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of delight" and "tooth prong") probably contributed to the following passage in the same poem: "The white
anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white
body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white
The young men float on their backs, their white bellies swell to the sun . . . . they do not ask who
I shake my white locks at the runaway sun, I effuse my flesh in eddies and drift it in lacy jags.
I see his white body . . . .
white- blow white-blow and delirious juice, Bridegroom-night of love working surely and softly into the
The early lilacs became part of this child, And grass, and white and red morningglories, and white and
The wretched features of ennuyees, the white features of corpses, the livid faces of drunkards, the sick-gray
and drinking, Laps life-swelling yolks . . . . laps ear of rose-corn, milky and just ripened: The white
I see his white body . . . .
with measureless love . . . . and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
gave him not one inch, but held on and night near the helpless fogged wreck, over leaf How the lank white
spring gushing out from under the roots of an old tree barn‑yard, pond, yellow g j agged bank with white
the "tooth of delight" and "tooth prong") may relate to the following passage in the same poem: "The white
you white or black owners of slaves! You owned persons dropping sweat-drops or blood-drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Let the white person tread the black person under his heel! (Say!
William Good, Antwerp. ☞ Any communication by mail, for the author of Leaves of Grass, can be directed
The wretched features of ennuyees, the white features of corpses, the livid faces of drunk- ards drunkards
sweet eating and drinking, Laps life-swelling yolks—laps ear of rose-corn, milky and just ripened; The white
and even to his head, he strikes out with courageous arms, he urges himself with his legs, I see his white
his arms with measureless love, and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
The wretched features of ennuyés, the white features of corpses, the livid faces of drunkards, the sick
sweet eating and drinking, Laps life-swelling yolks—laps ear of rose-corn, milky and just ripened; The white
and even to his head— he strikes out with courageous arms—he urges himself with his legs, I see his white
his arms with measureless love, and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
you white or black owners of slaves! You owned persons, dropping sweat-drops or blood- drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
Democratic" poem of the 1860 edition of eventually titled "Our Old Feuillage," in which Whitman writes of "White
T bluey spoon-drift, like a white race-horse of brine, speeds before me This section bears some resemblance
The village on the highland, seen from afar at sunset—the sun sh ining on the red white or brown gables
red, white or brown the ferry boat ever plying forever and ever over the river This passage was used
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The wretched features of ennuyés, the white fea- tures features of corpses, the livid faces of drunkards
sweet eating and drinking, Laps life-swelling yolks—laps ear of rose-corn, milky and just ripen'd; The white
and even to his head—he strikes out with courageous arms—he urges himself with his legs, I see his white
his arms with measureless love, and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
The wretched features of ennuyés, the white features of corpses, the livid faces of drunkards, the sick
sweet eating and drinking, Laps life-swelling yolks—laps ear of rose-corn, milky and just ripen'd; The white
to his head—he strikes out with courageous arms—he urges him- self himself with his legs, I see his white
his arms with measureless love, and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
spread your white sails, my little bark, athwart the imperious waves!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Heard who sprang in crimson youth from the white froth and the water-blue. Behold a woman!
Let the white person again tread the black person under his heel! (Say!
ah my woolly white and crim- son crimson ! Ah to sing the song of you, my matron mighty!
spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
The wretched features of ennuyés, the white features of corpses, the livid faces of drunkards, the sick-gray
and even to his head, he strikes out with courageous arms, he urges himself with his legs, I see his white
meas- ureless measureless love, and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
The wretched features of ennuyés, the white features of corpses, the livid faces of drunkards, the sick-gray
and even to his head, he strikes out with courageous arms, he urges himself with his legs, I see his white
meas- ureless measureless love, and the son holds the father in his arms with measureless love, The white
hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
In calculating that decision, William O'Connor and Dr. Bucke are far more peremptory than I am.