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Search : PETER MAILLAND PLAY

1585 results

Thursday, April 18, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

March" ode (Nineteenth Century) with the preface: "I have not your Swinburne ear" and this delightful play

mechanics, &c—I quoting the University professor, Young men—learn to do something well—even if it is only playing

Thursday, June 14, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

"I was sure that was not the book: my mind nowadays plays me strange antics—confuses shapes, sizes, colors

W. said again: "There was a German band out on the street today—not too near: they played a couple of

Number III

  • Date: 28 October 1849
  • Creator(s): Walt Whitman
Text:

A very large majority never entered a theatre or read a play, or saw a piano or any thing worthy to be

that these people might be very intelligent, and very manly and womanly, without ever having seen a play

Washington in the Hot Season

  • Date: 16 August 1863
  • Creator(s): Walt Whitman
Text:

extra-powerful here,) besides a large effect of green, varied with the white of the Capitol, fountains playing

The vital play and significance of their talk moves one more than books.

Walt Whitman to Lewis K. Brown, 8–9 November 1863

  • Date: November 8–9, 1863
  • Creator(s): Walt Whitman
Text:

I suppose you know that is a performance, a play, all in music & singing, in the Italian language, very

besides she is a tall & handsome lady, & her actions are so graceful as she moves about the stage, playing

Walt Whitman's Reconstruction: Poetry and Publishing between Memory and History

  • Date: 2011
  • Creator(s): Buinicki, Martin T.
Text:

Peter Coviello. New York: Oxford University Press, 2004. PW ProseWorks 1892. 2 vols. Ed.

Peter Coviello (New York: Oxford University Press, 2004), 3. Hereafter MDW.

In his biographyof Peter Doyle, Martin G.

“Pete the Great: A Biography of Peter Doyle.”

Edited by Peter Coviello. NewYork: Oxford University Press, 2004. ———. ProseWorks.

women

  • Date: Between about 1854 and 1860
  • Creator(s): Walt Whitman
Text:

the poem later titled "I Sing the Body Electric": "The march of firemen in their own costumes—the play

—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,

edition of The bugle calls in the ballroom—the dancers gentlemen lead out go for their partners—the playing

The fingers of the pianist playing lightly and rapidly over the keys. illustration a man placing his

Walt Whitman, the American Poet

  • Date: May 1876
  • Creator(s): Adams, Robert Dudley
Text:

while admitting that the venerable and heavenly forms of chiming versification have in their time played

caste, joyfully enlarging, adapting itself to comprehend the size of the whole people, with the free play

The passionate, teeming plays this curtain hid!)

Translating "Poets to Come": An Introduction

  • Creator(s): Folsom, Ed
Text:

Because he goes on to suggest that Canada, too, will play a part in his realization, the future he addresses

That he addresses the future is clear, though, and we can feel Whitman playing with the etymology of

a "fear" that is "generally submerged or disguised, since Whitman attempts to deny it in order to play

Walt Whitman to William Sloane Kennedy, 5–6 January 1889

  • Date: January 5–6, 1889
  • Creator(s): Walt Whitman
Annotations Text:

Lev Nikolayevich Tolstoy (1828–1910) was a Russian realist writer of novels, plays, short stories and

Walt Whitman to the Editors of The Daily Crescent, 9 October 1848

  • Date: October 9, 1848
  • Creator(s): Walt Whitman
Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Friday, June 21, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

for something to suggest an acknowledgment to these men, but that 'something' had never come into play

Monday, September 9, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

He laughed when I mentioned Zola in connection with French "delicacy, finesse—an exquisite play"—his

Friday, October 16, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

And again, "As I have always said, there's an element, margin, play, of uncertainty in every photo: it

Thursday, February 25, 1892

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Circumstances play in our hands. Thursday, February 25, 1892

Monday, January 18, 1892

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Keller and Warrie playing cards in Warrie's room. I went across into W.'s room.

Thursday, September 11, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I've played enthusiastic long enough—sacrificed enough, for that principle—and the world no better or

About "The Last of the Sacred Army"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About Children

  • Date: 16 April 1842
  • Creator(s): Walt Whitman
Text:

What can be more merry than their voices, ringing out upon the air in play—and what, than their innocent

Education, Views on

  • Creator(s): Hirschhorn, Bernard
Text:

And it in turn solidified his conviction that the teacher played a pivotal role in their education.

Music, Whitman and

  • Creator(s): Strassburg, Robert
Text:

Paul, and experienced the virtuoso playing of the French violinist Henry Vieuxtemps and the Norwegian

Views on Education

  • Creator(s): Hirschhorn, Bernard
Text:

And it in turn solidified his conviction that the teacher played a pivotal role in their education.

Soul, The

  • Creator(s): Kuebrich, David
Text:

DavidKuebrichSoul, TheSoul, TheWhitman's understanding of the soul is extremely complex, and it plays

Walt Whitman to William Michael Rossetti, 30 January 1872

  • Date: January 30, 1872
  • Creator(s): Walt Whitman
Text:

I saw in a newspaper that he was writing a play.

