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Bowers (Chicago: Univ. of Chicago Press, 1955), p. 1.
between 1847 and early 1855: "Make no quotations, and no reference to any other writers" (Notebooks 1:
you could reduce the Leaves to their elements you would see Scott unmistakably active at the roots" (1:
injustices of the age, he was also "a mark'd illustration" of the maladies he condemned (Prose Works 1:
"Tennyson is an artist even when he writes a letter," Whitman commented in 1888 (With Walt Whitman 1:
Vols. 1–3. 1906–1914. New York: Rowman and Littlefield, 1961; Vol. 4. Ed. Sculley Bradley.
Vol. 1 [New York: The American News Company, 1864], 7–11).
Hughes and the New York Schools Controversy of 1840–43," American Nineteenth Century History 5, no. 1
Vol. 1. New York: Rowman and Littlefield, 1961.Whitman, Walt. Democratic Vistas.
Brisbane to Walt Whitman, 1 February 1887
Vol. 1. New York: New York UP, 1961.____. Prose Works 1892. Ed. Floyd Stovall. 2 vols.
Vol. 1. Boston: Small, Maynard, 1906.Zweig, Paul. Walt Whitman: The Making of the Poet.
And, in "The Sleepers," the healer makes electrical healing pass over diseased sleepers (section 1).
recall the past and predict a joyous future, resembles the invisible musicians of séances (sections 1
version in 1881.Sidney Krause divides the poem's six numbered sections into three parts: I, section 1;
themes are specified respectively in line 51, "And man and art with nature fused at last" (section 1)
way from Life to Death" (section 6), which will provide for a new departure in his poetry.In section 1
world "[n]ourish'd henceforth by the celestial dream" (section 6) that he has described in sections 1
PROUD MUSIC OF THE STORM. 1 PROUD music of the storm, Blast that careers so free, whistling across the
PROUD MUSIC OF THE STORM. 1 PROUD music of the storm, Blast that careers so free, whistling across the
, rapt and happy, Stars, vapor, snow, the hills, rocks, the Fifth Month flowers, my amaze, my love, 1*
In line 1, there are two phrasal groups, each containing two accents, falling in the same positions—primary
The two groups have the same accentual contour—falling 1–2, primary to secondary prominence.
Line 2 does not pick up the iambic rhythm of line one but rather this 1–2 falling contour.
Again there are two groups, with 1–2 contours, with the first accent on pronouns—I and you and -sume
the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
Vol. 1. Boston: Small, Maynard, 1906.Whitman, Walt.
Vols. 1–2. New York: New York UP, 1961. Price, Abby Hills (1814–1878)
He referred to the Democratic party as "the party of the sainted Jefferson and Jackson" (Gathering 1:
policies, but by late 1863 he conceded, "I still think him a pretty big President" (Correspondence 1:
Johnson's successor in the White House, and thought him "the noblest Roman of them all" (Correspondence 1:
His initial impression of Johnson, "I think he is a good man" (Correspondence 1:267), remained, and he
poetry—only practical sense, ability to do, or try his best to do, what devolv'd upon him" (Prose Works 1:
Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.____.
The Metaphysics of Democracy: Leaves of Grass , 1855 and 1856 Chapter 1.
The elaboration of Whitman's metaphysics in part I begins in chapter 1 with a discussion of how Whitman
—Ralph Waldo Emerson, "Fate" CHAPTER 1 "My Voice Goes after What My Eyes Cannot Reach": Pragmatic Language
I loaf and invite my soul, I lean and loafe at my ease....observing a spear of summer grass. ( 1) Clearly
1850s" (see Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
1850s" (see Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
Walt Whitman Quarterly Review 9 (1991): 1–14.Campos, Geir, trans. Folhas das Folhas de Relva.
Whitman's belief that "the best government is that which governs the least" (Gathering 1:60) borrowed
Democratic candidate in 1844 would be "carried into power on the wings of a mighty re-action" (Uncollected 1:
Whitman, who hoped the nomination would lead to a "renewed and vital [Free Soil] party" (Correspondence 1:
must be continual additions to our "great experiment of how much liberty society will bear" (Gathering 1:
Bloomington: Indiana UP, 1962. 1–14.____. "The Eighteenth Presidency!" A Critical Text. Ed.
