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—from his 'Chants Democratic,' from his Drum Taps , from his Leaves of Grass , from his 'Songs of Parting
Mere parts have been nowhere selected.
to his productions, to those Poems of his which have been here selected for us from his 'Songs of Parting
Friends,"— "Two two simple men I saw to-day on the pier, in the midst of the crowd parting the parting
Keats's (1795-1821) poem "Isabella, or the Pot of Basil" (1817-18), which is an adaptation of the story
Keats's (1795-1821) poem "Isabella, or the Pot of Basil" (1817-18), which is an adaptation of the story
See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest
For more about the revisions of this passage, see Ed Folsom, "Walt Whitman's 'The Sleepers,'" part of
....any thing is but a part." (1855, p. 51).
starve his body.— What minutes of damnation What heightless dread, falls in the click of a moment story
can never tell , for there is something that underlies and overtops me, of whom I am an effusion a part
, the seat of sensation, doubtless the brain Liaison (lē-a-zohn), a binding or fastening together Part
and received with wonder or pity or love or dread, that object he became, / And that object became part
of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years
The "voices" described in the last part of this section may relate to the following lines: "Through me
come to puzzle him—some come from curiosity—some from ironical contempt—his answers—his opinions ¶ 2
PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"
2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!
is but a part.
vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would
I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.
Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.
holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2
and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*
at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2
thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story
I take part . . . .
. . . . any thing is but a part.
does not counteract another part . . . .
all became part of him.
Sure as life holds all parts together, death holds all parts together; Sure as the stars return again
At one point, however, the manuscript was almost certainly part of "The Great Laws do not" (duk.00264
At one point, however, the manuscript was almost certainly part of "The Great Laws do not," which includes
day; And the first object he look'd upon, that object he be- came became ; And that object became part
of him for the day, or a certain part of the day, or for many years, or stretching cycles of years.
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
The field-sprouts of Fourth-month and Fifth-month became part of him; Winter-grain sprouts, and those
of that child who went forth every day, and who now goes, and will always go forth every day. 2.
utmost, a little washed-up drift, A few sands and dead leaves to gather, Gather, and merge myself as part
spread out before You, up there, walking or sitting, Whoever you are—we too lie in drifts at your feet. 2.
does not counteract another part—he is the joiner—he sees how they join.
What is prudence, is indivisible, Declines to separate one part of life from every part, Divides not
Here I grew up—the studs and rafters are grown parts of me.
boundless summer growths, O lavish brown parturient earth—O infinite teeming womb, A song to narrate thee. 2
my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2
What is prudence is indivisible, Declines to separate one part of life from every part, Divides not the
and the armed guards, who ceas'd their pacing, Making the hearer's pulses stop for ecstasy and awe. 2
thou walk'dst thy years in barter, 'mid the haunts of brokers, Nor heroism thine, nor war, nor glory. 2
boundless summer growths, O lavish brown parturient earth—O infinite teeming womb, A song to narrate thee. 2
my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2
What is prudence is indivisible, Declines to separate one part of life from every part, Divides not the
and the armed guards, who ceas'd their pacing, Making the hearer's pulses stop for ecstasy and awe. 2
thou walk'dst thy years in barter, 'mid the haunts of brokers, Nor heroism thine, nor war, nor glory. 2