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Search : PETER MAILLAND PLAY

1584 results

William D. O'Connor to Walt Whitman, 14 April 1888

  • Date: April 14, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Text:

Donnelly has made lately a remarkable discovery—that the two folio editions of the play following the

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 12 July 1888

  • Date: July 12, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Will W. Wallace to Walt Whitman, 31 October 1868

  • Date: October 31, 1868
  • Creator(s): Will W. Wallace
Annotations Text:

Thompson (1839 or 1840–1911), commonly known as "Snacks" after an amateur role he had once acted in a play

"Whoever You are Holding Me Now in Hand" (1860)

  • Creator(s): Martin, Robert K.
Text:

Underlying Whitman's play is a sense of the opacity and elusiveness of language.

Whitman's pre-Leaves of Grass Marginalia on British Writers

  • Creator(s): Kenneth M. Price
Text:

"Whitman's Anthology of English Literature," Library Notes [Duke University] 50 (1982), 33-34, and Peter

Whitman's November Boughs

  • Date: 8 December 1888
  • Creator(s): Anonymous
Text:

He has taught, as far as his voice has reached, that literature is something more than a playing with

Whitman's November

  • Date: 27 August 1888
  • Creator(s): Anonymous
Text:

Press About six weeks ago the children on Mickle street, below Fifth street, in Camden, were asked to play

Whitman's New Book

  • Date: 15 October 1882
  • Creator(s): Whitman, Walt, and Sylvester Baxter
Text:

Printing Office—Old Brooklyn…Lafayette…Broadway Sights…My Passion for Ferries…Omnibus Jaunts and Drivers…Plays

The play of imagination, with the sensuous objects of nature for symbols, and faith—with love and pride

He says "there is another shape of personality dearer far to the artist sense (which likes the play of

Whitman's Natal Day

  • Date: 1 June 1889
  • Creator(s): Anonymous
Text:

Among the guests present were: Peter V. Voorhees, W. N. Bannard, Isaac C. Martindale, Howard M.

Whitman’s Drift

  • Date: 2017
  • Creator(s): Cohen, Matt
Text:

Even Whitman’s use of anonymity in the 1855 edition may have drawn upon the games of attribution played

“It seems to me as if it would give the book a formidably scientific appearance,” he hinted, playing

Whitman “played Indian,” taking the pen name of “Paumanok” early in his career.

(Gloucester: Peter Smith, 1972), 2:316–317. 88.

See also Whitman’s image of Dowden, Edward, 116, 117 neglect Doyle, Peter, 32, 143, 149, 218n11 drift

Whitman’s “Live Oak with Moss”

  • Date: 1992
  • Creator(s): Helms, Alan
Text:

Granted, other influences played their part in the sea-change that took place in Whitman's life and work

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Whitman, Thomas Jefferson [1833–1890]

  • Creator(s): Waldron, Randall
Text:

In Jeff's youth, Walt helped him learn to read, played games with him, and stimulated his love of music

Whitman: The Correspondence, Volume VII

  • Date: 2004
  • Creator(s): Genoways, Ted
Text:

From Peter Eckler. 1865 April 26. From Peter Eckler. January 4. From Dana F. Wright. Berg. May 1.

From Peter Doyle. Trent. November 25. From Louisa Van Velsor September 23. From Peter Doyle.

Schueller and Peters, 2: 201–3. [September?].

Peters, 2: 374–75. November 7. From Peter Doyle. CT: Shive- June 14. From John M. Rogers.

CT: Schueller and Peters, 3: January 6.

The Whitman Revolution: Sex, Poetry, and Politics

  • Date: 2020
  • Creator(s): Erkkila, Betsy
Text:

(New York: Peter Lang, 1998–2003).

Play up there! the fit is whirling me fast.

Whitman and Peter Doyle, ca. 1869. Photograph by M. P. Rice, Washington, DC.

Covielo, Peter. “Intimate Nationality: Anonymity and Attachment in Whitman.”

New York: Peter Lang, 1998–2003. ———. Leaves of Grass: An Exact Copy of the First Edition 1855.

Whitman Reads New York

  • Creator(s): Kevin McMullen
Text:

calls out to "you precedents," and vows to connect with them, and he describes "[o]ne generation playing

its part and passing on, / And another generation playing its part and passing on in its turn."

Whitman, Poet and Seer

  • Date: 22 January 1882
  • Creator(s): G. E. M.
Text:

fight between Deity on one side and somebody else on the other—not Milton, not even Shakespeare's plays

Whitman on Grant

  • Date: 26 July 1885
  • Creator(s): Anonymous
Text:

yesterday and turned into the unpretentious thoroughfare called Mickle Street, a freckle faced urchin playing

soldier who traversed camp and field as the conquering head of the army while the Camden poet was playing

sonnet I wrote originally for Harper's: " As one by one withdraw the lofty actors From that great play

Whitman Noir: Black America & the Good Gray Poet

  • Date: 2014
  • Creator(s): Wilson, Ivy G.
Text:

Sundquist’s To Wake the Nations (1993) and Toni Morri- son’s Playing in the Dark (1992), among others

Vodou ritu- als played an integral role in fomenting the Haitian revolution. C. L. R.

