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Search : PETER MAILLAND PLAY

1585 results

Walt Whitman to Richard Maurice Bucke, 7 May 1888

  • Date: May 7, 1888
  • Creator(s): Walt Whitman
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman to Richard Maurice Bucke, 6 January 1888

  • Date: January 6, 1888
  • Creator(s): Walt Whitman
Text:

Dressed as Portia, when a Shakespeare masquerade (in which everyone took some part from the plays) was

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Ernest Rhys to Walt Whitman, 21 May 1888

  • Date: May 21, 1888
  • Creator(s): Walt Whitman | Ernest Rhys
Annotations Text:

He played numerous parts during his career, including taking on a number of Shakespearean roles, sometimes

Walt Whitman to Richard Maurice Bucke, 12–14 November 1891

  • Date: November 12–14, 1891; November 13, 1891
  • Creator(s): Walt Whitman | Unknown
Text:

Ignatius Donnelly will lecture on "The Authorship of Shakespeare's Plays" at the Academy of Music, on

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman to Richard Maurice Bucke, 8 November 1890

  • Date: November 8, 1890
  • Creator(s): Walt Whitman
Text:

to me once in N Y, anent old French Revo)—A bad head and belly ache as I end this—the children are playing

Walt Whitman to William D. O'Connor, 11 September 1864

  • Date: September 11, 1864
  • Creator(s): Walt Whitman
Text:

ruins)—it was one of those places where the air is full of the scent of low thievery, druggies, foul play

Walt Whitman to William D. O'Connor, 6 January 1865

  • Date: January 6, 1865
  • Creator(s): Walt Whitman
Text:

Little California is playing around me as I finish, & has been for half an hour.

Walt Whitman to Louisa Van Velsor Whitman, 12 June 1866

  • Date: June 12, 1866
  • Creator(s): Walt Whitman
Text:

think how those old ones you fixed, & fixed again, have held out—but, poor old things, they have got played

Walt Whitman to Louisa Van Velsor Whitman, 18 December 1866

  • Date: December 18, 1866
  • Creator(s): Walt Whitman
Text:

he is getting along—tell Hattie I hope she will take a lesson on the piano every day, and learn to play

for her Uncle Walt—so when he comes home, she can play a beautiful tune — I have been down to the Hospital

Walt Whitman to Alfred, Lord Tennyson, 24 July 1875

  • Date: July 24, 1875
  • Creator(s): Walt Whitman
Text:

enough to realize the deep criticism of Jefferson on Walter Scott's writings, (& many of the finest plays

Walt Whitman to Louisa Van Velsor Whitman, 4 December 1866

  • Date: December 4, 1866
  • Creator(s): Walt Whitman
Text:

One of my fellow clerks has taken a seat for me, & made me a present of it—the play is "Queen Elisabeth

Walt Whitman to Anne Gilchrist, 28 September 1880

  • Date: September 28, 1880
  • Creator(s): Walt Whitman
Text:

Peter Doyle has also come on from Washington, to spend a short time here & then return with me to Philadelphia

Walt Whitman to Beatrice Gilchrist, 13 December 1877

  • Date: December 13, 1877
  • Creator(s): Walt Whitman
Annotations Text:

, Whitman introduced the Gilchrists to Joaquin Miller and took them on December 27 to see Miller's play

Whitman himself had attended the opening of the play on December 24; see Miller's December 1877 letter

Walt Whitman to Ralph Waldo Emerson, 17 January 1863

  • Date: January 17, 1863
  • Creator(s): Walt Whitman
Text:

But more, a new world here I find as I would show—a world full of its separate action, play, suggestiveness—surely

Walt Whitman to Louisa Van Velsor Whitman, 11 May [1873]

  • Date: May 11, 1873
  • Creator(s): Walt Whitman
Text:

while—Yesterday was a beautiful day, & I was out a good deal—walked some, a couple of blocks, for the first time—Peter

, the paper I send you has a picture of a railroad depot they are building here—it is for the road Peter

Walt Whitman to Harry Stafford, 10 September [1882]

  • Date: September 10, 1882
  • Creator(s): Walt Whitman
Text:

are over home—I wish I was there with you all— —As I finish my letter a lady opposite is singing & playing

Walt Whitman to Alma Calder Johnston, 6 March 1887

  • Date: March 6, 1887
  • Creator(s): Walt Whitman
Text:

yesterday afternoon—Wilson Barrett sent over a carriage for me & I had just a good ride, & liked the play

