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page: "I believe in the flesh, and the appetites, Seeing, hearing, feeling, are miracles, and each part
As an instance, we quote a part of a death-bed scene, which is as beautifully drawn as it is truthful
The publishers have done their part well.
page: "I believe in the flesh, and the appetites, Seeing, hearing, feeling, are miracles, and each part
As an instance, we quote a part of a death-bed scene, which is as beautifully drawn as it is truthful
The publishers have done their part well.
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
I will make divine magnetic lands, With the love of comrades, With the life-long love of comrades. 2
and the silent manner of me, with- out without charm; Yet comes one, a Manhattanese, and ever at parting
—No; But I record of two simple men I saw to-day, on the pier, in the midst of the crowd, parting the
part- ing parting of dear friends; The one to remain hung on the other's neck, and pas- sionately passionately
I will make divine magnetic lands, With the love of comrades, With the life-long love of comrades. 2
brown hands, and the silent manner of me, without charm; Yet comes one, a Manhattanese, and ever at parting
—No; But I record of two simple men I saw to-day, on the pier, in the midst of the crowd, parting the
part- ing parting of dear friends; The one to remain hung on the other's neck, and pas- sionately passionately
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.
It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west
PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
My brown hands and the silent manner of me without charm; Yet comes one a Manhattanese and ever at parting
—no; But merely of two simple men I saw to-day on the pier in the midst of the crowd, parting the parting
updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"
2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!
is but a part.
vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would
I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.
have been, young men, To tell the secret of my nights and days, To celebrate the need of comrades. 2.
and the silent manner of me, with- out without charm; Yet comes one, a Manhattanese, and ever at parting
—No; But I record of two simple men I saw to-day, on the pier, in the midst of the crowd, parting the
part- ing parting of dear friends, The one to remain hung on the other's neck, and pas- sionately passionately
My brown hands and the silent manner of me without charm; Yet comes one a Manhattanese and ever at parting
—no; But merely of two simple men I saw to-day on the pier in the midst of the crowd, parting the parting
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
On the verso of leaf 15 and part of leaf 16 appears a draft of what would become section 11 of Calamus
third sides of two folded half-sheets (20 x 16 cm) of the same white wove paper used for 1:3:1 and 1:3:2,
The lines on page 1 became verses 1-8 of section 4 of Calamus. in 1860; page 2 ("Solitary, smelling the
50-51uva.00321xxx.00066[Long I thought that knowledge]1857-1859poetryhandwritten3 leavesleaves 1 and 2
Whitman also penciled in the numbers 7, 8, and 8 1/2 in the lower-left corner of each page.
51uva.00314xxx.00066[Hours continuing long]1857-1859poetryhandwritten2 leavesleaf 1 9.5 x 9 cm; leaf 2
Whitman removed the lower section of page 2 from the top of current leaf 1:3:33 ("I dreamed in a dream
51uva.00340xxx.00066[You bards of ages hence]1857-1859poetryhandwritten2 leavesleaf 1 8 x 9 cm; leaf 2
Whitman numbered the first 9 1/2 and the second 10, in pencil, in the lower-left corner of each leaf.
.00066xxx.00081To a new personal admirer1857-1859poetryhandwritten2 leavesleaf 1 13 x 11.5 cm; leaf 2
featuring a new first line, became section 12 of Calamus in 1860; in 1867 Whitman dropped the last 2
1/2 lines and permanently retitled it Are you the New Person Drawn Toward Me?
The first page contains verses corresponding to lines 2-3 of the 1860 version, and the lines on the second
Whitman numbered the pages 2 and 3 in pencil.
Calamus, transforming the title into a new first line and expanding the original first line into verses 2-
The excised top portion of the leaf became the bottom section of page 2 of 1:3:11, the poem (eighth in