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William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems Who Learns My Lesson Complete?
Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
1855 edition of Leaves of Grass, eventually titled "There Was a Child Went Forth": "And grass, and white
and red morningglories, and white and red clover, and the song of the phoebe-bird, / ... / And the appletrees
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
afar at sunset— the river between, Shadows, aureola and mist, light falling on roofs and gables of white
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
at sunset— the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
The early lilacs became part of this child, And grass, and white and red morningglories, and white and
sunset . . . . the river between, Shadows . . aureola and mist . . light falling on roofs and gables of white
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
sun- set sunset —the river between, Shadows, aureola and mist, light falling on roofs and gables of white
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
sun- set sunset , the river between, Shadows, aureola and mist, light falling on roofs and gables of white
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
at sunset— the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
The cactus, guarded with thorns—the laurel-tree, with large white flowers; The range afar—the richness
Little or big, learned or unlearned, white or black, legal or illegal, sick or well, from the first inspiration
The sum of all known reverence I add up in you, whoever you are; The President is there in the White
afar at sunset—the river between, Shadows, aureola and mist, light falling on roofs and gables of white
Selected and edited by William Michael Rossetti Hotten: Piccadilly.
Thomas Bowdler (1754-1825) was an English physician who famously published an expurgated edition of William
Selected and Edited by William Michael Rossetti One Vol., pp. 406. J.C. Hotten.
To William Michael Rossetti, as the selecter of these poems, we are not simply, in old-fashioned phrase
That immortal house, more than all the rows of dwellings ever built, Or white domed white-domed Capitol
William Wordsworth was reputedly fond of the lesser celandine and it inspired him to write three poems
William Cowper (1731-1800) was a popular English poet of his time.
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
sun- set sunset —the river between, Shadows, aureola and mist, light falling on roofs and gables of white
The young men float on their backs, their white bellies swell to the sun . . . . they do not ask who
I shake my white locks at the runaway sun, I effuse my flesh in eddies and drift it in lacy jags.
I see his white body . . . .
white- blow white-blow and delirious juice, Bridegroom-night of love working surely and softly into the
The early lilacs became part of this child, And grass, and white and red morningglories, and white and
you white or black owners of slaves! You owned persons dropping sweat-drops or blood-drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Let the white person tread the black person under his heel! (Say!
William Good, Antwerp. ☞ Any communication by mail, for the author of Leaves of Grass, can be directed
spread your white sails, my little bark, athwart the imperious waves!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Heard who sprang in crimson youth from the white froth and the water-blue. Behold a woman!
Let the white person again tread the black person under his heel! (Say!
ah my woolly white and crim- son crimson ! Ah to sing the song of you, my matron mighty!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
grave an ancient sorrowful mother, Once a queen, now lean and tatter'd seated on the ground, Her old white
cold ground with fore- head forehead between your knees, O you need not sit there veil'd in your old white
some are such beautiful animals, so lofty looking; Some are buff-color'd, some mottled, one has a white
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
grave an ancient sorrowful mother, Once a queen, now lean and tatter'd seated on the ground, Her old white
cold ground with fore- head forehead between your knees, O you need not sit there veil'd in your old white
some are such beautiful animals, so lofty looking; Some are buff-color'd, some mottled, one has a white
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
you white or black owners of slaves! You owned persons, dropping sweat-drops or blood- drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
In calculating that decision, William O'Connor and Dr. Bucke are far more peremptory than I am.
Democratic" poem of the 1860 edition of eventually titled "Our Old Feuillage," in which Whitman writes of "White
T bluey spoon-drift, like a white race-horse of brine, speeds before me This section bears some resemblance
The village on the highland, seen from afar at sunset—the sun sh ining on the red white or brown gables
red, white or brown the ferry boat ever plying forever and ever over the river This passage was used
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
afar at sunset— the river between, Shadows, aureola and mist, light falling on roofs and gables of white
the thick tangle, the openings, and the pink turf, Different colors, pale gray and green, purple, white
anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white
body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white