World': Walt Whitman's Advocacy for the Brooklyn Waterworks, 1856–59 Technology and Culture 2024 65 1
Nature, Religion, and the Market in Jacksonian Political Thought Journal of the Early Republic 2019 4 1
Godine; Fort Worth: Amon Carter Museum of Western Art, 1979], 1–22). cheap casts of statuary, Inexpensive
Development of a Popular Market for Sculpture in America: 1850–1880," Journal of American Culture 4, no. 1
Figure 1.
T HE P OETRY OF D EMOCRACY : W ALT W HITMAN . 1. Leaves of Grass Washington, D.C. 1871. 2.
Edward Grier [New York, New York University Press, 1984], 1:198).
Let us see what he says on this point:— MIRACLES. 1. What shall I give? And what are my miracles?
Poems of Joy POEMS OF JOY. 1 O TO make the most jubilant poems! O full of music!
STARTING FROM PAUMANOK. 1.
Both series complete in 1 vol. These are the designs which Mr.
Crown 8vo., £1. 11s. 6d. Melchior Gorles. By Henry Aitchenbie.
Three vols., 8vo., cloth; sells at £1. 2s. 6d., now specially offered at 15s.
In 1 vol., with 300 Drawings from Nature, 2s. 6d. plain, 4s. 6d. coloured by hand.
number 17 of the Calamus cluster in 1860, with the lines on the first leaf corresponding to verses 1-
El mismo Whitman, en su condición de antiguo tipógrafo, compuso su propia obra 1 .
Poem of Walt Whitman, an American. 1 — Poem of Walt Whitman, an American.
exaltations, They come to me days and nights and go from me again, But they are not the Me myself. 1*
Weather-beaten vessels, landings, settlements, the rapid stature and muscle, The haughty defiance of the Year 1—
notebook (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
"How spied the captain and sailors") describes the wreck of the ship San Francisco in January 1854 (1:
notebook (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:
"How spied the captain and sailors") describes the wreck of the ship San Francisco in January 1854 (1:
notebook that rearranges the ordering in an attempt to capture Whitman's intended textual flow, see Grier, 1:
—ABSURD CHRONOLOGY OF THE HINDOOS. 1 THE following is a view of their Chronology .
Vol. 1. New York: New York UP, 1963. Poe, Edgar Allan (1809–1849)
Я ПОЮ ЭЛЕТРИЧЕСКОЕ ТѢЛО. 1.
Стр. 1. Какъ предисловiе. Полярность. . . . . . . . . . . . . . . 5 2. Посвященiя.
draft of the early poem The Play-Ground, nearly as it appeared in the Brooklyn Daily Eagle on June 1,
draft of the early poem "The Play-Ground," nearly as it appeared in the Brooklyn Daily Eagle on June 1,
, 978-1-60938-291-9 (ebk) 1.
Part I 1.
1.
Chapter 2 1.
Part III 1.
Юрiй Анненков. 1/4 девятаго. Д ѣ т с к i е Л у б к и.
1 COME, my tan-faced children, Follow well in order, get your weapons ready; Have you your pistols?
1 COME, my tan-faced children, Follow well in order, get your weapons ready; Have you your pistols?
(Correspondence 1:44), a turn of events probably encouraged by Samuel R.
Vol. 1. New York: Appleton, 1906.Wallace, James K.
meet new Walt Whitmans every day," he said; "I don't know which Walt Whitman I am" (With Walt Whitman 1:
life: "It is hard to extract a man's real self . . . from such historic débris" (With Walt Whitman 1:
than the oils," Whitman said; "they are perhaps mechanical, but they are honest" (With Walt Whitman 1:
Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.
Vol. 1. New York: New York UP, 1984. Phillips, George Searle ("January Searle") (1815–1889)