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O Captain! my Captain! O Captain! my Captain!
my Captain!
My Captain does not answer, his lips are pale and still My father does not feel my arm, he has no pulse
My Captain!," which was published first in 1865.
O Captain! my Captain!
This manuscript is a signed, dated, handwritten copy of "O Captain! My Captain!
of the verso of this manuscript is currently unavailable.; A signed, dated, handwritten copy of "O Captain
My Captain!," which was published first in 1865.; Transcribed from digital images of the original.
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
trowser-ends in my boots and went and had a good time" (1855, p. 18).
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
three winters to be articulate child Whitman revised this poetic fragment and used it in "Who Learns My
Whitman revised this poetic fragment and used it in "Who Learns My Lesson Complete?
appeared in the 1855 edition of Leaves of Grass, in a poem that would eventually be entitled "Who Learns My
: "I know it is wonderful . . . . but my eyesight is equally wonderful . . . . and how I was conceived
in my mother's womb is equally wonderful, / And how I was not palpable once but am now . . . . and was
O laugh when my eyes settle the land The imagery and phrasing of these lines bears some resemblance to
similarity to the following line in the poem eventually titled "I Sing the Body Electric": "As I see my
and dwells serenely behind it.— When out of a feast I eat bread only corn and roast potatoes fo for my
dinner, through my own voluntary choice it is very well and I much content, but if some arrogant head
inspiration . . . . the beating of my heart . . . . the passing of blood and air through my lungs.
Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My Lesson
Song of Myself": "Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine, / My
respiration and inspiration . . . . the beating of my heart . . . . the passing of blood and air through
my lungs, / The sniff of green leaves and dry leaves, and of the shore and darkcolored sea- rocks, and
.; Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
is reminiscent of lines from the poem that read "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (1855, pp. 15–16).; Transcribed
.— I rate myself high—I receive no small sums; I must have my full price—whoever enjoys me.
I feel satisfied my visit will be worthy of me and of my Hosts and Favorites; I leave it to them how
appeared in two of the poems in that edition, eventually titled "A Song for Occupations" and "Who Learns My
appeared in two of the poems in that edition, eventually titled "A Song for Occupations" and "Who Learns My
in the eleventh poem of the first (1855) edition of Leaves of Grass, ultimately titled "Who Learns My
I will have my own whoever enjoys me, / I will be even with you, and you shall be even with me" (1855
am myself and nobody else, am the greatest traitor, I went myself first to the headland, — my own hands
I have lost my wits . . . .
I and nobody else am the greatest traitor, / I went myself first to the headland . . . . my own hands
204 My tongue must can never be content with pap harness from this after this, It c will not talk m in
My tongue can never be
harness," "traces," "the bit"—may relate to the extended metaphor developed in following lines: "Deluding my
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger, / Fetching the rest of the herd around to enjoy them awhile, / Then all
.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional
/ It seems to me more than all the print I have read in my life. / My tread scares the wood-drake and
wood-duck on my distant and daylong ramble, / They rise together, they slowly circle around. / . . .
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger" (1855, p. 33).; 22; Transcribed from digital images of the original.;
He swoops by me, and rebukes me hoarse ly with his invitation; He complains with sarcastic voice of my
roughs, a kosmos" (1855, p. 29) and "The spotted hawk swoops by and accuses me . . . . he complains of my
gab and my loitering. / I too am not a bit tamed . . . .
to speed take me truly really on to deep waters Now, now to thy divinest venture (I will not call it my
Good bye My Fancy | Sail out for Good Etc | Page 7—Good Bye My Fancy This manuscript is a draft of "Sail
"; Good bye My Fancy | Sail out for Good Etc | Page 7—Good Bye My Fancy; Transcribed from digital images
not included in any subsequent editions of Leaves, Whitman did include it in the 1891 volume Good-Bye My
not included in any subsequent editions of Leaves, Whitman did include it in the 1891 volume Good-Bye My
not included in any subsequent editions of Leaves, Whitman did include it in the 1891 volume Good-Bye My
first several lines of "Pictures" (not including these lines) were eventually revised and published as "My
first several lines of "Pictures" (not including these lines) were eventually revised and published as "My
The first several lines of "Pictures" (not including this line) were revised and published as "My Picture-Gallery
for I am you seem to me all one lurid Curse oath curse; I look down off the river with my bloodshot eyes
, after 10 I see the steamboat that carries away my woman.— Damn him!
how he does defile me This day, or some other, I will have him and the like of him to curse the do my
I will stop the drag them out—the sweet marches of heaven shall be stopped my maledictions.— Whitman
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
Hear my fife!—I am a recruiter Who Come, who will join my troop?
first several lines of "Pictures" (not including this line) were eventually revised and published as "My
Hear my fife
first several lines of "Pictures" (not including this line) were eventually revised and published as "My
of the poem (not including this line) were revised and published in The American in October 1880 as "My
See in particular: "And I know that the hand of God is the elderhand of my own, / And I know that the
spirit of God is the eldest brother of my own" (1855, p. 15–16).; Transcribed from digital images of
Because I am in my place what of that? The perfect male and female are everywhere in their place.
the 1855 edition of Leaves of Grass, later titled "Song of Myself": "I resist anything better than my
own diversity, / And breathe the air and leave plenty after me, / And am not stuck up, and am in my
and the breast that ha fed his young , and so buys a nomination to great office; i I nforme d against my
brother and sister and got t ook aking pay for their blood, hearts; l L aughed when I looked from my
iron necklace, after the steamboat that carried away my woman.— Whitman probably drafted this manuscript
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
O joy of my spirit uncaged—it hops like a bird on the grass mounds of earth.
