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Search : PETER MAILLAND PLAY

1585 results

Richard Maurice Bucke to Walt Whitman, 20 March [188]9

  • Date: March 20, [188]9
  • Creator(s): Richard Maurice Bucke
Text:

He /(rather she Charlotte Stopes[)] /believes S. wrote the plays —I expect to find the volume interesting

Annotations Text:

As Bucke states here, Stopes believed that Shakespeare had written the plays attributed to him.

The title of her book, however, refers to arguments that Shakespeare's plays had been written by Francis

Review of November Boughs

  • Date: April 1889
  • Creator(s): Payne, William Morton
Text:

robin, lark, and thrush, singing their songs—the flitting bluebird; For such the scenes the annual play

'November Boughs'

  • Date: April 1889
  • Creator(s): Carpenter, Edward
Text:

Baconian theory; and more important, to find that he is convinced that the great series of historical plays

Walt Whitman at Home

  • Date: 14 April 1889
  • Creator(s): Richard Hinton
Text:

years just after the war were the once well-known Count Adam Gurowski and George Wood, author of "Peter

Henry Latchford to Walt Whitman, 28 May 1889

  • Date: May 28, 1889
  • Creator(s): Henry Latchford
Text:

When he makes "any kind of a decent deal" at all he just plays with millions—the other fellows witnessing

considerable of the "play" but somewhat less of the millions.

Whitman's Natal Day

  • Date: 1 June 1889
  • Creator(s): Anonymous
Text:

Among the guests present were: Peter V. Voorhees, W. N. Bannard, Isaac C. Martindale, Howard M.

Richard Maurice Bucke to Walt Whitman, 2 June 1889

  • Date: June 2, 1889
  • Creator(s): Walt Whitman | Richard Maurice Bucke
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William Sloane Kennedy to Walt Whitman, [3] June 1889

  • Date: June [3], 1889
  • Creator(s): William Sloane Kennedy
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

John Burroughs to Walt Whitman, 12 July 1889

  • Date: July 12, 1889
  • Creator(s): John Burroughs
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman to Richard Maurice Bucke, 13 July 1889

  • Date: July 13, 1889
  • Creator(s): Walt Whitman
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman to John Burroughs and Richard Maurice Bucke, 19 July 1889

  • Date: July 19, 1889
  • Creator(s): Walt Whitman
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman to Charles W. Eldridge, 20 July 1889

  • Date: July 20, 1889
  • Creator(s): Walt Whitman
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Walt Whitman to Richard Maurice Bucke, 24 July 1889

  • Date: July 24, 1889
  • Creator(s): Walt Whitman
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Robert Pearsall Smith to Walt Whitman, 13 August 1889

  • Date: August 13, 1889
  • Creator(s): Robert Pearsall Smith
Text:

He writes very bright plays for us & then acts them for us with his sisters.

John Burroughs to Walt Whitman, 27 August 1889

  • Date: August 27, 1889
  • Creator(s): John Burroughs
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Ellen M. O'Connor to Walt Whitman, 12 September 1889

  • Date: September 12, 1889
  • Creator(s): Ellen M. O'Connor
Annotations Text:

The bookThe Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays, authored by the politician

Donnelly was well known for his belief that Shakespeare's plays had been written by Francis Bacon, an

Walt Whitman to Richard Maurice Bucke, 21 November 1889

  • Date: November 21, 1889
  • Creator(s): Walt Whitman
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Ignatius Donnelly's The Great Cryptogram: Francis Bacon's Cipher in the So-Called Shakespeare Plays.

Ernest Rhys to Walt Whitman, 7 December 1889

  • Date: December 7, 1889
  • Creator(s): Ernest Rhys
Text:

along the top of the Heath, (called the Spaniards Road, & passing an old inn where Skittles are still played

Gems from Walt Whitman

  • Date: 1889
  • Creator(s): Walt Whitman | Elizabeth Porter Gould | Walt Whitman and Elizabeth Porter Gould
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

Camden’s Compliment to Walt Whitman

  • Date: 1889
  • Creator(s): Horace L. Traubel
Text:

Whitman gone, the fruitless. meeting had gone with him, as though a more than Hamelinic pipe had been played

In him 24 ADDRESSES. nature has ample play.

But the gentleman willnot slapthe pick-pocket on the back and play the political harlotto gain his favor

Then willcome into play, for the firsttime, the marvellous genius of the poet who sang the "Song of Myself

Walt Whitman by Dr. John Johnston, 1890

  • Date: 1890
  • Creator(s): Dr. John Johnston
Text:

for a full hour, facing the golden sunset, in the cool evening breeze, with the summer lightning playing

Walt Whitman and Warren Fritzinger by Dr. John Johnston, 1890

  • Date: 1890
  • Creator(s): Dr. John Johnston
Text:

for a full hour, facing the golden sunset, in the cool evening breeze, with the summer lightning playing

Walt Whitman and Warren Fritzinger by Dr. John Johnston, 1890

  • Date: 1890
  • Creator(s): Dr. John Johnston
Text:

for a full hour, facing the golden sunset, in the cool evening breeze, with the summer lightning playing

Ada H. Spaulding to Walt Whitman, 4 January 1890

  • Date: January 4, 1890
  • Creator(s): Ada H. Spaulding
Text:

Please have something that you want—and play that I sent it, instead of this unbeautiful Money Order.

