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means, Sprouting alike in broad zones and nar- row narrow zones, Growing among black folks as among white

calmness and beauty of person; The shape of his head, the richness and breadth of his manners, yellow and white

This grass is very dark to be from the white heads of old mothers.

Then he is "Pleased with primitive tunes of the choir of the white- washed white-washed church," And

shirt collar flat and broad, countenance of swarthy transparent red, beard short and well mottled with white

And it means, sprouting alike in broad zones and narrow zones, Growing among black folks as among white

fruitstand . . . . . . the beef on the butcher's stall, The bread and cakes in the bakery . . . . . . the white

I depart as air, I shake my white locks at the runaway I effuse my flesh in eddies, and drift it in lacy

White and beautiful are the faces around me…the heads are bared of their fire-caps.

we had conquered— The captain on the quarter-deck, coldly giving his orders through a countenance white

Near by, the corpse of the child that served in the cabin, The dead face of an old salt, with long white

I depart as air—I shake my white locks at the run-away sun, I effuse my flesh in eddies, and drift it

William Wycherley (1641-1716) was an English playwright whose plays juxtaposed deep-seated Puritanism

In 1841 Macaulay offered a scathing assessment of William Wycherley's work. Leaves of Grass

western persimmon—over the long-leaved corn—over the deli- cate delicate blue-flowered flax, Over the white

red shirt—the pervading hush is for my sake, Painless after all I lie, exhausted but not so unhappy, White

William Hurrell Mallock (1849-1923) was an English author.

In the dooryard fronting an old farmhouse near the white-wash'd palings, Stands the lilac-bush tall-growing

Winds blow south, or winds blow north, Day come white, or white come black, Home, or rivers and mountains

During this period he was on familiar terms of acquaintance with William Cullen Bryant, and the two were

William Hepworth Dixon (1821–1879) was a British journalist and editor of the Athenæum from 1853–1869

Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I gave them the same,

The sun just shines on her old white head. Her ample gown is of cream-hued linen.

simplicity of his nature are revealed in the following incident: "In the middle of the room in its white

within him by Wordsworth's "Excursion," on the first appearance of that poem in 1814, and by the "White

William Wordsworth (1770-1850) published The Excursion in 1814, a collection of philosophical monologues

"White Doe of Rylston" was a long narrative poem published in 1815.

"White Doe of Rylston" was a long narrative poem published in 1815.; The Edinburgh Review, an influential

William Bell Scott , a name perhaps not very familiar to most of our readers, but which Mr.

William Bell Scott, British poet and artist, introduced Rossetti to the 1855 Leaves of Grass.

exceptions whose appreciation distinguishes the thinker from the dogmatist: intense black and glaring white

and all hearts thrill at the thought of murdered Naboth and his sons, and of Lear hanging over the white

Here goes:— "Oil-works, silk-works, white-lead works, the sugar-house, steam-saws, the grist-mills, and

Scottish poet (1777–1844), writer of the long narrative poem Gertrude of Wyoming William Morris, "The

In the 1870s, William Tweed, a New York politician, became implicated in a scandal involving the disappearance

As he speaks, we more than once see a man's face at white heat, and a man's hand beating down emphasis

And it means, Sprouting, alike in broad zones and narrow zones, Growing among black folks as among white

Examine these limbs, red, black or white…they are very cunning in tendon and nerve; They shall be stript

William Edmondstoune Aytoun (1813-1865) was an influential Scottish poet famed for his parodies and light

conquered, The captain on the quarter-deck coldly giving his or- ders orders through a countenance white

, Near by the corpse of the child that served in the cabin, The dead face of an old salt with long white

All architecture is what you do to it when you look upon it; Did you think it was in the white or gray

ly unearthly cry, Its veins down the neck distend…its eyes roll till they show nothing but their whites

soiree, I heard what the singers were singing so long, Heard who sprang in crimson youth from the white

She sits in an arm-chair, under the shaded porch of the farmhouse, The sun just shines on her old white

