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Search : PETER MAILLAND PLAY

1584 results

Walt Whitman to Talcott Williams, 11 October 1884

  • Date: October 11, 1884
  • Creator(s): Walt Whitman
Annotations Text:

"What Lurks Behind Shakspeare's Historical Plays?"

Walt Whitman to the Editors of The Daily Crescent, 12 October 1848

  • Date: October 12, 1848
  • Creator(s): Walt Whitman
Text:

The band played a complimentary tune, and the folks stared at the old hero; but there was no hurrahing

Macready still "goes it s'rong" at the Astor Place; to-night he plays Hamlet—his best performance.

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Text:

To Richings's Caliban, how sweetly she could then play and sing the gentle Ariel.

Hers was playing.

She "did" Marianne, in The Wife; and many a man, who had visited the theatre for years, then saw playing

Annotations Text:

He started performing at the Park Theatre as a child, acted in numerous plays, and, later, leased and

She acted in many principal women's roles of the era, including playing Juliet in William Shakespeare's

Walt Whitman to the Editors of The Daily Crescent, 2 October 1848

  • Date: October 2, 1848
  • Creator(s): Walt Whitman
Text:

Collins continues at the Broadway; Esmeralda at the Park; Hamblin is playing a round of tragedy characters

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

I saw the procession return about 8 o'clock, music playing, and so forth; contrary to the usual practice

, they played the most plaintive marches and held a solemn demeanor.

Walt Whitman to the Editors of The Daily Crescent, 25 November 1848

  • Date: November 25, 1848
  • Creator(s): Walt Whitman
Text:

I should not be much surprised if a dash of Lynch law were to come in play, then, unless the police muster

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

Forrest played all last week at the Broadway to crowded and applauding houses. Mr.

He is very popular, and really plays better than any Irish comedian at present among us.

Barrett, who will probably play together.

Whichever house they don't play in should forthwith checkmate them by engaging Charlotte Cushman, who

Annotations Text:

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Walt Whitman to the Editors of The Daily Crescent, 28 October 1848

  • Date: October 28, 1848
  • Creator(s): Walt Whitman
Text:

beauty of the latter place, this fine autumn weather, is the fountain, which they are now allowing to play

the place, who used to count upon walking there during the intermissions, as much as on seeing the play

Walt Whitman to the Editors of The Daily Crescent, 30 July 1848

  • Date: July 30, 1848
  • Creator(s): Walt Whitman
Annotations Text:

Claude Melnotte is a character in the play The Lady of Lyons; or, Love and Pride, which was written by

The play was first performed in London's Convent Garden Theatre in the late-1830s, and it became the

Walt Whitman to the Editors of The Daily Crescent, 4 October 1848

  • Date: October 4, 1848
  • Creator(s): Walt Whitman
Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Walt Whitman to the Editors of The Daily Crescent, 9 December 1848

  • Date: December 9, 1848
  • Creator(s): Walt Whitman
Text:

The play and performances generally were well sustained.....Exhibitions of various kinds—pictures and

Walt Whitman to the Editors of The Daily Crescent, 9 October 1848

  • Date: October 9, 1848
  • Creator(s): Walt Whitman
Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Walt Whitman to the editors of the New York Critic, [?] November 1888

  • Date: November [?], 1888
  • Creator(s): Walt Whitman
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

Walt Whitman to Thomas P. Sawyer, August 1863

  • Date: August 1863
  • Creator(s): Walt Whitman
Text:

Well, Tom, it looks as though secesh was nearly played out—if they lose Charleston, as I believe they

Walt Whitman to William D. O'Connor (for Moncure D. Conway), [10 November 1867]

  • Date: November 10, 1867
  • Creator(s): Walt Whitman
Text:

Instead of that, the Book is the product of the largest universal law & play of things, & of that sense

Walt Whitman to William D. O'Connor, 11 July 1888

  • Date: July 11, 1888
  • Creator(s): Walt Whitman
Annotations Text:

book" in England (probably The Great Cryptogram: Francis Bacon's Cipher in the So-Called Shakespeare Plays

