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The simple, compact, well-joined scheme— my- self myself disintegrated, every one disintegrated, yet part
I see it part away for more august dramas: I see not America only—I see not only libertys nation, but
Have the old forces played their parts? Are the acts suitable to them closed?"
Let us then come to that; for, after all, that is the most wonderful as it is the most important part
His fundamental notions of poetry are, we must confess, for the most part correct.
I become a part of that, whatever it is!
A story is told of a countryman of Mr. Walt Whitman, who, after reading Mr.
how superb and how divine is your body, or any part of it!" With him this is a rooted conviction.
and published in The American in October 1880 as "My Picture-Gallery," a poem later included in as part
At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as represented
what text was added when, we have not included images or transcriptions of the clipped-out page as part
.; At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as
—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,
simple—Always one leading idea—as Friendship, Courage, Gratitude, Love,—always a distinct meaning— The story
and libretto as now are generally of no account.— In the American Opera the story and libretto must
I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from
At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
A City Walk: 2 V Just a list of all that is seen in a walk through the streets of Brooklyn & New York
.; 2; V; Transcribed from digital images of the original.
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.
holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2
and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*
at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2
thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.
It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west
The simple, compact, well-joined scheme— my- self myself disintegrated, every one disintegrated, yet part
air floating with motionless wings oscillating their bodies, I saw how the glistening yellow lit up parts
them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Played the part
play the part that looks back on the actor or actress!
toward eternity, Great or small, you furnish your parts toward the soul.
shore years hence, are more to me, and more in my medita- tions meditations , than you might suppose. 2
simple, compact, well-join'd scheme—myself disin- tegrated disintegrated , every one disintegrated, yet part
, floating with motionless wings, oscillating their bodies, I saw how the glistening yellow lit up parts
play the part that looks back on the actor or actress!
toward eternity; Great or small, you furnish your parts toward the soul.
simple, compact, well-join'd scheme—myself dis- integrated disintegrated , every one disintegrated, yet part
, floating with motionless wings, oscillating their bodies, I saw how the glistening yellow lit up parts
Lived the same life with the rest, the same old laugh- ing laughing , gnawing, sleeping, Play'd the part
play the part that looks back on the actor or actress!
toward eternity; Great or small, you furnish your parts toward the soul.
PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
from shore to shore years hence are more to me, and more in my meditations, than you might suppose. 2
the day, The simple, compact, well-join'd scheme, myself disintegrated, every one disintegrated yet part
air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts
play the part that looks back on the actor or actress!
toward eternity, Great or small, you furnish your parts toward the soul.
the day, The simple, compact, well-joined scheme—myself disintegrated, every one disintegrated, yet part
, floating with motionless wings, oscillating their bodies, I saw how the glistening yellow lit up parts
Lived the same life with the rest, the same old laugh- ing laughing , gnawing, sleeping, Played the part
play the part that looks back on the actor or actress!
toward eternity, Great or small, you furnish your parts toward the Soul.
updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"
2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!
is but a part.
vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would
I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.
from shore to shore years hence are more to me, and more in my meditations, than you might suppose. 2
the day, The simple, compact, well-join'd scheme, myself disintegrated, every one disintegrated yet part
air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts
play the part that looks back on the actor or actress!
toward eternity, Great or small, you furnish your parts toward the soul.
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
.00112xxx.00085A City WalkAbout 1855poetryhandwritten1 leaf4.5 x 12 cm; A faint horizontal line beneath part
in The American in October 1880 as My Picture-Gallery, a poem later included in Leaves of Grass as part