, of original grandeur and elegance of design, with the masses of gay colour, the preponderance of white

and sunny temperament, a sight to draw near and look upon with her large figure, her profuse snow-white

, And it means, Sprouting alike in broad zones and narrow zones Growing among black folks as among white

the western persimmon . . . over the long-leaved corn and the delicate blue flowered flax; Over the white

And it means, sprouting alike in broad zones and narrow zones, Growing among black folks as among white

Sidgwick and William Clifford were both members of "The Apostles," the famous elite literary society

Jove's trick on Europa refers to the myth in which Zeus disguised himself as a tame, white-colored bull

.; Jove's trick on Europa refers to the myth in which Zeus disguised himself as a tame, white-colored

William Makepeace Thackeray (1811–1863), English novelist, best known for his satirical novel Vanity

Harold Williams. Vol. III. London: Oxford UP, 1963. 102-105.

Winds blow south, or winds blow north, Day come white, or white come black, Home, or rivers and mountains

White and beautiful are the faces around me…the heads are bared of their fire- caps firecaps — The kneeling

Examine these limbs, red, black, or white… they are very cunning in tendon and nerve; They shall be stript

She sits in an arm-chair, under the shaded porch of the farm house— The sun just shines on her old white

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?

anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white

body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white

/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of

gave him not one inch, but held on and night near the helpless fogged wreck, over leaf How the lank white

disposition of the notebook and that both of these also differ from the ordering in the transcription of William

White, Daybooks and Notebooks (New York: New York University Press, 1978), 3:777–803.

the notebook and that both of these also differ from the ordering in the transcription of William White

. / And acknowledge the red yellow and white playing within me, / And consider the green and violet and

"Summer Duck" or "Wood Duck" "wood drake" very gay, including in its colors white, red, yellow, green

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

declares, "I am the mashed fireman with breastbone broken" and describes his rescue by "comrades" with "white

Winter of 1840, went to white stone, and was there till next spring.— Went to New York in May 1841, and

, Duke of Normandy.— The crown had been left William by Edward the Confessor.— Pope in favor of William

William entered England, fought Harold, defeated him, and gained the crown.

William the Conqueror 1087 William Rufus, son " 1100 Henry I.

Democratic" poem of the 1860 edition of eventually titled "Our Old Feuillage," in which Whitman writes of "White

T bluey spoon-drift, like a white race-horse of brine, speeds before me This section bears some resemblance

The village on the highland, seen from afar at sunset—the sun sh ining on the red white or brown gables

red, white or brown the ferry boat ever plying forever and ever over the river This passage was used

spring gushing out from under the roots of an old tree barn‑yard, pond, yellow g j agged bank with white

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

the "tooth of delight" and "tooth prong") may relate to the following passage in the same poem: "The white

Are you not from the white blanched heads of the old mothers of mothers?

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

woods and all the orchards—the corn, with its ear and stalk s and tassel —the buckwheat with its sweet white

western persimmon. . . . over the longleaved corn and the delicate blue-flowered flax; / Over the white

deliciously aching, / Limitless limpid jets of love hot and enormous . . . . quivering jelly of love . . . white

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

life car is drawn on its slip‑noose At dinner on a dish of huckleberries, or rye bread and a round white

1855 edition of Leaves of Grass, eventually titled "There Was a Child Went Forth": "And grass, and white

and red morningglories, and white and red clover, and the song of the phoebe-bird, / ... / And the appletrees

cottonwood—mulberry— chickadee—large brown water-dog— —black-snake—garter snake— —vinegar-plums—persimmon— — wh white-blossom

place with a pistol and killed himself, and I came that way and stumbled upon him locust, birch with white

reckon think mind less you very are a good manure —but that I do not smell— —I smell the your beautiful white

and "And as to you corpse I think you are good manure, but that does not offend me, / I smell the white

.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional

I believe in those winged purposes, / And acknowledge the red yellow and white playing within me, / And

The early lilacs became part of this child, And grass, and white and red morning-glories, and white and

pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!

What is that little black thing I see there in the white? Loud! loud! loud!

Let the white person tread the black person under his heel! (Say!

We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!