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Search : PETER MAILLAND PLAY

1584 results

I Sing the Body Electric

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

I Sing the Body Electric.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

I Sing the Body Electric.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

Enfans D'adam 3

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or feared of hell, are now consumed, Mad filaments, ungovernable shoots play

I Sing the Body Electric.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

Poem of the Body.

  • Date: 1856
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or feared of hell, are now consumed, Mad filaments, ungovernable shoots play

Whitman's Natal Day

  • Date: 1 June 1889
  • Creator(s): Anonymous
Text:

Among the guests present were: Peter V. Voorhees, W. N. Bannard, Isaac C. Martindale, Howard M.

Correspondence of Walt Whitman, The (1961–1977)

  • Creator(s): Costanzo, Angelo
Text:

His affectionate bond with Peter Doyle, the Washington, D.C., streetcar conductor he met in late 1865

Critics, Whitman's

  • Creator(s): Hindus, Milton
Text:

Antipathy has reached inspired heights in such writers as Peter Bayne and Knut Hamsun, and this makes

British Romantic Poets

  • Creator(s): French, R.W.
Text:

.: Peter Smith, 1972. British Romantic Poets

The Half-Breed; A Tale of the Western Frontier

  • Date: June 8, 1846
  • Creator(s): Walt Whitman
Text:

at this unfortunate juncture that Arrow-Tip was heedless enough to attempt seizing the weapon at Peter's

New Publications

  • Date: 14 March 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Walt Whitman in Boston

  • Date: August 1892
  • Creator(s): Sylvester Baxter
Text:

having one of the young men of the Herald counting-room, who lived in the house, come to his room and play

The piece was "Romeo and Juliet," and Rossi played his part with much ardor, as well as delicacy.

I believe Joaquin Miller's play, "The Danites," was having a run in Boston at the time, and that was

Boyle O'Reilly spoke of the play which he had in mind, part of whose scenes were to be in Australia.

Friday, April 5, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

reasons for it—some innate, some political: the anti habit is more or less active in all of it: it plays

Donnelly has made lately a remarkable discovery—that the two folio editions of the plays following the

I asked W.: "There was Nicholas Bacon: what part did he perform in the mystery of the plays?"

Have you the idea that Nicholas was somehow intimately, dynamically, a party to the production of the plays

Editing Whitman's Poetry in Periodicals

  • Date: 2014
  • Creator(s): Elizabeth Lorang
Annotations Text:

published/periodical/index.html; The interlibrary loan department at the University of Nebraska-Lincoln played

James W. Wallace to Walt Whitman, 5 December 1891

  • Date: December 5, 1891
  • Creator(s): James W. Wallace
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

Walt Whitman to the Editors of The Daily Crescent, 4 October 1848

  • Date: October 4, 1848
  • Creator(s): Walt Whitman
Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Sunday, January 20, 1889.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

with him, & a mild orgie, just for a basis, you know, for talk & interchange of reminiscences & the play

right relation of man himself, & all his body, by which I mean all that he is, & all its laws & the play

of them, to Nature & its laws & the play of them.

The Fireman's Dream

  • Date: March 31, 1844
  • Creator(s): Walt Whitman
Text:

." — Old Play . The source of this epigraph is unknown. "What shall I do with myself to-day?"

which he once saw a group of deer-skin huts, and nigh at hand the forms of some dusky children, at play

Gamboled I with the wild squirrels, or played with the young cubs?

[New York Atlas, 24 October 1858]

  • Date: 24 October 1858
  • Creator(s): Walt Whitman
Text:

Drenching the stomach with it just before, or during a hearty meal, plays the mischief with the digestion

In one of the feet there are thirty-six bones, and the same number of joints, continually playing in

Yet they are always squeezed into boots not modeled from them, nor allowing the play and ease they require

Review of Leaves of Grass (1860–61)

  • Date: August 1860
  • Creator(s): Conway, Moncure D.
Text:

to the open piano and struck with grandeur the opening chords of the Tannhaser overture; having played

A Hoosier's Opinion Of Walt Whitman

  • Date: 11 August 1860
  • Creator(s): Howells, William Dean
Text:

animal—and left people to infer that he was some such inspired brute as Jove infurried (sic) , when he played

"Live Oak with Moss" (1953–1954)

  • Creator(s): Helms, Alan
Text:

formed the nucleus of "Calamus," and it gave Whitman the idea of the "cluster," a formal feature that plays

Friday, October 25, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

In this position the light of the fire played in his beard and upon his face, with a revelation and an

Wednesday, April 24, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The whole subject, Beethoven, and the playing absolutely without note.

Wednesday, January 8, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Shakespeare had it—putting his enemies into verse—into a play, what-not.

