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of their churches—I hear the responsive base and soprano, I hear the wail of utter despair of the white
- haired white-haired Irish grand-parents, when they learn the death of their grand-son, I hear the cry
Mediterranean, and from one to another of its islands, The inland fresh-tasted seas of North America, The White
you white or black owners of slaves! You owned persons dropping sweat-drops or blood-drops!
exceptions whose appreciation distinguishes the thinker from the dogmatist: intense black and glaring white
and all hearts thrill at the thought of murdered Naboth and his sons, and of Lear hanging over the white
Here goes:— "Oil-works, silk-works, white-lead works, the sugar-house, steam-saws, the grist-mills, and
Scottish poet (1777–1844), writer of the long narrative poem Gertrude of Wyoming William Morris, "The
In the 1870s, William Tweed, a New York politician, became implicated in a scandal involving the disappearance
of their churches —I hear the responsive base and soprano, I hear the wail of utter despair of the white-haired
and from one to an- other another of its islands, The inland fresh-tasted seas of North America, The White
you white or black owners of slaves! You owned persons, dropping sweat-drops or blood- drops!
you white or black owners of slaves! You owned persons dropping sweat-drops or blood-drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Let the white person tread the black person under his heel! (Say!
William Good, Antwerp. ☞ Any communication by mail, for the author of Leaves of Grass, can be directed
spread your white sails, my little bark, athwart the imperious waves!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Heard who sprang in crimson youth from the white froth and the water-blue. Behold a woman!
Let the white person again tread the black person under his heel! (Say!
ah my woolly white and crim- son crimson ! Ah to sing the song of you, my matron mighty!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
you white or black owners of slaves! You owned persons, dropping sweat-drops or blood- drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
In calculating that decision, William O'Connor and Dr. Bucke are far more peremptory than I am.
Democratic" poem of the 1860 edition of eventually titled "Our Old Feuillage," in which Whitman writes of "White
T bluey spoon-drift, like a white race-horse of brine, speeds before me This section bears some resemblance
The village on the highland, seen from afar at sunset—the sun sh ining on the red white or brown gables
red, white or brown the ferry boat ever plying forever and ever over the river This passage was used
of their churches—I hear the responsive base and soprano; I hear the wail of utter despair of the white-hair'd
and from one to an- other another of its islands, The inland fresh-tasted seas of North America, The White
of their churches—I hear the responsive base and soprano; I hear the wail of utter despair of the white-hair'd
and from one to an- other another of its islands, The inland fresh-tasted seas of North America, The White
During this period he was on familiar terms of acquaintance with William Cullen Bryant, and the two were
William Hepworth Dixon (1821–1879) was a British journalist and editor of the Athenæum from 1853–1869
and the bay of Biscay, The clear-sunn'd Mediterranean, and from one to another of its islands, The White
and the bay of Biscay, The clear-sunn'd Mediterranean, and from one to another of its islands, The White
William Bell Scott , a name perhaps not very familiar to most of our readers, but which Mr.
William Bell Scott, British poet and artist, introduced Rossetti to the 1855 Leaves of Grass.