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What I experience or portray shall go from my composition without a shred of my composition.
You shall stand by my side to look in the mirror with me."
I lie in the night air in my red shirt… the pervading hush is for my sake.
We close with him: the yards entangled… the masts touched: My captain lashed fast with his own hands.
I laughed content when I heard the voice of my little captain— `We have not struck,' he composedly cried
And I stood before the young man face to face, and took his right hand in my left hand and his left hand
in my right hand, And I answered for his brother and for men . . . . and I answered for the poet, and
to the President at his levee, And he says Good day my brother, to Cudge that hoes in the sugarfield;
Then the mechanics take him for a mechanic, And the soldiers suppose him to be a captain . . . . and
See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
the long stretch of my life" (145).
His blood My gore presently oozes from trickles down from a score of thinned with the plentiful sweat
salt ooze of my skin , And See how it as trickles down the black skin I slowly fall s on the reddened
Grier notes that a portion of this notebook (beginning "How spied the captain and sailors") describes
my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion
My Soul!
We closed with him . . . . the yards entangled . . . . the cannon touched, My captain lashed fast with
I laughed content when I heard the voice of my little captain, We have not struck, he composedly cried
Come my children, Come my boys and girls, and my women and household and intimates, Now the performer
Earth of the limpid gray of clouds brighter and clearer for my sake! Far-swooping elbowed earth!
darkness , Our vessel riddled and slowly sinking…preparations to pass to the one we had conquered, The captain
my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion
My Soul!
We closed with him . . . . the yards entangled . . . . the cannon touched, My captain lashed fast with
I laughed content when I heard the voice of my little captain, We have not struck, he composedly cried
Come my children, Come my boys and girls, and my women and household and intimates, Now the performer
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
trowser-ends in my boots and went and had a good time" (1855, p. 18).
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
three winters to be articulate child Whitman revised this poetic fragment and used it in "Who Learns My
Whitman revised this poetic fragment and used it in "Who Learns My Lesson Complete?
appeared in the 1855 edition of Leaves of Grass, in a poem that would eventually be entitled "Who Learns My
: "I know it is wonderful . . . . but my eyesight is equally wonderful . . . . and how I was conceived
in my mother's womb is equally wonderful, / And how I was not palpable once but am now . . . . and was
Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My Lesson
Song of Myself": "Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine, / My
respiration and inspiration . . . . the beating of my heart . . . . the passing of blood and air through
my lungs, / The sniff of green leaves and dry leaves, and of the shore and darkcolored sea- rocks, and
.; Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
is reminiscent of lines from the poem that read "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (1855, pp. 15–16).; Transcribed
.— I rate myself high—I receive no small sums; I must have my full price—whoever enjoys me.
I feel satisfied my visit will be worthy of me and of my Hosts and Favorites; I leave it to them how
appeared in two of the poems in that edition, eventually titled "A Song for Occupations" and "Who Learns My
appeared in two of the poems in that edition, eventually titled "A Song for Occupations" and "Who Learns My
in the eleventh poem of the first (1855) edition of Leaves of Grass, ultimately titled "Who Learns My
I will have my own whoever enjoys me, / I will be even with you, and you shall be even with me" (1855
am myself and nobody else, am the greatest traitor, I went myself first to the headland, — my own hands
I have lost my wits . . . .
I and nobody else am the greatest traitor, / I went myself first to the headland . . . . my own hands
204 My tongue must can never be content with pap harness from this after this, It c will not talk m in
My tongue can never be
harness," "traces," "the bit"—may relate to the extended metaphor developed in following lines: "Deluding my
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger, / Fetching the rest of the herd around to enjoy them awhile, / Then all
.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional
/ It seems to me more than all the print I have read in my life. / My tread scares the wood-drake and
wood-duck on my distant and daylong ramble, / They rise together, they slowly circle around. / . . .
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger" (1855, p. 33).; 22; Transcribed from digital images of the original.;
He swoops by me, and rebukes me hoarse ly with his invitation; He complains with sarcastic voice of my
roughs, a kosmos" (1855, p. 29) and "The spotted hawk swoops by and accuses me . . . . he complains of my
gab and my loitering. / I too am not a bit tamed . . . .
Glance O'er Travel'd Roads first appeared in Lippincott's Magazine (January 1887), under the title My
Reprinted in Democratic Vistas, and Other Papers (1888), My Book and I was also combined with How I Made
a Book, Philadelphia Press (11 July 1889) and A Backward Glance on My Own Road, Critic (5 January 1884
for I am you seem to me all one lurid Curse oath curse; I look down off the river with my bloodshot eyes
, after 10 I see the steamboat that carries away my woman.— Damn him!
how he does defile me This day, or some other, I will have him and the like of him to curse the do my
I will stop the drag them out—the sweet marches of heaven shall be stopped my maledictions.— Whitman
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
See in particular: "And I know that the hand of God is the elderhand of my own, / And I know that the
spirit of God is the eldest brother of my own" (1855, p. 15–16).; Transcribed from digital images of
Because I am in my place what of that? The perfect male and female are everywhere in their place.
the 1855 edition of Leaves of Grass, later titled "Song of Myself": "I resist anything better than my
own diversity, / And breathe the air and leave plenty after me, / And am not stuck up, and am in my
and the breast that ha fed his young , and so buys a nomination to great office; i I nforme d against my
brother and sister and got t ook aking pay for their blood, hearts; l L aughed when I looked from my
iron necklace, after the steamboat that carried away my woman.— Whitman probably drafted this manuscript
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
The Elder Brother of the soul—my soul.