Walt Whitman to William D. O'Connor, 11 September 1864

  • Date: September 11, 1864
  • Creator(s): Walt Whitman
Text:

ruins)—it was one of those places where the air is full of the scent of low thievery, druggies, foul play

Walt Whitman to William D. O'Connor, 15 September [1867]

  • Date: September 15, 1867
  • Creator(s): Walt Whitman
Text:

Ada Clare is an actress—has lately been playing at Memphis, Tenn—is now about playing at Albany—Clapp

Walt Whitman to William D. O'Connor, 18 March 1889

  • Date: March 18, 1889
  • Creator(s): Walt Whitman
Text:

capital investors — N[elly]'s card came this mn'g—I am easier to-day—Hope the cold in the head is "petering

Walt Whitman to William D. O'Connor, 26 May 1886

  • Date: May 26, 1886
  • Creator(s): Walt Whitman
Annotations Text:

Hamlet's Note-book (1886), which argued that Sir Francis Bacon had written the plays attributed to Shakespeare

Walt Whitman to William D. O'Connor, 29 September 1884

  • Date: September 29, 1884
  • Creator(s): Walt Whitman
Annotations Text:

"What Lurks Behind Shakspeare's Historical Plays?"

Walt Whitman to William D. O'Connor, 6 January 1865

  • Date: January 6, 1865
  • Creator(s): Walt Whitman
Text:

Little California is playing around me as I finish, & has been for half an hour.

Walt Whitman to William D. O'Connor, 9 December 1883

  • Date: December 9, 1883
  • Creator(s): Walt Whitman
Text:

Camden N J Dec 9 '83 A young workingman & engineer, Edward Doyle, (brother of my dear friend Peter D.

Walt Whitman to William D. O'Connor, September (?) 1866

  • Date: September (?) 1866
  • Creator(s): Walt Whitman
Text:

enervation, and producing depression and enervation as their result;—or else that class of poetry, plays

Walt Whitman to William Michael Rossetti, 26 January 1876

  • Date: January 26, 1876
  • Creator(s): Walt Whitman
Text:

I have seen Peter Bayne's piece —have also seen the friendly & glowing article of Arthur Clive in the

Walt Whitman to William Michael Rossetti, 30 January 1872

  • Date: January 30, 1872
  • Creator(s): Walt Whitman
Text:

I saw in a newspaper that he was writing a play.

Walt Whitman to William Sloane Kennedy, 5–6 January 1889

  • Date: January 5–6, 1889
  • Creator(s): Walt Whitman
Annotations Text:

Lev Nikolayevich Tolstoy (1828–1910) was a Russian realist writer of novels, plays, short stories and

Walt Whitman to William Sloane Kennedy, John Burroughs, and Richard Maurice Bucke, 30 August 1887

  • Date: August 30, 1887
  • Creator(s): Walt Whitman
Annotations Text:

Davidson's review of Ignatius Donnelly's The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

, which argued that Shakespeare's plays had been written by Francis Bacon.

Walt Whitman, Where the Future Becomes Present

  • Date: 2008
  • Creator(s): Blake, David Haven | Robertson, Michael
Text:

Dissolving a national literature in the fluid play of genres,lyricandepicmergehereintoasea-bornetradition

1990),296,280. 5.Walcott’sfascinationwiththeOdysseyisevidentnotonlyinOmerosbutevenmoreclearlyin his play

newgreatmasters”—or,moreprecisely,this call for a call—so much as to situate his poetry within the play

its part and passing on, Another generation playing its part and passing on in its turn, With faces

{ kirsten silva gruesz } “dim” of the bus station; the fierce current of economic opportunity they play

Walt Whitman's “Song Of Myself”

  • Date: 1989
  • Creator(s): Miller, Edwin Haviland
Text:

I play not a march for victors only .... I play great marches for conquered and slain persons.

