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Search : PETER MAILLAND PLAY

1584 results

"Song of the Answerer" (1881)

  • Creator(s): Hatlen, Burton
Text:

Traces of this same paradox also play through "Song of the Answerer."

Song of the Banner at Day-Break.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with me, and play

Song of the Banner at Daybreak.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

Song of the Banner at Day-Break

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with us, and play

Song of the Banner at Daybreak.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

"Song of the Banner at Daybreak" (1865)

  • Creator(s): Hatlen, Burton
Text:

"Song of the Banner" plays a similar role in what eventually became the "Drum-Taps" cluster.

Song of the Broad-Axe.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

These are not to be cherish'd for themselves; They fill their hour, the dancers dance, the musicians play

Song of the Broad-Axe

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

These are not to be cherish'd for themselves; They fill their hour, the dancers dance, the musicians play

Song of the Broad-Axe.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

these are not to be cherish'd for themselves, They fill their hour, the dancers dance, the musicians play

Song of the Broad-Axe.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

these are not to be cherish'd for themselves, They fill their hour, the dancers dance, the musicians play

"Song of the Broad-Axe" (1856)

  • Creator(s): Hatlen, Burton
Text:

can, with Thomas, read the poem's opening lines as a ritual purification of the axe so that it can play

Song of the Exposition.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Away with novels, plots and plays of foreign courts, Away with love-verses sugar'd in rhyme, the intrigues

Song of the Exposition.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Away with novels, plots and plays of foreign courts, Away with love-verses sugar'd in rhyme, the intrigues

Songs Oversea

  • Date: 21 October 1876
  • Creator(s): McCarthy, J. H.
Text:

rush generally upon it, at least the strong men do—the actors and actresses are all there in their play

you sons of———. " Such the wild scene, or a suggestion of it rather, inside the play-house that night

most flagrant, the idle and unnecessary dislike of the poet to "old romance," to "novels, plots, and plays

Soon Shall the Winter's Foil Be Here.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

robin, lark and thrush, singing their songs—the flitting bluebird; For such the scenes the annual play

Sophia Williams to Walt Whitman, 16 February 1888

  • Date: February 16, 1888
  • Creator(s): Sophia Williams
Annotations Text:

Orchestra, a popular touring ensemble conducted by the renowned conductor Theodore Thomas (1835–1905), played

Sophia Williams to Walt Whitman, 24 November 1890

  • Date: November 24, 1890
  • Creator(s): Sophia Williams
Annotations Text:

He played numerous parts during his career, including taking on a number of Shakespearean roles, sometimes

November 1890, Booth and Barrett, as part of their acclaimed 1889–1890 tour, performed in several plays

there; the plays included Francesca da Rimini, George Henry Boker's 1855 tragedy based on Dante, as

well as Edward Bulwer-Lytton's 1839 historical play Richelieu, along with Shakespeare's Hamlet, Othello

Soul, The

  • Creator(s): Kuebrich, David
Text:

DavidKuebrichSoul, TheSoul, TheWhitman's understanding of the soul is extremely complex, and it plays

Specimen Days

  • Date: about 1880
Text:

Whitman saw in New York in the 1850s, and who Whitman mentions in the section of Specimen Days entitled Plays

Spice

  • Date: 14 August 1857
  • Creator(s): Walt Whitman
Text:

.— It is a curious and not over favorable sign of the times that in our newspapers, novels, plays, and

Splendid Churches

  • Date: 9 March 1846
  • Creator(s): Walt Whitman
Text:

Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Stafford, Harry Lamb [1858-1918]

  • Creator(s): Kantrowitz, Arnie
Text:

When he died, Whitman left Stafford his silver watch, originally intended for Peter Doyle.  

