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Search : PETER MAILLAND PLAY

1584 results

John Burroughs to Walt Whitman, 29 September [1877]

  • Date: September 29, 1877
  • Creator(s): John Burroughs | Walt Whitman
Text:

All work seem'd seemed play to him.

John Burroughs to Walt Whitman, 27 August 1889

  • Date: August 27, 1889
  • Creator(s): John Burroughs
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

John Burroughs to Walt Whitman, 12 July 1889

  • Date: July 12, 1889
  • Creator(s): John Burroughs
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

John Addington Symonds to Walt Whitman, 7 February 1872

  • Date: February 7, 1872
  • Creator(s): John Addington Symonds | Symonds, John Addington
Text:

Peters John Addington Symonds to Walt Whitman, 7 February 1872

Joaquin Miller to Walt Whitman, December 1877

  • Date: December 1877
  • Creator(s): Joaquin Miller
Text:

chief figure in a box with Childs Dayton and self on the eve of the 24th inst at the opening of my play

James W. Wallace to Walt Whitman, 5 December 1891

  • Date: December 5, 1891
  • Creator(s): James W. Wallace
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

James W. Wallace to Walt Whitman, 4 October 1891

  • Date: October 4, 1891
  • Creator(s): James W. Wallace
Text:

—I liked too to get out into the "bush"—chipmunks calling & playing about me—one little fellow descending

a tree in front of me & playing about for fully 5 minutes before running off amid the rustling leaves

James W. Wallace to Walt Whitman, 31 July–1 August 1891

  • Date: July 31–August 1, 1891
  • Creator(s): James W. Wallace
Text:

coming into supper, & then adjourning to the barn, where to the light of 2 or 3 candles Johnston played

James W. Wallace to Walt Whitman, 3 April 1891

  • Date: April 3, 1891
  • Creator(s): James W. Wallace
Annotations Text:

is referencing Hamlet's "To be, or not to be" soliloquy in Act 3, Scene 1 of William Shakespeare's play

James W. Wallace to Walt Whitman, 21 September 1891

  • Date: September 21, 1891
  • Creator(s): James W. Wallace
Annotations Text:

Helena Modjeska (1840–1909) was a well-known Polish actress, particularly famous for playing Shakespearean

James W. Wallace to Walt Whitman, 20 September 1891

  • Date: September 20, 1891
  • Creator(s): James W. Wallace
Text:

Outside, the sky perfectly clear & cloudless, the fountain playing, the trees across the open space,

—Evening spent in the house—chiefly in learning & playing "Pedro" with Willie & his friends.

James W. Wallace to Walt Whitman, 11 September 1891

  • Date: September 11, 1891
  • Creator(s): James W. Wallace
Text:

As we approached along the avenue a band struck up, playing by lamplight, the new moon shining over head

Everyone manifestly glad to see him back—talk & laughter, band playing all the time—now "Home, Sweet

James Scovel to Walt Whitman, 26 November 1888

  • Date: November 26, 1888
  • Creator(s): James Scovel
Text:

I met Maurice Barrymore, the actor who was playing in "Held by the Enemy" at the Academy last week.

Annotations Text:

champion before taking up acting; he emigrated to the United States and debuted in Augustin Daly's play

A play by William Gillette (1853–1937), set during the Civil War, and now recognized as having a significant

James Knowles to Walt Whitman, 20 August 1884

  • Date: August 20, 1884
  • Creator(s): James Knowles
Text:

obliged by your kind offer of the little M.S. manuscript on "What lurks behind Shakespeare's Historical Plays

James, Henry (1843–1916)

  • Creator(s): Dye, Renée
Text:

Calamus: A Series of Letters Written during the Years 1868–1880 by Walt Whitman to a Young Friend (Peter

J. Hubley Ashton to James M. Carlisle, 17 October 1866

  • Date: October 17, 1866
  • Creator(s): J. Hubley Ashton | Walt Whitman
Text:

Sir: Before pronouncing on the petition of Peter Targarona "for pardon, & remission of forfeiture," the

J. F. Cooper

  • Date: 19 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Italy, Whitman in

  • Creator(s): Sanfilip, Thomas
Text:

Peter Mitilineos. Washington, D.C.: NCR Microcard Editions, 1973.McCain, Rea.

