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What play of Shakspeare, represented in America, is not an insult to America, to the marrow in its bones

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I play not a march for victors only, I play great marches for conquered and slain persons.

colored lights, The steam-whistle, the solid roll of the train of approaching cars, The slow-march played

some playing, some slum- bering slumbering ? Who are the girls? Who are the married women?

The most renowned poems would be ashes, ora- tions orations and plays would be vacuums.

cherished for them- selves themselves , They fill their hour, the dancers dance, the musi- cians musicians play

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or feared of hell, are now consumed, Mad filaments, ungovernable shoots play

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

never told them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Played

play the part that looks back on the actor or actress!

Play the old role, the role that is great or small, according as one makes it!

limitless—in vain I try to think how limitless; I do not doubt that the orbs, and the systems of orbs, play

I love to look on the stars and stripes, I hope the fifes will play Yankee Doodle.

I am a dance—Play up, there! the fit is whirling me fast!

Let priests still play at immortality! Let death be inaugurated!

his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, played

isolated, perfect and sound, is isolated all all things and all other beings as an audience at the play-house

fire. / From the cinder-strew'd threshold I follow their movements, / The lithe sheer of their waists plays

. / And acknowledge the red yellow and white playing within me, / And consider the green and violet and

anticipating the description in the following lines: "The march of firemen in their own costumes—the play

Play up there! the fit is whirling me fast" (p. 71).

.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional

I believe in those winged purposes, / And acknowledge the red yellow and white playing within me, / And

What play of Shakspeare, represented in America, is not an insult to America, to the marrow in its bones

In his philosophy justice attains its proper dimensions: "I play not a march for victors only: I play

Of course we do not select those which are the most transcendental or the most bold:— "I play not a march

for victors only…I play great marches for conquered and slain persons.

Every move of him has the free play of the muscle of one who never knew what it was to feel that he stood

wound cuts, First rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song, or play

He sees eternity less like a play with a prologue and denouement…he sees eternity in men and women…he

The most renowned poems would be ashes…orations and plays would be vacuums.

He sees eternity less like a play with a prologue and denouement . . . . he sees eternity in men and

I play not a march for victors only . . . . I play great marches for conquered and slain persons.

The most renowned poems would be ashes . . . . orations and plays would be vacuums.

Play up there! the fit is whirling me fast.

I hope the fifes will play Yankee Doodle.

He sees eternity less like a play with a prologue and denouement . . . . he sees eternity in men and

rapport with in the sight of the daybreak or a scene of the winter woods or the presence of children playing

eddies of the wind, A few light kisses . . . . a few embraces . . . . a reaching around of arms, The play

stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I play not a march for victors only . . . . I play great marches for conquered and slain persons.

lights, The steam-whistle . . . . the solid roll of the train of approaching cars; The slow-march played

The most renowned poems would be ashes . . . . orations and plays would be vacuums.

own part, Witty, sensitive to a slight, ready with life or death for a friend, Fond of women, . . played

Play up there! the fit is whirling me fast.

underhold—the hair rumpled over and blinding the eyes; The march of firemen in their own costumes—the play

what was expected of heaven or feared of hell are now consumed, Mad filaments, ungovernable shoots play

I hope the fifes will play Yankee Doodle.

—Work of some sort Play?

weapons or helmets—all emblematic of peace—shadowy—rapidly approaches and pauses sweeping by— if in a play—let

Great latitude must be allowed to others Bring Play your muscle, and it will be lithe as willow and gutta

Whitman and His Poems," first published in the United States Review : "Every move of him has the free play

This manuscript contains notes about the characters and physical traits of three men: Bill Guess, Peter

.— Peter — —large, strong boned youn young fellow, driver.—should guess he weigh ed s 200 180 .

In the summer of the next year, Director Peter Minuit purchased from the aborigines, the whole of Manhattan

And the dark and glistening water formed an under-tone to the play of vehement color up above.

Have you not, in like manner, while listening to the well-played music of some band like Maretzek's,

Play up there! the fit is whirling me fast."

Thoughts of the boundless Creation must have expanded my mind, for it certainly played the most unconscionable

The fountain is playing, and so let us stroll about here a few minutes.

The fountain here plays more frequently than any of the other fountains—at least it is always playing

A very large majority never entered a theatre or read a play, or saw a piano or any thing worthy to be

that these people might be very intelligent, and very manly and womanly, without ever having seen a play

See Peter Ross and William Smith Pelletreau, A History of Long Island: From Its Earliest Settlement to

Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio

.; Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio

The play and performances generally were well sustained.....Exhibitions of various kinds—pictures and

I should not be much surprised if a dash of Lynch law were to come in play, then, unless the police muster

beauty of the latter place, this fine autumn weather, is the fountain, which they are now allowing to play

the place, who used to count upon walking there during the intermissions, as much as on seeing the play

The band played a complimentary tune, and the folks stared at the old hero; but there was no hurrahing

Macready still "goes it s'rong" at the Astor Place; to-night he plays Hamlet—his best performance.

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Collins continues at the Broadway; Esmeralda at the Park; Hamblin is playing a round of tragedy characters

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

Forrest played all last week at the Broadway to crowded and applauding houses. Mr.

He is very popular, and really plays better than any Irish comedian at present among us.

Barrett, who will probably play together.

Whichever house they don't play in should forthwith checkmate them by engaging Charlotte Cushman, who

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.