathan Meyer
Annotations Text:

Brander Matthews (1852–1929) was a prolific American writer and critic who wrote novels, plays, short

'Leaves of Grass'—An Extraordinary Book

  • Date: 15 September 1855
  • Creator(s): Anonymous
Text:

In his philosophy justice attains its proper dimensions: "I play not a march for victors only: I play

Studies Among the Leaves

  • Date: January 1856
  • Creator(s): Anonymous
Text:

ready, The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon, The clear light plays

Review of Leaves of Grass (1855)

  • Date: 18 February 1856
  • Creator(s): Anonymous
Text:

for his picture would answer equally well for a "Bowery boy," one of the "killers," "Mose" in the play

Leaves of Grass

  • Date: 15 March 1856
  • Creator(s): Anonymous
Text:

Every move of him has the free play of the muscle of one who never knew what it was to feel that he stood

Review of Leaves of Grass (1855)

  • Date: 22 March 1856
  • Creator(s): Anonymous
Text:

Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play

Annotations Text:

Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play

Review of Leaves of Grass (1855)

  • Date: 1 April 1856
  • Creator(s): Anonymous
Text:

I hope the fifes will play Yankee Doodle.

Review of Leaves of Grass (1860–61)

  • Date: 2 June 1860
  • Creator(s): Anonymous
Text:

Even when his expression torments you, the great, surcharged soul that throbs and plays underneath, looks

Leaves of Grass

  • Date: 7 July 1860
  • Creator(s): Anonymous
Text:

William Wycherley (1641-1716) was an English playwright whose plays juxtaposed deep-seated Puritanism

Annotations Text:

William Wycherley (1641-1716) was an English playwright whose plays juxtaposed deep-seated Puritanism

Review of Leaves of Grass (1860–61)

  • Date: 14 July 1860
  • Creator(s): Anonymous
Text:

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

Walt Whitman

  • Date: 4 July 1868
  • Creator(s): Anonymous
Text:

The most renowned poems would be ashes, orations and plays would be vacuums.

"Leaves of Grass"

  • Date: 26 November 1881
  • Creator(s): Anonymous
Text:

Grundy is a character from Thomas Morton's play Speed the Plough (1798); by the nineteenth century her

Annotations Text:

Grundy is a character from Thomas Morton's play Speed the Plough (1798); by the nineteenth century her

The Poetry of the Future

  • Date: 19 January 1882
  • Creator(s): Anonymous
Text:

The term is taken from the play A Bold Stroke for a Wife (1718) by Susanna Centlivre, English dramatist

Annotations Text:

The term is taken from the play A Bold Stroke for a Wife (1718) by Susanna Centlivre, English dramatist

Leaves of Grass

  • Date: February 1882
  • Creator(s): Anonymous
Text:

is a rational animal, and not like the beasts, which have no sense; and all effort on his part to play

All About Walt Whitman

  • Date: 4 November 1882
  • Creator(s): Anonymous
Text:

Look at this sturdy child of Nature playing with his mother: Hanging clothes on a rail near by, keeping

Review of Specimen Days and Collect

  • Date: 27 November 1882
  • Creator(s): Anonymous
Text:

dry and flat Sahara appears, these cities, crowded with petty grotesques, malformations, phantoms, playing

Whitman's November Boughs

  • Date: 8 December 1888
  • Creator(s): Anonymous
Text:

He has taught, as far as his voice has reached, that literature is something more than a playing with

"Good-Bye, my Fancy!"

  • Date: 5 September 1891
  • Creator(s): Anonymous
Text:

Fanny Kemble (1809-1893) was a popular English actress and author of plays, poems, and memoirs concerning

Annotations Text:

.; Fanny Kemble (1809-1893) was a popular English actress and author of plays, poems, and memoirs concerning

Good-Bye My Fancy

  • Date: 12 September 1891
  • Creator(s): Anonymous
Text:

and Fanny Kemble in Fazio, "a rapid-running, yet heavy-timber'd, tremendous, wrenching, passionate play

Review of Leaves of Grass (1860–61)

  • Date: 9 June 1860
  • Creator(s): Anonymous
Text:

prose is verse, and all that is not verse is prose," a line from Le Bourgeois Gentilhomme (1670), a play

Annotations Text:

prose is verse, and all that is not verse is prose," a line from Le Bourgeois Gentilhomme (1670), a play

Walt Whitman's Works

  • Date: 3 March 1867
  • Creator(s): Anonymous
Text:

may be gathered from one or two passage selected as illustrative of different phases of mind:— "I play

not here marches for victors only; I play great marches for conquered and slain persons.

Walt Whitman

  • Date: 8 June 1867
  • Creator(s): Anonymous
Text:

muscular build, his antecedents here being a race of farmers and mechanics, silent, good-natured, playing

Walt Whitman's Poems

  • Date: 19 February 1876
  • Creator(s): Anonymous
Text:

The passionate, teeming plays this curtain hid!)

while admitting that the venerable and heavenly forms of chiming versification have in their time played

caste, joyfully enlarging, adapting itself to comprehend the size of the whole people, with the free play

New Work by Walt. Whitman

  • Date: 11 March 1876
  • Creator(s): Anonymous
Text:

while admitting that the venerable and heavenly forms of chiming versification have in their time played

caste, joyfully enlarging, adapting itself to comprehend the size of the whole people, with the free play

The passionate, teeming plays this curtain hid!)

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