Italian Translations of "Poets to Come"

  • Creator(s): Marina Camboni
Text:

Responding to different cultural and ideological needs, they played important and well-differentiated

Across the Atlantic , edited by Marina Camboni, Andrea Carosso, Sonia Di Loreto, and Marco Mariano (Peter

ideological construction of society, tells of the new role writers and intellectuals were expected to play

One year later, in 1989, the film Dead Poets Society , directed by Peter Weir, made Whitman popular again

played a large role in that film, of course) and the book's appeal to a larger, and possibly younger,

[Italian Opera in New Orleans]

  • Date: 15 April 1842
  • Creator(s): Walt Whitman
Text:

The "corps" has been playing for some time in that capital—but hitherto, from some underhand intrigue

She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."

"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Annotations Text:

She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."

"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

"Italian Music in Dakota" (1881)

  • Creator(s): Krieg, Joann P.
Text:

When played by the regimental band in the western wilderness, rather than in a city opera house, the

[It is a fearful thing]

  • Date: 12 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Introduction to Whitman's Annotations and Marginalia

  • Creator(s): Matt Cohen
Text:

Van Egmond, Peter. "Bryn Mawr College Library Holdings of Whitman Books." 20 (June 1974): 41-50.

Introduction to Walt Whitman's Short Fiction

  • Date: 2016
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

Steel called the tale "weirdly Hawthornesque" and contended that Whitman "told his whist playing friends

The insanity that played a memorable role in several of Poe's stories appears in Whitman's "Bervance:

New York: Peter Lang Publishing, Inc. 1998. Blalock, Stephanie, and Nicole Gray.

Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 New York: Peter

Introduction to Walt Whitman, Poemas, by Álvaro Armando Vasseur

  • Creator(s): Matt Cohen | Rachel Price
Text:

At the same time he plays on the multiple meanings of the verb "exponserse," which can mean both to risk

arrive with powerful musics, between the thundering of my trumpets and of my drums, I do not only play

marches for sacred victors, I also play them for the vanquished and the victims.

Introduction to the 1855 Leaves of Grass Variorum

  • Creator(s): Nicole Gray
Text:

Terry (1847–1928) was a member of Henry Irving's company, famous for her appearances in Shakespeare plays

and destruction, the roles Whitman's writing and the books he helped to produce have continued to play

Oxford: Peter Lang, 2005. - - -.

Riley, Peter J. L. " and Real Estate." 28 (Spring 2011): 163–87.

Stallybrass, Peter.

Introduction to Horace Traubel

  • Creator(s): Matt Cohen
Text:

As Whitman's health failed, he needed more help with daily tasks, and from the mid-1880s, Traubel played

Introduction to Franklin Evans and "Fortunes of a Country-Boy"

  • Date: 2015
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

"Scores of lesser-known writers produced temperance novels, stories, poems, plays, and periodicals,"

temperance out of Franklin Evans for publication in the Brooklyn Daily Eagle in 1846, however, he also played

Conclusion Whitman's decision to play down the temperance theme when he republished Franklin Evans as

thinking through dynamics that would eventually become central to Leaves of Grass , including the play

New York: Peter Lang, 1998. Blanck, Jacob, comp. Bibliography of American Literature . 9 vols.

Introduction

  • Creator(s): Dennis Berthold | Kenneth M. Price
Text:

Jeff played the guitar and sang pleasantly, and Walt encouraged such musical inclinations by purchasing

poet developed during his work in the hospitals (and indeed for his relationships after the war with Peter

As an independent consultant he played a major role in planning the Milwaukee sewer system, incorporating

Introduction

  • Creator(s): Jerome M. Loving
Text:

Emory Holloway (New York: Peter Smith Press, 1921), II, 37-41.

Whitman feared that the Confederate authorities were "playing foul" by moving George and other officers

Intimate with Walt: Selections from Whitman’s Conversations with Horace Traubel 1888-1892

  • Date: 2001
  • Creator(s): Schmidgall, Gary
Text:

[A few days later:] W. told Ed: “Play your violin: play it as much as you choose: I like it: when I am

Ed at first played in the next room. I advised him to play downstairs.

Think of it—the games they play—the travesty!