O joy of my spirit
The first several lines of "Pictures" (not including this line) were revised and published as "My Picture-Gallery
A similar line in that poem reads: "O the joy of my spirit! It is uncaged!
The Elder Brother of the soul—my soul.
Grass, ultimately titled "Song of Myself": "And I know that the spirit of God is the eldest brother of my
.; TThis manuscript bears some similarity in subject to the poem that became "Who Learns My Lesson Complete
11 He The sores on my neck shoulders are from his iron necklace I look on the off on the river with my
bloodshot eyes He stops the steamboat and till she will paddle off with away take my woman, and paddle
The sores on my shoulders
titled "The Sleepers": "How he laughs when I look down the bend after the steamboat that carries away my
of Grass, eventually titled "Song of Myself": "The supernatural of no account . . . . myself waiting my
Henceforth After this day, A touch shall henceforth be small Little things is shall be are henceforth my
my tongue proof and argument It They shall tell s for me that people In them, the smallest least of
over all, and what we thought death is but life brought to a finer parturition.— An inch's contact My
The clearest relation is to the line: "A minute and a drop of me settle my brain" (1855, p. 33), but
I entertain all the aches of the human heart Outside the asteroids I reconnoitre at my ease.
Compare these lines from that edition: "I lean and loafe at my ease . . . . observing a spear of summer
the breath is leaving my throat; ! Open your floodgates!
I am faintish I can contain resist you no longer think I shall drop sink , Take drops the tears of my
¶Little as your mouth yo lips are am faintish I am faintish; and it has drained me dry of my strength
. . . . my breath is tight in its throat; / Unclench your floodgates!
original "Inscription" to the 1867 edition, ultimately appearing under the title "Small the Theme of My
In the 1855 edition of Leaves of Grass , Whitman included the lines: "Who learns my lesson complete?
My Lesson Have you learned my lesson complete: It is well—it is but the gate to a larger lesson—and And
mother generations guided me, / My embryo has never been torpid . . . . nothing could overlay it; /
All forces have been steadily employed to complete and delight me, / Now I stand on this spot with my
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
Have I hasten to inform you it is just as good to die, and I know it; I know it For I take my death with
the dying, And my birth with the new-washed babe Whitman probably drafted this manuscript in the early
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
manuscript appeared as the following, in the poem eventually titled "Song of Myself": "All I mark as my
series of lectures & readings &c. through different cities of the north, to supply myself with funds for my
series of lectures & readings &c. through different cities of the north, to supply myself with funds for my
Until you can explain a paving stone, to every ones my perfect satisfaction O Priests , do not try to
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
The Great Laws do not" also includes draft lines that appeared in the poem later titled "Who Learns My
—I lend you my own mouth tongue A black I dart ed like a snake from his mouth.— I My eyes are bloodshot
, they look down the river, A steamboat carries off paddles away my woman and children.— Around my neck
am T The His i ron necklace and the red sores of my shoulders I do not feel mind , h H opples and ball
ankles and tight cuffs at the wrists does must not detain me will go down the river, with the sight of my
bloodshot eyes, go in to the steamboat that paddles off wife woman and child A I do not stop with my
. / How he laughs when I look down the bend after the steamboat that carries away my woman"(1855, p.
The retrospective extasy ecstasy is upon me— I am now my soul —spirit burns volcanic The earth recedes
ashamed before my prophetical crisis.— Whitman probably drafted this manuscript in the early 1850s as
similar to the following line in the poem eventually titled "Song of Myself": "The dirt receding before my
The first several lines of the poem were published in 1880 as "My Picture-Gallery.
a makes raises but bubble of the sea-ooze in comparison with against that unspeakable Something in my
—I look back upon that time in my own days.— I have no gibes nor mocks mockings or laughter;—I have only
the 1855 edition of Leaves of Grass, which was ultimately titled "Song of Myself": "Backward I see in my
These words are for the five or six grand poets, too; and the masters of artists: — I waste no ink, nor my
receive you, and attach and clasp hands with you, / The facts are useful and real . . . . they are not my
faces of my kind something that presents the sentiment of the Druid walking in the woods " " of the Indian
The first several lines of the notebook draft were revised and published as "My Picture-Gallery" in The
drink, / But as soon as you sleep and renew yourself in sweet clothes I will certainly kiss you with my
Part of "Pictures" was published as "My Picture-Gallery" in The American in October 1880 and later incorporated
this manuscript may connect to the stanza of the poem eventually titled "Song of Myself" that begins "My
senses all men is truth; Logic and sermons never convince ; me; The dew of the night drives deep er into my
/ Logic and sermons never convince, / The damp of the night drives deeper into my soul. / Only what proves
19 I am become the poet of babes and the little things I descend many steps—I go backward primeval My
equanimous arms feet 209 I surround retrace things steps oceanic—I pass to around not merely my own
. / My feet strike an apex of the apices of the stairs, / On every step bunches of ages, and larger bunches
See, for instance: "I take my place among you as much as among any," (1855, p. 48); "Nor do I understand
Myself": "Looking in at the shop-windows in Broadway the whole forenoon . . . . pressing the flesh of my
Bibles i are divine revelations of God But I know say that any each leaf of grass and every hair of my
compiled composed is not august enough to dent endow answer tally a leaf of grass the partition of in my
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
My situation is rather a pleasant one.
There are many peculiarities in New Orleans that I shall jot down at my leisure in these pages.
My health was most capital; I frequently thought indeed that I felt better than ever before in my life
After changing my boarding house, Jef. and I were, take it altogether, pretty comfortable.
My own pride was touched—and I met their conduct with equal haughtiness on my part.