Grass, ultimately titled "Song of Myself": "And I know that the spirit of God is the eldest brother of my
11 He The sores on my neck shoulders are from his iron necklace I look on the off on the river with my
bloodshot eyes He stops the steamboat and till she will paddle off with away take my woman, and paddle
The sores on my shoulders
titled "The Sleepers": "How he laughs when I look down the bend after the steamboat that carries away my
The poem is one of the thiry-one poems included in Second Annex--Good-Bye My Fancy, 1891–1892.
of Grass, eventually titled "Song of Myself": "The supernatural of no account . . . . myself waiting my
Henceforth After this day, A touch shall henceforth be small Little things is shall be are henceforth my
my tongue proof and argument It They shall tell s for me that people In them, the smallest least of
over all, and what we thought death is but life brought to a finer parturition.— An inch's contact My
The clearest relation is to the line: "A minute and a drop of me settle my brain" (1855, p. 33), but
I entertain all the aches of the human heart Outside the asteroids I reconnoitre at my ease.
Compare these lines from that edition: "I lean and loafe at my ease . . . . observing a spear of summer
the breath is leaving my throat; ! Open your floodgates!
I am faintish I can contain resist you no longer think I shall drop sink , Take drops the tears of my
¶Little as your mouth yo lips are am faintish I am faintish; and it has drained me dry of my strength
. . . . my breath is tight in its throat; / Unclench your floodgates!
27O Earth, My Likeness (1860).
A.MS. draft.loc.00225xxx.00099[O Earth, my likeness]1860poetryhandwritten1 leaf20.5 x 16 cm; A draft
of the poem first published as Calamus, No. 36 in 1860 (Earth, My Likeness in the final version of Leaves
[O Earth, my likeness]
Have I hasten to inform you it is just as good to die, and I know it; I know it For I take my death with
the dying, And my birth with the new-washed babe Whitman probably drafted this manuscript in the early
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
manuscript appeared as the following, in the poem eventually titled "Song of Myself": "All I mark as my
Until you can explain a paving stone, to every ones my perfect satisfaction O Priests , do not try to
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
The Great Laws do not" also includes draft lines that appeared in the poem later titled "Who Learns My
—I lend you my own mouth tongue A black I dart ed like a snake from his mouth.— I My eyes are bloodshot
, they look down the river, A steamboat carries off paddles away my woman and children.— Around my neck
am T The His i ron necklace and the red sores of my shoulders I do not feel mind , h H opples and ball
ankles and tight cuffs at the wrists does must not detain me will go down the river, with the sight of my
bloodshot eyes, go in to the steamboat that paddles off wife woman and child A I do not stop with my
. / How he laughs when I look down the bend after the steamboat that carries away my woman"(1855, p.
The retrospective extasy ecstasy is upon me— I am now my soul —spirit burns volcanic The earth recedes
ashamed before my prophetical crisis.— Whitman probably drafted this manuscript in the early 1850s as
similar to the following line in the poem eventually titled "Song of Myself": "The dirt receding before my
The first several lines of the poem were published in 1880 as "My Picture-Gallery.
a makes raises but bubble of the sea-ooze in comparison with against that unspeakable Something in my
—I look back upon that time in my own days.— I have no gibes nor mocks mockings or laughter;—I have only
the 1855 edition of Leaves of Grass, which was ultimately titled "Song of Myself": "Backward I see in my
In the 1888 November Boughs, however, Whitman reprinted the 1867 version as Small the Theme of my Chant
manuscript draft may have been written before the Civil War, since it does not include the 1867 line "My
These words are for the five or six grand poets, too; and the masters of artists: — I waste no ink, nor my
receive you, and attach and clasp hands with you, / The facts are useful and real . . . . they are not my
drink, / But as soon as you sleep and renew yourself in sweet clothes I will certainly kiss you with my
this manuscript may connect to the stanza of the poem eventually titled "Song of Myself" that begins "My
senses all men is truth; Logic and sermons never convince ; me; The dew of the night drives deep er into my
/ Logic and sermons never convince, / The damp of the night drives deeper into my soul. / Only what proves
19 I am become the poet of babes and the little things I descend many steps—I go backward primeval My
equanimous arms feet 209 I surround retrace things steps oceanic—I pass to around not merely my own
. / My feet strike an apex of the apices of the stairs, / On every step bunches of ages, and larger bunches
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
Bibles i are divine revelations of God But I know say that any each leaf of grass and every hair of my
compiled composed is not august enough to dent endow answer tally a leaf of grass the partition of in my
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
Leaves of Grass, "I Wander All Night in My Vision," Leaves of Grass.
My hands are spread forth . .
I descend my western course . . . . my sinews are flaccid, Perfume and youth course through me, and I
darn my grandson's stockings.
though I lie so sleepy and sluggish, my tap is death.
when I visited the Asylum and they showed me their most smeared and slobbering idiot, Yet I knew for my
for my consolation, of the great laws that emptied and broke my my brother s Whitman probably drafted
7 196 My touch hand will not hurt what it holds, and yet will devour it, That It must remain whole perfect
Only one minute, only two or three passing bulging sheathed touches, Yet they gather all of me and my
spirit into a knot, They hold us so long enough there, to show us what life we can be,— And that my
senses and our flesh, and even a part of flesh, is seems more than all life.— What has become of my senses
My hand will not hurt
/ Why are there men and women that while they are nigh me the sun-light expands my blood?
/ Why when they leave me do my pennants of joy sink flat and lank?
blood—that if I walk with an arm of theirs around my neck, my soul leaps and laughs like a new-waked
—(Am I loved by them boundlessly because my love for them is more boundless?
truth, my sympathy, and my dignity.