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PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
the ceaseless ferry, faces and faces and faces, I see them and complain not, and am content with all. 2
thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in the distance lost. 2
, Lone, sulky, through the time's thick murk looking in vain for light, for hope, From unsuspected parts
the ceaseless ferry, faces and faces and faces, I see them and complain not, and am content with all. 2
The poet's allusions to death are among the finest passages in his works, and his songs of parting are
In reference to the position which a part of the public has taken towards the book we are reminded of
the ceaseless ferry, faces and faces and faces, I see them and complain not, and am content with all. 2
thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in the distance lost. 2
, Lone, sulky, through the time's thick murk looking in vain for light, for hope, From unsuspected parts
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
the ceaseless ferry, faces and faces and faces, I see them and complain not, and am content with all. 2
Leaves of Grass Washington, D.C. 1871. 2. Passage to India Washington , D.C. 1871. 3.
His critics have, for the most part, confined their attention to the personality of the man; they have
studied him, for the most part, as a phenomenon isolated from the surrounding society, the environment
If a human being is to be honoured as such, then every part of a human being is to be honoured.
His pupil must part from him as soon as possible, and go upon his own way.
ceaseless ferry, faces, and faces, and faces: I see them, and complain not, and am content with all. 2
ceaseless ferry, faces, and faces, and faces: I see them, and complain not, and am content with all. 2
I saunter'd, pondering, On time, space, reality—on such as these, and abreast with them, prudence. 2
is of consequence; Not a move can a man or woman make, that affects him or her in a day, month, any part
of his mouth, or the shaping of his great hands; All that is well thought or said this day on any part
What is prudence, is indivisible, Declines to separate one part of life from every part, Divides not
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.
It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
ceaseless ferry, faces, and faces, and faces: I see them, and complain not, and am content with all. 2
poetry, no equal celebration of the human being in his completeness-in his organic character-every part
express the cosmical character of the individual-yourself; the absolute miracle you are in all your parts
The thorough Americanism of the poem, permeating every part of it, appears as well in its literary form
It must remain an enduring part of the glory of our poet, that, as in such superb and powerful lines
—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,
simple—Always one leading idea—as Friendship, Courage, Gratitude, Love,—always a distinct meaning— The story
and libretto as now are generally of no account.— In the American Opera the story and libretto must
I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from
At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"
2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!
is but a part.
vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would
I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.
Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.
holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2
and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*
at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2
thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story
I take part . . . .
. . . . any thing is but a part.
does not counteract another part . . . .
all became part of him.
Sure as life holds all parts together, death holds all parts together; Sure as the stars return again