Annotations Text:

He played the lead role in Clito, a new blank-verse drama set in ancient Greece, written by the English

Greece, written by the English dramatist Sydney Grundy (1848–1914) in collaboration with Barrett, who played

Walt Whitman to John Burroughs, 15 December 1882

  • Date: December 15, 1882
  • Creator(s): Walt Whitman
Text:

me over 10 years ago) boxed up & stored with other traps in Washington at the house of old Mr Nash, Peter

Walt Whitman to William Michael Rossetti, 26 January 1876

  • Date: January 26, 1876
  • Creator(s): Walt Whitman
Text:

I have seen Peter Bayne's piece —have also seen the friendly & glowing article of Arthur Clive in the

Walt Whitman to Peter Eckler, 2 May 1865

  • Date: May 2, 1865
  • Creator(s): Walt Whitman
Text:

Walt Whitman Walt Whitman to Peter Eckler, 2 May 1865

Walt Whitman to Bernard O'Dowd, 22–23 July 1890

  • Date: July 22–23, 1890
  • Creator(s): Walt Whitman
Text:

alone, in my big old 2d story room "den," my young nurse man is down stairs practising practicing & playing

Walt Whitman to William D. O'Connor, 26 May 1886

  • Date: May 26, 1886
  • Creator(s): Walt Whitman
Annotations Text:

Hamlet's Note-book (1886), which argued that Sir Francis Bacon had written the plays attributed to Shakespeare

John Burroughs to Walt Whitman, 29 September [1877]

  • Date: September 29, 1877
  • Creator(s): John Burroughs | Walt Whitman
Text:

All work seem'd seemed play to him.

Walt Whitman to John Burroughs, 29 August [1879]

  • Date: August 29, 1879
  • Creator(s): Walt Whitman
Text:

not been to any watering place—they are no company for me—the cities magnificent for their complex play

Walt Whitman to Talcott Williams, 11 October 1884

  • Date: October 11, 1884
  • Creator(s): Walt Whitman
Annotations Text:

"What Lurks Behind Shakspeare's Historical Plays?"

Walt Whitman to Mr. and Mrs. S. B. Haskell, 10 August 1863

  • Date: August 10, 1863
  • Creator(s): Walt Whitman
Text:

he had his fife laying on the little stand by his side—he once told me that if he got well he would play

Annotations Text:

have his fife lying by him on a little stand by his cot, once told me that when he got well he would play

Walt Whitman to Thomas P. Sawyer, August 1863

  • Date: August 1863
  • Creator(s): Walt Whitman
Text:

Well, Tom, it looks as though secesh was nearly played out—if they lose Charleston, as I believe they

Walt Whitman to Louisa Van Velsor Whitman, 30 June 1863

  • Date: June 30, 1863
  • Creator(s): Walt Whitman
Text:

, the rest cymbals & drums)—I tell you, mother, it made every thing ring—made my heart leap, they played

Walt Whitman to Peter Doyle, June 1883

  • Date: June 1883
  • Creator(s): Walt Whitman
Text:

Walt Whitman to Peter Doyle, June 1883

Walt Whitman to Richard Maurice Bucke, 2 January 1889

  • Date: January 2, 1889
  • Creator(s): Walt Whitman
Annotations Text:

Lev Nikolayevich Tolstoy (1828–1910) was a Russian realist writer of novels, plays, short stories and

Walt Whitman to William D. O'Connor, 18 March 1889

  • Date: March 18, 1889
  • Creator(s): Walt Whitman
Text:

capital investors — N[elly]'s card came this mn'g—I am easier to-day—Hope the cold in the head is "petering

Walt Whitman to William D. O'Connor, 11 July 1888

  • Date: July 11, 1888
  • Creator(s): Walt Whitman
Annotations Text:

book" in England (probably The Great Cryptogram: Francis Bacon's Cipher in the So-Called Shakespeare Plays

Walt Whitman to Louisa Van Velsor Whitman, 28 March [1873]

  • Date: March 28, [1873]
  • Creator(s): Walt Whitman
Text:

papers—he comes & sits a few minutes every morning before going to work—he has been very good indeed—he & Peter

Walt Whitman to Ernest Rhys, 22 January 1890

  • Date: January 22, 1890
  • Creator(s): Walt Whitman
Annotations Text:

theatre as an actor and director (she directed and acted in the production of one of Ernest Rhys's plays

