Simply enter the word you wish to find and the search engine will search for every instance of the word in the journals. For example: Fight. All instances of the use of the word fight will show up on the results page.
Using an asterisk (*) will increase the odds of finding the results you are seeking. For example: Fight*. The search results will display every instance of fight, fights, fighting, etc. More than one wildcard may be used. For example: *ricar*. This search will return most references to the Aricara tribe, including Ricara, Ricares, Aricaris, Ricaries, Ricaree, Ricareis, and Ricarra. Using a question mark (?) instead of an asterisk (*) will allow you to search for a single character. For example, r?n will find all instances of ran and run, but will not find rain or ruin.
Searches are not case sensitive. For example: george will come up with the same results as George.
Searching for a specific phrase may help narrow down the results. Rather long phrases are no problem. For example: "This white pudding we all esteem".
Because of the creative spellings used by the journalists, it may be necessary to try your search multiple times. For example: P?ro*. This search brings up numerous variant spellings of the French word pirogue, "a large dugout canoe or open boat." Searching for P?*r*og?* will bring up other variant spellings. Searching for canoe or boat also may be helpful.
| Entering in only one field | Searches |
|---|---|
| Year, Month, & Day | Single day |
| Year & Month | Whole month |
| Year | Whole year |
| Month & Day | 1600-#-# to 2100-#-# |
| Month | 1600-#-1 to 2100-#-31 |
| Day | 1600-01-# to 2100-12-# |
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
A note on leaf 27 recto includes the date April 19, 1847, and the year 1847 is listed again as part of
Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–
and the Composition of Leaves of Grass: The Talbot Wilson Notebook, Walt Whitman Quarterly Review 20:2
It probably relates to the seventh poem in that edition, originally untitled, part of which eventually
in The American in October 1880 as My Picture-Gallery, a poem later included in Leaves of Grass as part
, the seat of sensation, doubtless the brain Liaison (lē-a-zohn), a binding or fastening together Part
and received with wonder or pity or love or dread, that object he became, / And that object became part
of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years
The "voices" described in the last part of this section may relate to the following lines: "Through me
come to puzzle him—some come from curiosity—some from ironical contempt—his answers—his opinions ¶ 2
Watch Quartier Au Loete Swisse No. 51,575 1 3 0 00 50 A Ap 14 " 17 19 2 5 37 80 75 25 M Ju " s to 2n
since you were born, and did not know, / Perhaps it is everywhere on water and on land." (1855, pp. 51-2)
w ill you sting me most even at parting?
Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–
the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2
Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–
the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2
I take part . . . .
. . . . any thing is but a part.
does not counteract another part . . . .
all became part of him.
Sure as life holds all parts together, death holds all parts together; Sure as the stars return again
own, and bestows it upon men . . and any man translates . . and any man translates himself also: One part
does not counteract another part . . . .
.— As small pipes from the aqueduct main The rest are par beautiful parts that flow out of it.
I want that tenor large and fresh as the creation parting of whose dark orbed mouth shall for me lift
Paradise the delight in the universe . that is I want that tenor, large and fresh as the creation, the parting
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
and published in The American in October 1880 as "My Picture-Gallery," a poem later included in as part
At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as represented
what text was added when, we have not included images or transcriptions of the clipped-out page as part
.; At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as
See'st thou Knows thou The Three of the t T hree There is on the one part Between this beautiful but
dumb Earth, with all its manifold eloquent but inarticulate shows & objects And on the other part , the
It probably relates to the seventh poem in that edition, part of which eventually became "Song of the
Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.
holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2
and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*
at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2
thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story
his own, and bestows it upon men, and any man translates, and any man translates himself also, One part
does not counteract another part—he is the joiner, he sees how they join.
PERFECT sanity shows the master among philosophs, Time, always without flaw, indicates itself in parts
Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,
Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,
his own, and bestows it upon men, and any man translates, and any man translates himself also, One part
does not counteract another part—he is the joiner—he sees how they join.
PERFECT sanity shows the master among philosophs, Time, always without flaw, indicates itself in parts
updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"
2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!
is but a part.
vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would
I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.
utmost, a little washed-up drift, A few sands and dead leaves to gather, Gather, and merge myself as part
spread out before You, up there, walking or sitting, Whoever you are—we too lie in drifts at your feet. 2.
does not counteract another part—he is the joiner—he sees how they join.
What is prudence, is indivisible, Declines to separate one part of life from every part, Divides not
Here I grew up—the studs and rafters are grown parts of me.
—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,
simple—Always one leading idea—as Friendship, Courage, Gratitude, Love,—always a distinct meaning— The story
and libretto as now are generally of no account.— In the American Opera the story and libretto must
I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from
At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
his own, and bestows it upon men, and any man translates, and any man translates himself also; One part
does not counteract another part—he is the joiner—he sees how they join.
; Perfect sanity shows the master among philosophs; Time, always without flaw, indicates itself in parts
his brother, and for men, and I an- swer answer for him that answers for all, and send these signs. 2
his own, and bestows it upon men, and any man translates, and any man translates himself also; One part
does not counteract another part—he is the joiner—he sees how they join.
; Perfect sanity shows the master among philosophs; Time, always without flaw, indicates itself in parts
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.
It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west
his brother, and for men, and I an- swer answer for him that answers for all, and send these signs. 2
his own, and bestows it upon men, and any man translates, and any man translates himself also; One part
does not counteract another part—he is the joiner—he sees how they join.
; Perfect sanity shows the master among philosophs; Time, always without flaw, indicates itself in parts
his own and bestows it upon men, and any man translates, and any man translates himself also, One part
does not counteract another part, he is the joiner, he sees how they join.
strangely transmutes them, They are not vile any more, they hardly know themselves they are so grown. 2
Perfect sanity shows the master among philosophs, Time, always without break, indicates itself in parts
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
These lines come from the first verse paragraph of section 2 of the poem.
PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
his own and bestows it upon men, and any man translates, and any man translates himself also, One part
does not counteract another part, he is the joiner, he sees how they join.
strangely transmutes them, They are not vile any more, they hardly know themselves they are so grown. 2
Perfect sanity shows the master among philosophs, Time, always without break, indicates itself in parts