Peter Coviello discusses racial solidarity in Whitman’s antebellum poetry.

Peter Coviello, introduction to Walt Whitman, Memoranda during theWar, ed.

Peter Coviello (New York: Oxford University Press, 2006), xlvi. 14.

Whitman Making Books/Books Making Whitman

  • Date: 2005
  • Creator(s): Folsom, Ed
Text:

appearance of his book, and his changes reflect his evolving notions of what role his writing would play

The color shift from green to dark red, burnt orange, or purple is one that Whitman would play on for

He prepared the broadside before contracting with the printer Peter Eckler in New York.

Whitman, Louisa Van Velsor [1795–1873]

  • Creator(s): Ceniza, Sherry
Text:

That is, Whitman could see the role society played in formulating a person's view of self and of others

Whitman in the German-Speaking Countries

  • Creator(s): Walter Grünzweig
Text:

The poem by Wellbrock (born in 1949), a Berlin-based writer of poems, short stories, and radio plays,

its part and passing on, Another generation playing its part and passing on in its turn, With faces

There played the famous Booth, whom the 15-year-old Whitman had a first chance to see as Richard III.

Gedichte der Nachgeborenen (Wuppertal: Peter Hammer, 1971), 154–155.

Hermann Peter Piwit and Peter Rühmkorf, eds., Literaturmagazin 5. Das Vergehen von Hören und Sehen.

Whitman in the British Isles

  • Creator(s): M. Wynn Thomas
Text:

Peters, "Edmund Gosse's Two Whitmans," 11 (1965): 19–21.

the first time, since it was not only England but each of the countries in the British Isles that played

deepest influence on Irish literature was, however, transmitted by different means, through figures who played

Whitman finds himself, and other men and women, to be a compound of soul and body; he finds that body plays

3 To play more steadily than a pendulum; neither hurrying nor delaying, but marking the right moment

Whitman in Russia

  • Creator(s): Stephen Stepanchev
Text:

developed an idiom and a voice of his own, but most Russian critics are quick to agree that Whitman played

poetry mostly through the eyes of Mayakovsky," and he goes on to suggest that Mayakovsky's poems "play

on Whitman in the 1930s and 1940s one can also find a note of genuine affection for a poet who had played

"I believe it is inevitable that the American bard will play an important role in our poetry, too.

Marx was a man who for forty years had played "an inscrutable but puissant part in the revolutionary

Whitman in His Own Time

  • Date: 1991
  • Creator(s): Myerson, Joel
Text:

We played ball, but I don't think Walt ever took part in it.

He asso ciated more with the younger scholars, frolicing rather than playing games.

Were the Shakespeare plays the best acting plays? W. said: "That's a superstition-an exaggeration."

In his later publications, I find many passages that were dis played to me in embryo.

Some where in your play or novel let the sunlight in."

Whitman in France and Belgium

  • Creator(s): Asselineau, Roger
Text:

Bazalgette translated The Wound-Dresser ( Le Panseur de Plaies ) (1917).

In eight hundred finely written pages, she methodically and exhaustively followed the role played by

We shall see later the part played by this same spectacle in the growth of the poem.

We think every great artist is a conscious one and that in every great work of art the part played by

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Whitman futur, ou l'avenir à venir: "Poets to Come" in French Translation

  • Creator(s): Éric Athenot | Blake Bronson-Bartlett
Text:

complete French edition of the 1891–92 Leaves of Grass under the title Feuilles d'herbe in 1909, played

intimacy and imaginative coupling between reader and poet usually found in Whitman's poems—and at play

acts unto themselves, which bring new life to the original by transforming and enriching its lexical play

Whitman for the Drawing Room

  • Date: April 1886
  • Creator(s): Anonymous
Text:

Grundy, a term for an extremely conventional or priggish person, refers to a character in the play Speed

This quotation is from a collection of conversations between Goethe and Johann Peter Eckermann.

Annotations Text:

Grundy, a term for an extremely conventional or priggish person, refers to a character in the play Speed

Whitman East & West: New Contexts for Reading Walt Whitman

  • Date: 2002
  • Creator(s): Folsom, Ed
Text:

A photo of the actor playing the Whitman figure in The Carpenter.

In the play, the ad- mirers of Whitman are Agatha, Ginny (Merrill’s daughter), and Dr.

Fay Kanin’s original play makes clear that the college is set in Massachusetts.

Price sode treats the Peter Doyle–Whitman relationship.

Pantheism played an increas- ingly important role in shaping his own thought.