Walt Whitman's Latest Work

  • Date: 9 February 1889
  • Creator(s): Anonymous
Text:

, after several more short essays, including "The Bible as Poetry," "What Lurks Behind Shakspere's Plays

new world receives with joy the poems of the antique, with European feudalism's rich fund of epics, plays

Transgenic Deformation: Literary Translation and the Digital Archive

  • Date: 2006
  • Creator(s): Matt Cohen
Text:

We can play a little, too, and at least simulate a breakdown of the notorious computational barrier between

McGann's most advanced experiments in deformance involve game-playing.

Tuesday, March 26, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Look at our stage: in fact we have no stage at all: a jumble of plays packed together without logic or

It occurs to me we have so far not had one American play—not one.

Friday, December 7, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

troubling myself with Faustian problems: I have heard all the Fausts, I may say: Gounod's, others: Faust plays

W. said: "He wrote his plays in trilogies (I have a friend—he always amuses me—calls them trillogies)

Tuesday, January 8, 1889.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Was it a play for an autograph? W.: "I was half tempted to answer it: but I won't write a word."

time for me (in a letter, or when he comes): say it for me: it 'sit's the sort of fire no man can play

[New York Atlas, 12 December 1858]

  • Date: 12 December 1858
  • Creator(s): Walt Whitman
Text:

training, this error, at least, has become exploded—and he will look on all health and all illness as a play

form for his walking style—but always go with head erect and breast expanded—always throwing open the play

[New York Atlas, 19 December 1858]

  • Date: 19 December 1858
  • Creator(s): Walt Whitman
Text:

Walter Scott, Daniel Webster, Dean Swift, and hundreds of persons of lesser note, are instances of the play

Because we think a clear and deeply based popular appreciation of the truth, with all its play of causes

Starting From Paumanok.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

step they wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing

its part, and passing on; Another generation playing its part, and passing on in its turn, With faces

Starting From Paumanok

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

step they wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing

its part, and passing on, Another generation playing its part, and passing on in its turn, With faces

Starting From Paumanok.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

Proto-Leaf

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

step they wend—they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, And another generation playing its part and passing on in its turn, With faces

Starting From Paumanok.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

Whitman East & West: New Contexts for Reading Walt Whitman

  • Date: 2002
  • Creator(s): Folsom, Ed
Text:

A photo of the actor playing the Whitman figure in The Carpenter.

In the play, the ad- mirers of Whitman are Agatha, Ginny (Merrill’s daughter), and Dr.

Fay Kanin’s original play makes clear that the college is set in Massachusetts.

Price sode treats the Peter Doyle–Whitman relationship.

Pantheism played an increas- ingly important role in shaping his own thought.

Leaves of Grass, "I Celebrate Myself,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

eddies of the wind, A few light kisses . . . . a few embraces . . . . a reaching around of arms, The play

stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I play not a march for victors only . . . . I play great marches for conquered and slain persons.

lights, The steam-whistle . . . . the solid roll of the train of approaching cars; The slow-march played

Poem of Walt Whitman, an American.

  • Date: 1856
  • Creator(s): Walt Whitman
Text:

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I play not a march for victors only, I play great marches for conquered and slain persons.

colored lights, The steam-whistle, the solid roll of the train of approaching cars, The slow-march played

Walt Whitman

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those winged purposes, And acknowledge red, yellow, white, playing within me, And consider

I play not here marches for victors only—I play great marches for conquered and slain persons.

colored lights, The steam-whistle—the solid roll of the train of approaching cars, The slow-march played

Walt Whitman: Preface to the Sixth Edition

  • Creator(s): Álvaro Armando Vasseur
Text:

phrase "finas hierbas" here can refer to grass, herbs, or poisonous or noxious weeds; the terms also play

emphasized with delight, to signal to me how much he knew and loved it: The hands I held and the cards I played

summer hub of artistic culture that was the great Casino, where the divas of music, song, dance, and play

To drag poetry back to its theogonic babblings—when in the faunal caverns the goats played at being oracles

How deep is its play in animal life .

Ernest Rhys to Walt Whitman, 22–24 April 1889

  • Date: April 22–24, 1889
  • Creator(s): Ernest Rhys
Annotations Text:

He is known for such works as his novel The Portrait of Dorian Gray and the play The Importance of Being

Louisa Van Velsor Whitman to Walt Whitman, [5 March 1865]

  • Date: March 5, 1865
  • Creator(s): Louisa Van Velsor Whitman
Annotations Text:

Velsor Whitman reported on March 7, 1865 that "sis is much better she has been down stairs to day and plays

Walt Whitman to Richard Maurice Bucke, 24 June 1888

  • Date: June 24, 1888
  • Creator(s): Walt Whitman
Annotations Text:

background on Harned's trip to the Republican National Convention in Chicago and the political issues at play

Annie Nathan Meyer to Walt Whitman, 12 January 1891

  • Date: January 12, 1891
  • Creator(s): Annie Nathan Meyer
Annotations Text:

Brander Matthews (1852–1929) was a prolific American writer and critic who wrote novels, plays, short

Monday, May 21, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Well, it's nearly ready—only I play a little for time—I am fencing for another day or two.

Sunday, June 24, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I can't think of the author's name—my memory plays me such shabby tricks these days—(though I should

Friday, December 4, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

If this and that and the other, then Shakespeare did not write the plays!

Friday, October 3, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

yet After the cycles, poems, singers, plays,Vaunted Ionia's, India's—Homer, Shaks-pere—all times, dotted

Tuesday, August 25, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

My memory plays me shabbier tricks each year."

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