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One day, for instance, he talked about Shakespeare's historical plays, which, he said, showed that Shakespeare

was at heart a democrat, and that he had written the plays in order to discredit monarchy and kings

individual, not that he might enjoy himself for himself, but that he might be the better fitted to play

obligations to Emerson; but I did recognize in him a poseur of truly colossal proportions, one to whom playing

acclaim; he could not have doubted seriously, for habit, if nothing else, would have enabled him to play

(New York: Peter Lang, 1998–2003).

Play up there! the fit is whirling me fast.

Whitman and Peter Doyle, ca. 1869. Photograph by M. P. Rice, Washington, DC.

Covielo, Peter. “Intimate Nationality: Anonymity and Attachment in Whitman.”

New York: Peter Lang, 1998–2003. ———. Leaves of Grass: An Exact Copy of the First Edition 1855.

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

the common air that bathes the globe. 18 With music strong I come—with my cornets and my drums, I play

not marches for accepted victors only—I play great marches for conquer'd and slain persons.

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

not marches for accepted victors only—I play great marches for conquered and slain persons.

loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

the common air that bathes the globe. 18 With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play marches for conquer'd and slain persons.

loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

the common air that bathes the globe. 18 With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Yours truly, Peter G. Doyle.

This is where Shaw plays trumps.

The “Interview with Peter Doyle” by Dr.

a cat is passing through my poem; See—it plays the fiddle, rapturously: It plays sonatas, fugues, rigodons

aged cow; But most of all it plays nocturnes, and plays them pyrotechnically as befits the night time

Walt's favorite brother, Jeff played the piano and had a lively sense of humor.

He was the author of numerous plays, sonnets, and narrative poems.

Helena Modjeska (1840–1909) was a well-known Polish actress, particularly famous for playing Shakespearean

King Edward VII, Gordon-Cumming was confronted and pressured to sign a document that he would not play

He was also a very successful dramatist; he wrote numerous plays that became West End and Broadway productions

Lev Nikolayevich Tolstoy (1828–1910) was a Russian realist writer of novels, plays, short stories and

Later, Whitman would get a first-hand report of the assassination from his friend Peter Doyle, an Irish

Volume I: 1834–1846 (New York: Peter Lang, 1998).

In a letter to Peter Doyle, Whitman wrote that Dr.

Peter N.

Peter W.

Halligan, Peter W. “Phantom Limbs: The Body in Mind.”

Sacks, Peter M. The English Elegy: Studies in the Genre from Spenser to Yeats.

had no niche with its holy image; and because the naked Dryads of Paganism were permitted there to play

Nay, often he plays on the poetic strings with so rich and jewel-loaded a hand, that the sparkling mass

disturbs, if not the playing, yet our hearing of it."

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

cane—slowly going to the door—stood in the doorway, his back to us—his face turned—the light of the gas playing

Crossing" is a very visual poem, conveying a strong sense of particular detail, the play of light, and

At times he plays with you with a deliberate, baffling sportiveness."

We were there till eleven, Wallace and Tom talking, Anna and I playing euchre at a little table nearby

Keller and Warrie playing cribbage in back room. Joined them in game of euchre after a bit.

I have not seen Tennyson's new play—hope to later.

But after thrust and parry and play and a good deal of real fire, my own wind up was positive enough.

Told W. about the play last night, "The Rivals," and he went warmly into discussion of the old Park Theatre

It is a great thing to let life play to such measure—spontaneity."

It is like a bit of literature descending from a purer, less affected age than ours, and will play a

In addition to publishing articles on national policy and playing an important role as an organ of the

section entirely, a revision that takes out Marsh's redemptive involvement with cholera victims and plays

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with me, and play

Trottoirs throng'd—vehicles—Broadway—the women— the shops and shows, The parades, processions, bugles playing

wandered alone, bare- headed bareheaded , barefoot, Down from the showered halo, Up from the mystic play

wander'd alone, bare- headed bare-headed , barefoot, Down from the shower'd halo, Up from the mystic play

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with us, and play

In this sphere his long practical acquaintance with the laws of mechanics has been brought into play;

Peter Lang eventually published two volumes of the journalism in 1998 and 2003, though these volumes

The Peter Lang volumes are produced so as to replicate the appearance of the New York University Press

Arguably, the Peter Lang volumes constitute volumes 23 and 24 of the , and a 25th volume, treating recently

The poem by Wellbrock (born in 1949), a Berlin-based writer of poems, short stories, and radio plays,

its part and passing on, Another generation playing its part and passing on in its turn, With faces

There played the famous Booth, whom the 15-year-old Whitman had a first chance to see as Richard III.

Gedichte der Nachgeborenen (Wuppertal: Peter Hammer, 1971), 154–155.

Hermann Peter Piwit and Peter Rühmkorf, eds., Literaturmagazin 5. Das Vergehen von Hören und Sehen.

In ecocriticism, the concept does not yet play a significant role, either.

Bowler, Peter J. The Earth Encompassed: A History of the Environmental Sciences.

Friztell, Peter A. Nature Writing and America: Essays upon a Cultural Type.

Temin, Peter. “The Industrialization of New England, 1830–1880.”

Wenz, Peter S. Environmental Justice. Albany: State University of New York Press, 1988.

Bucke, his intimate friend and truly able biographer, who plays Boswell to Whitman's Johnson, reports

Peter Bayne. Among Whitman's personal friends were Bryant and Longfellow.

a passage remarkable for its nobility: "With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play Marches for conquer'd and slain persons.

You might hear his voice, half in sport, declaiming some passage from a poem or play; and his song or

will our ordinary verse-making, our system of forcing thought into all sorts of received forms, our playing

so fully upon it, that I really fear, sir, your refusal would excite him more than the sight of the play

deliberately rose—raised his hand to his head—lifted his hat, and bowed low and long—a cool sarcastic smile playing

They bathed in the surf, danced, told stories, ate and drank, amused themselves with music, plays, games

They bathed in the surf—danced—told stories—ate and drank—amused themselves with music, plays, games,

They bathed in the surf—danced—told stories—ate and drank—amused themselves with music, plays, games,

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

head, No more of soft astral, but dazzling and fierce, With war's flames and the lambent lightnings playing

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

head, No more of soft astral, but dazzling and fierce, With war's flames and the lambent lightnings playing

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!