Whitman East & West: New Contexts for Reading Walt Whitman

  • Date: 2002
  • Creator(s): Folsom, Ed
Text:

Griffith through Paul Strand and Charles Sheeler and on up to contemporary directors like Peter Weir,

it did not overtly repress or privatize the role that passion, eroticism, sympathy, and love might play

influence to other modernist Chinese writers and discusses Whitman in terms of "the unique role he played

A Whitman Chronology

  • Date: 1998
  • Creator(s): Krieg, Joann P.
Text:

"The Play-Ground," a poem about children at play, appears in theEagle. LATE JUNE.

Peter Doyle's brother, police officer Fran cis M.

Whitman sends a postcard greeting to Peter Doyle.

Peter Doyle visits Whitman (DN,2:325). g DECEMBER.

"'Pete the Great': A Biography of Peter Doyle."

Whitman and World Cultures

  • Creator(s): Caterina Bernardini
Text:

myths—the interminable ballad-romances of the Middle Ages—the hymns and psalms of worship—the epics, plays

Whitman among the Bohemians

  • Date: 2014
  • Creator(s): Levin, Joanna | Whitley, Edward
Text:

Rather, in puffing Whitman, the Saturday Press played at and played with repre- sentations of Whitman

, play-goers, and ye general reader, in a state of utter despair. . . .

“‘Pete the Great’: A Biography of Peter Doyle.”

Gloucester, ma: Peter Smith, 1872. Winter,William.

Feminist Conversations: Fuller, Emerson, and the Play of Reading.

Whitman: A Study

  • Date: 1902
  • Creator(s): John Burroughs
Text:

his rank aftera time familiar, contemporaneity; you willsurely see the lambent spiritualflames that play

"Oncere I to charge you give play your self.

He presents you the elements of good and evil in himself in vitalfusion and play; your part to how the

Sin, repentance, fear,Satan, hell, Creation had resulted play important parts. in a tragedy in which

Death is the right hand of God, and evil a also. plays necessary part Nothing is discriminated against

Whitman & Dickinson: A Colloquy

  • Date: 2017
  • Creator(s): Athenot, Éric | Miller, Cristanne
Text:

That, like all the rest, plays about the surface,andneverintroducesmeintothereality,forcontactwithwhich

Fromthecinder-strew’dthresholdIfollowtheir movements, Thelithesheer of their waists plays evenwith their

;heis,ofcourse,thesolesubjectoftheconcluding book 4, and, as I have argued elsewhere, his writings play

the nation made him less willing to delegate political action to politicians and more inclined to play

Peter Lang, 2012), 383–92.

Whipping

  • Date: 1 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

What's the Row?

  • Date: 28 March 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

What Williamsburg Wants

  • Date: 15 January 1858
  • Creator(s): Walt Whitman
Text:

The truth is, we have plenty of rich men here, but we have no philanthropists of the Peter Cooper stamp—none

What Lurks Behind Shakspere's Historical Plays?

Text:

What Lurks Behind Shakspere's Historical Plays?

What lurks behind Shakespeare's historical plays?

  • Date: 1884
Text:

fol.00003xxx.00465S.b.89What lurks behind Shakespeare's historical plays?

[manuscript], ca. 1884What lurks behind Shakespeare's historical plays?

leaveshandwritten; A late-stage manuscript of Whitman's essay What lurks behind Shakespeare's historical plays

What lurks behind Shakespeare's historical plays?

"What I Assume You Shall Assume":The Whitman Archive and the Challenge of Integrating Different Open Standards

  • Date: 2004
  • Creator(s): Brett Barney | Kenneth M. Price
Text:

of twenty-two volumes published by New York University Press, two additional volumes published by Peter

, only in the last few years have the first two volumes appeared, issued by a different publisher, Peter

quickly clarify for any non-specialists in attendance, we'll gloss some of the acronyms that are in play

Wednesday, September 9, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Bush played some for us—from Wagner, Schumann. And in due time we followed Bucke.

Wednesday, September 2, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

My memory plays me the devil's own trips." Will "try" to "have it made ready tomorrow."

Wednesday, October 28, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

s fire throwing out flames and odor (the flame playing its game of hide-and-seek on the western wall)

Wednesday, October 2, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Described minutely 'The Wept of Wish-ton-Wish,' then: "A very good play was founded on this story many

Wednesday, October 10th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

In Strasbourg a Prussian band plays magnificently every day at a certain hour but as yet no one has been

Wednesday, November 7, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

parades: the good-natured banter everywhere of Cleveland Democrats and Harrison Republicans: the bands playing

Wednesday, November 5, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

It is a great thing to let life play to such measure—spontaneity."

Wednesday, November 18, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The attempt to trace identity between Bacon and the plays is too thin.

me—grown more into pressure that I can't shake off—that there's a great grave mystery lurking in the plays—unseen

Wednesday, November 11, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Told W. about the play last night, "The Rivals," and he went warmly into discussion of the old Park Theatre

Wednesday, May 30, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

"It is my final belief that the Shakespearean plays were written by another hand than Shaksper'sShakespeare's—I

W. discussed with Harned some legal features involved in the plays.

There is much in the plays that is offensive to me, anyhow: yes, in all the plays of that period: a grandiose

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