Peter Doyle no writer In October 1891 Whitman was surprised to learn that Peter Doyle was thenbasedinBaltimore

Greeks versus Shakespeare The Shakespeare plays are essentially the plays of an aristocracy: they are

Interpretation of the Poetry of Walt Whitman

  • Date: 1930
  • Creator(s): Pavese, Cesare
Text:

Croce saw all of history as a playing out of the human spirit into a multitude of individual acts.

It is an insistent, a loud work, like a long piece of music played continuously con brio.

Peter Bondanella and Julia Conaway Bondanella (Westport, CT: Greenwood Press, 1996)143; Antonio Gramsci

AAminta: a lyric, pastoral play first performed in 1573; considered Torquato Tasso’s most important and

That is, while he composed the national epic in which the figures and forces creating the nation play

Influences on Whitman, Principal

  • Creator(s): Worley, Sam
Text:

Awakening, Protestant pulpit style, particularly that of evangelicals, became freer and more varied and played

Incidents of Last Night

  • Date: 13 April 1842
  • Creator(s): Walt Whitman
Text:

For further reading, see Peter Adams, The Bowery Boys: Street Corner Radicals and the Politics of Rebellion

Volume I: 1834–1846 (New York: Peter Lang, 1998).

In RE Walt Whitman: Walt Whitman at Date

  • Date: 1893
  • Creator(s): Horace L. Traubel
Text:

expansive life—a life which, while careless of sub- tleties, has turned unfailing reverence upon the play

In RE Walt Whitman: Round Table with Walt Whitman

  • Date: 1893
  • Creator(s): Horace L. Traubel
Text:

rivulets and bigger streams of literature—there is a splendid lesson that such notes as there is in the play

At the end of that interesting play, which I have seen, a great fellow who is in pursuit of it comes

Who will play his part for him? And Hawthorne—wasn't he expected?

How strange that Shelley and "Leaves of Grass" should play upon him together!

Whitman .—[ To Traubel ].— Did he suppose we intended that he should be left out of the play?

Important Ecclesiastical Gathering at Jamaica, L. I.

  • Date: 9 January 1862
  • Creator(s): Walt Whitman
Text:

Peter D. Oakey was the successor of Rev. James M. McDonald, mentioned below.

An Abraham Smith is included in a list of men who petitioned Governor Peter Stuyvesant to settle in this

area of Long Island and whom Peter Ross calls “the first citizens of Jamaica” (549).

See Peter Ross, A History of Long Island: from Its Earliest Settlement to the Present Time (New York:

identical with the

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Annotations Text:

anticipating the description in the following lines: "The march of firemen in their own costumes—the play

'I Sing the Body Electric' [1855]

  • Creator(s): Gutman, Huck
Text:

naked in the swimming-bath," the "embrace of love and resistance" of two young boy wrestlers, the "play

presents women as exceedingly sexual, for "mad filaments, ungovernable shoots" of erotic attraction play

I Sing the Body Electric

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

I Sing the Body Electric.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

I Sing the Body Electric.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

I Sing the Body Electric.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

"I Heard You Solemn-Sweet Pipes of the Organ" (1861)

  • Creator(s): Dacey, Philip
Text:

Appropriate for a poem about music, the sound effects are multiple, striking, and subtle (e.g., the play

Human Nature Under An Unfavorable Aspect

  • Date: 7 October 1858
  • Creator(s): Walt Whitman
Text:

it out vi et armis , the rest of the population of the building grouping around, either to see fair play

Hugo, Victor (1802–1885)

  • Creator(s): Moore, Andy J.
Text:

Hugo's plays were also enjoying successful performances on the New York stage.

Whitman told Horace Traubel that "Hugo's immortal works were the dramas, the plays, the poems: least

Hughes, Langston (1902–1967)

  • Creator(s): Britton, Wesley A.
Text:

In a 1946 essay Hughes expressed his belief that, since Whitman had played with slave children in his

How to be Healthy

  • Date: 24 May 1859
  • Creator(s): Walt Whitman
Text:

It should then be much out of doors, and should play, dance, sing, and shout as nature dictates.

The House of Refuge

  • Date: 13 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

An Hour Among the Porcelain Manufactories in Greenpoint

  • Date: 3 August 1857
  • Creator(s): Walt Whitman
Text:

Here were the calcined bone, fresh from Peter Cooper’s, the feldspar, glittering with mica and newly

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