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(New York: New York University Press, 1984), 1: 246–280, noted that the notebook contains lines and phrases

Paumanok" series in The Uncollected Poetry and Prose (Garden City, NY: Doubleday, Page & Co., 1921), 1:

Paumanok" series in The Uncollected Poetry and Prose (Garden City, NY: Doubleday, Page & Co., 1921), 1:

Paumanok" series in The Uncollected Poetry and Prose (Garden City, NY: Doubleday, Page & Co., 1921), 1:

the ninth number of his Brooklyniana series, which was published in the Brooklyn Standard on February 1,

—ABSURD CHRONOLOGY OF THE HINDOOS. 1 THE following is a view of their Chronology .

Edward Grier, Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

Edward Grier, Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

in poetry (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

Edward Grier, Notebooks and Unpublished Prose Manuscripts (New York: New York University Press, 1984) 1:

the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

The march referred to took place on December 18" (1:474).

(See Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:165).

Notebooks and Unpublished Prose Manuscripts (New York University, 1984), 1:120. such a thing as ownership

1850s" (see Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

Fragments (see Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

early in 1855 (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

early in 1855 (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

1855 Leaves (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

the 1850s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

Song of Myself (Pages 1-23)About 1855prosehandwritten1 leaf; This is a prose manuscript with an unknown

in 1855" (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

that "the small writing suggests a date in the 1850s" (New York: New York University Press, 1984), 1:

manuscript (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

details, see Notebooks and Unpublished Prose Manuscripts (New York: New York University Press, 1984), 1:

early in 1855 (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

language at the beginning of this story also appears in the draft poem "I am that half-grown angry boy." 1

late 1840s (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

bottom, 7 feet 8 inches at top of the side walls, and 8 feet 5 inches high; it has a descent of 13 1/

satirical piece on his life and religious work, see "The Dominie's Ride With the Devil," Brooklyn Monthly 1

See Johann Georg Zimmermann, Solitude (London: Thomas Maiden, 1804), 1:xi-xlviii.

The second volume of Zimmerman's Solitude (see note 1) mentions the "tranquil delights of retirement"

The funeral baked meats / Did coldly furnish forth the marriage tables" (Act 1, scene 2, lines 179-80

New York, November 1. Oh, but we are in the midst of exciting times, now!

Walt Whitman to the Editors of The Daily Crescent, 1 November 1848

From Bowling Green to the City Hotel forms Character No. 1; from that to Chambers street forms No. 2;

Joseph White was nabbed yesterday for attacking a German, at 1 o'clock in the morning, and robbing him

N EW Y ORK C ITY , 1 September, 1848.

Walt Whitman to the Editors of The Daily Crescent, 1 September 1848

This edition, (in parts at 37 1/2 cents each,) of a work which seems destined to hold a long time yet

and 1855 (Notebooks and Unpublished Prose Manuscripts [New York: New York University Press, 1984], 1:

Edward Grier, Notebooks and Unpublished Prose Manuscripts (New York: New York University Press, 1984), 1:

lines, as well as the "generic or cosmic or transcendental 'I'" that appears in Leaves of Grass (Grier, 1:

Colonial Americas: Empires, Texts, Identities (Chapel Hill, NC: University of North Carolina Press, 2009), 1–

Vol. 1, Physiological part; with plates. Vol. 2 Philosophical part.

History of the Good Book in the United States, 1777–1880 (Stanford: Stanford University Press, 1999), 70–1.

See John Duff, History of Public Health in New York City, 1625–1866 , Volume 1 (New York: Russell Sage

Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times

& Noah's Weekly Messenger (New York), The Journalism , 1: 190–91; and "City Intelligence, An Afternoon

at Greenwood," June 13, 1846, Brooklyn Daily Eagle and Kings County Democrat , The Journalism , 1: 421

draft of the early poem "The Play-Ground," nearly as it appeared in the Brooklyn Daily Eagle on June 1,

of Whitman's early poem "The Play-Ground," which was published in the Brooklyn Daily Eagle on June 1,

Vols. 1 and 2. Philadelphia. 1844. 2. History of Rome . By Thomas Arnold, D. D. Vols. 1 and 2.

Price, in muslin, $1 50—in sheep, $1 75.

Godine; Fort Worth: Amon Carter Museum of Western Art, 1979], 1–22). cheap casts of statuary, Inexpensive

Development of a Popular Market for Sculpture in America: 1850–1880," Journal of American Culture 4, no. 1