Tuesday, July 10, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Why—there was Grant—see how he went about his work, defied the rules, played the game his own way—did

Monday, February 15, 1892

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Keller playing cribbage in the little room. Once I went into W.'s room but he was still asleep.

Wednesday, August 12, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

In the play, talk, walk, the same air, carried along without a break."

About "The Child-Ghost; A Story of the Last Loyalist

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "The Shadow and the Light of a Young Man's Soul"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

Whitman's sojourn to New Orelans is believed to have played a key role in shaping the poetry that would

Cluster: Leaves of Grass. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

the openings, and the pink turf, Different colors, pale gray and green, purple, white, and gold—the play

Cluster: Inscriptions. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the strange sad war revolv- ing revolving , With all its angry and vehement play

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

So Long!

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

Once more I enforce you to give play to yourself— and not depend on me, or on any one but yourself, Once

Steam on Atlantic Street

  • Date: 11 June 1857
  • Creator(s): Walt Whitman
Text:

; the streets through which the trains run are thickly built up with dwelling houses, and children play

John Newton Johnson to Walt Whitman, 14 March [1878]

  • Date: March 14, 1878
  • Creator(s): John Newton Johnson
Text:

Temperature agreeable even to a still or idle person—no wind, a good deal smoky, birds chirping, children playing

Walt Whitman to Hugo Fritsch, 8 October 1863

  • Date: October 8, 1863
  • Creator(s): Walt Whitman
Text:

with him, & a mild orgie, just for a basis, you know, for talk & interchange of reminiscences & the play

Walt Whitman to Margaret S. Curtis, 4 October 1863

  • Date: October 4, 1863
  • Creator(s): Walt Whitman
Text:

importance in a day—amputations, blood, death are nothing here—you will see a group absorbed [in] playing

Ebenezer Rockwood Hoar to George S. Boutwell, 6 July 1869

  • Date: July 6, 1869
  • Creator(s): Ebenezer Rockwood Hoar | Walt Whitman
Text:

United States, 13 Peters, 486; Perots United States, 1 Pet. C.

Thomas Jefferson Whitman to Walt Whitman, 28 December 1863

  • Date: December 28, 1863
  • Creator(s): Thomas Jefferson Whitman
Text:

Peter Kissenbrack" of the state Legislature of /62[)] as comfortable quarters as I ever enjoyed—good

Friday, March 22, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

towards the floor—"was honest—that his integrity was beyond any corrupting influence: that he would play

Tom is not only straight but shrewd: he is a past master in the engineering of corporations: Doctor played

Style and Technique(s)

  • Creator(s): Warren, James Perrin
Text:

Between the two ends of the spectrum, however, Whitman displays great artistry in the play of stanza

Section 11 of "Song of Myself," for instance, owes much of its dreamlike tone to the delicate play of

Sunday, August 5, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

It is a study—a profound study—the play in life as much as the work in life—and it is all right, too,

Sometimes you don't pay too much for play if you pay your last cent for it."

Tuesday, October 21, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The little speech he had printed—the eight short lines—were played with, stumbled over—not lamentably

It was a brilliant play of wit and eloquence.

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 21, 1846
  • Creator(s): Walt Whitman
Text:

"We have made up a fine party for the play to-night, and you must promise to be one of us."

finished my meal before my companions came, according to arrangement, to take me with them to the play

New York Amuses Itself—The Fourth of July

  • Date: 12 July 1856
  • Creator(s): Walt Whitman
Text:

At the hinder lower corner of each saddlecloth is a gay, red tassel, which swings to and fro, and plays

The great fountain is playing, and round it is a ring of pleased faces of old and young, watching the

Walt Whitman to Richard Maurice Bucke, 6 January 1888

  • Date: January 6, 1888
  • Creator(s): Walt Whitman
Text:

Dressed as Portia, when a Shakespeare masquerade (in which everyone took some part from the plays) was

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Leaves of Grass: The Sesquicentennial Essays

  • Date: 2007
  • Creator(s): Belasco, Susan | Folsom, Ed | Price, Kenneth M.
Text:

Play up there! the fit is whirling me fast” (71).

Miller Jr., Colleen Lamos, Wayne Koestenbaum, and John Peter.

See also Peter, “Postscript (1969),” 165–66; and James E.

Peter also discusses canto 26 (“Postscript [1969],” 170).

Bellis, Peter J. “Whitman in 1855: Against Representation.”

James W. Wallace to Walt Whitman, 3 April 1891

  • Date: April 3, 1891
  • Creator(s): James W. Wallace
Annotations Text:

is referencing Hamlet's "To be, or not to be" soliloquy in Act 3, Scene 1 of William Shakespeare's play

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