Walt Whitman to Ernest Rhys, 22 January 1890

  • Date: January 22, 1890
  • Creator(s): Walt Whitman
Annotations Text:

theatre as an actor and director (she directed and acted in the production of one of Ernest Rhys's plays

Mary Whitall Smith Costelloe to Walt Whitman, 3 February 1890

  • Date: February 3, 1890
  • Creator(s): Walt Whitman | Mary Whitall Smith Costelloe
Text:

Karin is babbling on the floor, playing with blocks, & both nurses are adding a not insignificant share

Walt Whitman's Home

  • Date: 29 April 1890
  • Creator(s): Anonymous | Fred C. Dayton
Text:

Outside the sun shone, the birds sang, and the boys played.

John Burroughs to Walt Whitman, 4 May 1890

  • Date: May 4, 1890
  • Creator(s): John Burroughs
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Emory S. Foster to Walt Whitman, 30 May 1890

  • Date: May 30, 1890
  • Creator(s): Emory S. Foster
Annotations Text:

Foster's poem quotes, echoes, and plays upon Whitman's epigraph poem for the 1876 and 1891–92 editions

William Sloane Kennedy to Walt Whitman, 19 June 1890

  • Date: June 19, 1890
  • Creator(s): William Sloane Kennedy
Text:

We are going tonight to a children's play (dramatic opera) down at town hall—tickets given me by our

dramatic critic on Transcript=Jenks —I'll say a word abt the play.

Robert M. Sillard to Walt Whitman, 9 September 1890

  • Date: September 9, 1890
  • Creator(s): Robert M. Sillard
Text:

I should very much wish to know from you what stage play and what actor and actress you you remember

Which of Shakesperes Shakespeare's great plays do you find the most entertaing entertaining reading?

Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

Richard Maurice Bucke to Walt Whitman, 18 September 1890

  • Date: September 18, 1890
  • Creator(s): Richard Maurice Bucke
Annotations Text:

Lev Nikolayevich Tolstoy (1828–1910) was a Russian realist writer of novels, plays, short stories and

Dr. John Johnston to Walt Whitman, 21 October 1890

  • Date: October 21, 1890
  • Creator(s): Dr. John Johnston
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

be one of the founders of the German Romantic Movement, and his translations of sixteen Shakespeare plays

Beloved Walt Whitman: An Ambrosial Night with his Devoted Friends and Admirers

  • Date: 26 October 1890
  • Creator(s): Anonymous
Text:

Ingersoll's facial play here was superb.

The Unexpress'd

  • Date: About 1889 or 1890
  • Creator(s): Walt Whitman
Text:

After the cycles, poems, singers, plays, Vaunted Ionia's, India's—Homer, Shakspere Shakespeare — all

Walt Whitman to Richard Maurice Bucke, 8 November 1890

  • Date: November 8, 1890
  • Creator(s): Walt Whitman
Text:

to me once in N Y, anent old French Revo)—A bad head and belly ache as I end this—the children are playing

Sophia Williams to Walt Whitman, 24 November 1890

  • Date: November 24, 1890
  • Creator(s): Sophia Williams
Annotations Text:

He played numerous parts during his career, including taking on a number of Shakespearean roles, sometimes

November 1890, Booth and Barrett, as part of their acclaimed 1889–1890 tour, performed in several plays

there; the plays included Francesca da Rimini, George Henry Boker's 1855 tragedy based on Dante, as

well as Edward Bulwer-Lytton's 1839 historical play Richelieu, along with Shakespeare's Hamlet, Othello

Walt Whitman to Richard Maurice Bucke, 27 December 1890

  • Date: December 27, 1890
  • Creator(s): Walt Whitman
Text:

heavy-headed, congested—good fire—no mail for me to-day—Warren has gone out sleighing—I hear the boys playing

Walt Whitman: A Dialogue

  • Date: 1890
  • Creator(s): Santayana, George
Text:

Ah, but Whitman is nothing if not a spectator, a cosmic poet to whom the whole world is a play.

Except play his harp and wear his crown.

We can't play at life without getting some knocks and bruises, and without running some chance of defeat

Leaves of Grass (1891–1892)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

- ing playing within me.

play the part that looks back on the actor or actress!

To go to battle—to hear the bugles play and the drums beat!

The passionate teeming plays this curtain hid!)

I am a dance—play up there! the fit is whirling me fast!

Essay. Leaves of Grass (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

New World receives with joy the poems of the antique, with European feudalism's rich fund of epics, plays

Cluster: Inscriptions. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Children of Adam. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Calamus. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Sea-Drift. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: By the Roadside. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: Drum-Taps. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Cluster: Autumn Rivulets. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The passionate teeming plays this curtain hid!)

Cluster: Whispers of Heavenly Death. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

limitless, in vain I try to think how limitless, I do not doubt that the orbs and the systems of orbs play

AS I sit with others at a great feast, suddenly while the music is playing, To my mind, (whence it comes

Starting From Paumanok.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

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