Starting From Paumanok

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

step they wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing

its part, and passing on, Another generation playing its part, and passing on in its turn, With faces

Starting From Paumanok.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

step they wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing

its part, and passing on; Another generation playing its part, and passing on in its turn, With faces

Starting From Paumanok.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

Starting From Paumanok.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

"Starting from Paumanok" (1860)

  • Creator(s): Marki, Ivan
Text:

exuberance and excitement do not allow the speaker to advance a carefully reasoned argument; the poem plays

Steam on Atlantic Street

  • Date: 11 June 1857
  • Creator(s): Walt Whitman
Text:

; the streets through which the trains run are thickly built up with dwelling houses, and children play

Stoicism

  • Creator(s): Hutchinson, George
Text:

Moreover, Stoics tend to see one's personal existence as a role in a play directed by nature, thus conceiving

Studies Among the Leaves

  • Date: January 1856
  • Creator(s): Anonymous
Text:

ready, The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon, The clear light plays

Style and Technique(s)

  • Creator(s): Warren, James Perrin
Text:

Between the two ends of the spectrum, however, Whitman displays great artistry in the play of stanza

Section 11 of "Song of Myself," for instance, owes much of its dreamlike tone to the delicate play of

Suicides on the Increase

  • Date: 8 August 1857
  • Creator(s): Walt Whitman
Text:

On leaving school, the precocious youth, at an age when he ought to be playing at ball in the open fields

"Summer Duck"

  • Date: Between 1852 and 1855
  • Creator(s): Walt Whitman
Text:

. / And acknowledge the red yellow and white playing within me, / And consider the green and violet and

Sunday, April 1, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

But this quiet play of pros with cons enters more or less into all his conversation.

Sunday, April 20, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

came in: "I was quite staggered here—it knocked the breath out of me—to read a headline—'The Death of Peter

Doyle'—here in the paper: but it was not our Peter Doyle: it was some old man, somewhere, given the

Sunday, April 21, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I believe in unplugging the day—in inviting freedom—in having the boys play their ball, people go to

Sunday, April 7, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Young Kersley and Danney came for me in a carriage at 1, and bro't me back at 5; enjoy'd the ride, the play

Sunday, August 5, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

It is a study—a profound study—the play in life as much as the work in life—and it is all right, too,

Sometimes you don't pay too much for play if you pay your last cent for it."

Sunday, December 2, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

chief figure in a box with Childs, Dayton and self on the eve of the 24th inst at the opening of my play

Sunday, December 21, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Seemed to be considerably moved by what I said of the playing from "Parsifal"—of W.'

Sunday, December 23, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The tangerines and a book beside him: he played with them. I was happy. He seemed so well.

Sunday, December 30, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I heard this in a play: "a walking shadow ending in nothing." W. asked me: "Don't you like it?

Sunday, February 17, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

My memory never played me such a mean trick: I've had horrible experiences to meet, endure—but my memory

Sunday, February 2, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

At this point, looking out of the window, I saw a bright, beautiful baby playing inside the window opposite—remarking

Sunday, February 24, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

guilty: I know it is: what I really had in mind was the curio, not the human or historic element, that plays

I have written plays, comedy and tragedy, allegory, satire, and biting political pieces, a few of them

Yet for its better advancement I have to play the part of a grateful citizen—part repugnant!

Sunday, January 20, 1889.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

with him, & a mild orgie, just for a basis, you know, for talk & interchange of reminiscences & the play

right relation of man himself, & all his body, by which I mean all that he is, & all its laws & the play

of them, to Nature & its laws & the play of them.

Sunday, July 19, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Very hearty, easy, nonchalant, smart—with some play of wit and considerable good sense.

Sunday, July 22, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

deserted, fall from his high place, sink into total obscurity: but on the stage, at the moment, while the play

Sunday, June 10, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Once he mentioned Peter Doyle. "Where are you Pete? Oh!

should like to have my name written in each book by you (unless you object).I suppose you have seen Peter

that you have not so far forgotten my article as to think my meaning was that attributed to me by Peter

barrister friend of mine, O'Grady, which appeared in The Gentleman's Magazine the same month in which Peter

Sunday, June 16, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

As the boy played with his beard, he said: "Never mind—he is only trying to discover what kind of a critter

Said some one had sent him "Willie Winter's pamphlet about the plays—the address delivered at the playhouse

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