Walt Whitman to Abby H. Price, 7 April 1869

  • Date: April 7, 1869
  • Creator(s): Walt Whitman
Text:

of my book the ensuing summer —stereotyped—( positively last appearance for the season &c) as the play

Walt Whitman to Louisa Van Velsor Whitman, 25 December [1871]

  • Date: December 25, 1871
  • Creator(s): Walt Whitman
Text:

bells are all ringing for 7 oclock church—there is a chime of bells in one of the churches—they are playing

Walt Whitman to Louisa Van Velsor Whitman, 1 January 1872

  • Date: January 1, 1872
  • Creator(s): Walt Whitman
Text:

three letters to you last week, & papers—I knew that policeman Doyle that was shot dead here—he was Peter

Walt Whitman to Richard Maurice Bucke, 27 December 1890

  • Date: December 27, 1890
  • Creator(s): Walt Whitman
Text:

heavy-headed, congested—good fire—no mail for me to-day—Warren has gone out sleighing—I hear the boys playing

Walt Whitman to Richard Maurice Bucke, 23 May 1891

  • Date: May 23, 1891
  • Creator(s): Walt Whitman
Annotations Text:

Whitman is referring to King Lear, the titular character of William Shakespeare's play King Lear (1606

In the play, Lear abdicates his throne and loses his former glory, becoming insane and impoverished.

Walt Whitman to the Editors of The Daily Crescent, 30 July 1848

  • Date: July 30, 1848
  • Creator(s): Walt Whitman
Annotations Text:

Claude Melnotte is a character in the play The Lady of Lyons; or, Love and Pride, which was written by

The play was first performed in London's Convent Garden Theatre in the late-1830s, and it became the

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Text:

To Richings's Caliban, how sweetly she could then play and sing the gentle Ariel.

Hers was playing.

She "did" Marianne, in The Wife; and many a man, who had visited the theatre for years, then saw playing

Annotations Text:

He started performing at the Park Theatre as a child, acted in numerous plays, and, later, leased and

She acted in many principal women's roles of the era, including playing Juliet in William Shakespeare's

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

I saw the procession return about 8 o'clock, music playing, and so forth; contrary to the usual practice

, they played the most plaintive marches and held a solemn demeanor.

Walt Whitman to the Editors of The Daily Crescent, 2 October 1848

  • Date: October 2, 1848
  • Creator(s): Walt Whitman
Text:

Collins continues at the Broadway; Esmeralda at the Park; Hamblin is playing a round of tragedy characters

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

Forrest played all last week at the Broadway to crowded and applauding houses. Mr.

He is very popular, and really plays better than any Irish comedian at present among us.

Barrett, who will probably play together.

Whichever house they don't play in should forthwith checkmate them by engaging Charlotte Cushman, who

Annotations Text:

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Walt Whitman to Edwin Booth, 21 August 1884

  • Date: August 21, 1884
  • Creator(s): Walt Whitman
Text:

knowing I do)—I am writing for the magazine market—or rather have written—a reminiscence of the actors & plays

Walt Whitman to Louisa Van Velsor Whitman, 25 May 1865

  • Date: May 25, 1865
  • Creator(s): Walt Whitman
Text:

beautiful flag )—the great drum corps of sixty or eighty drummers massed at the heads of the brigades, playing

whistling fifes—but they sounded very lively—(perhaps a band of sixty drums & fifteen or twenty fifes playing

Walt Whitman to Jessie Louisa Whitman, 6 March [1887]

  • Date: March 6, 1887
  • Creator(s): Walt Whitman
Annotations Text:

He played the lead role in Clito, a new blank-verse drama set in ancient Greece, written by the English

Walt Whitman to William D. O'Connor, September (?) 1866

  • Date: September (?) 1866
  • Creator(s): Walt Whitman
Text:

enervation, and producing depression and enervation as their result;—or else that class of poetry, plays

Walt Whitman to Louisa Van Velsor Whitman, 29–[30] March [1873]

  • Date: March 29–30, 1873
  • Creator(s): Walt Whitman
Text:

been a beautiful day—I am now sitting in my room, by the stove, but there is hardly need of a fire—Peter

Walt Whitman to Louisa Van Velsor Whitman, 17 February [1873]

  • Date: February 17, 1873
  • Creator(s): Walt Whitman
Text:

now to improve in walking—& then I shall begin to feel all right—(but am still very feeble & slow)—Peter

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