Miller (1968, 21): The scene is played out in regressive sexual imagery.

What part do I have to play?

What will he, she, or they do in this or that event, what role am I to play?

Press, 1981. 168 BIBLIOGRAPHY Peters, Robert L.

Walt Whitman's Advice to the State Scholars

  • Date: February 1888
  • Creator(s): Cessator
Text:

characters are individualistic; they let out what they have in them; they give themselves full sweep and play

Walt Whitman's Complete Volume

  • Date: 12 August 1882
  • Creator(s): Gordon, T. Francis
Text:

Love's like a red, red rose, That's newly sprung in June: O my Love's like a melodie That's sweetly played

Walt Whitman's Home

  • Date: 29 April 1890
  • Creator(s): Anonymous | Fred C. Dayton
Text:

Outside the sun shone, the birds sang, and the boys played.

Walt Whitman's Latest Work

  • Date: 9 February 1889
  • Creator(s): Anonymous
Text:

, after several more short essays, including "The Bible as Poetry," "What Lurks Behind Shakspere's Plays

new world receives with joy the poems of the antique, with European feudalism's rich fund of epics, plays

Walt. Whitman's New Poem

  • Date: 28 December 1859
  • Creator(s): Whitman, Walt, and Henry Clapp
Text:

wandered alone, bare- headed, barefoot, Down from the showered halo and the moonbeams, Up from the mystic play

Picaninies, and the Grand Panjandrum himself, with a little round button at the top; and they all fell to playing

Walt Whitman's "November Boughs"

  • Date: 19 January 1889
  • Creator(s): Harrison, W.
Text:

Tennyson' (originally published in this journal, together with 'What Lurks behind Shakspeare's Historical Plays

Walt Whitman's Poems

  • Date: December 1875
  • Creator(s): Bayne, Peter
Text:

Buchanan, who have praised his performances, appear to me to be playing off on the public a well-intentioned

, arising out of a life of depression and enervation as their result—or else that class of poetry, plays

Walt Whitman's Poems

  • Date: 19 February 1876
  • Creator(s): Anonymous
Text:

The passionate, teeming plays this curtain hid!)

while admitting that the venerable and heavenly forms of chiming versification have in their time played

caste, joyfully enlarging, adapting itself to comprehend the size of the whole people, with the free play

Walt Whitman's Reading: A Bibliographical Handlist

  • Date: 1921; 1906–1996; 1959
Text:

Peter Eckler 1890 or after 106, 107, 136, 166, 167, 168, 26, 35, 45, 53, 64, 66, 79, 93-94, 97 bmr.00014

Walt Whitman's Reconstruction: Poetry and Publishing between Memory and History

  • Date: 2011
  • Creator(s): Buinicki, Martin T.
Text:

Peter Coviello. New York: Oxford University Press, 2004. PW ProseWorks 1892. 2 vols. Ed.

Peter Coviello (New York: Oxford University Press, 2004), 3. Hereafter MDW.

In his biographyof Peter Doyle, Martin G.

“Pete the Great: A Biography of Peter Doyle.”

Edited by Peter Coviello. NewYork: Oxford University Press, 2004. ———. ProseWorks.

Walt Whitman's Songs of Male Intimacy and Love: "Live Oak, with Moss" and "Calamus"

  • Date: 2011
  • Creator(s): Erkkila, Betsy
Text:

political, and other contests surrounding these poems, and the constitutive role these poems have played

or remain in the same room with you, littleyou know the subtle electric fire that for your sake is playing

Calamus  as a cluster of poems focused on the love between men, “live oak, with moss” played a crucial

Brown and other soldiers he met and cared for in the Washington hospitals, as well as with Peter doyle

Coviello, Peter. “Intimatenationality: anonymityand attachment inWhitman.”

Walt Whitmans Werk [1922]

  • Creator(s): Whitman, Walt, 1819-1892 | Reisiger, Hans, 1884–1968
Text:

seines Lebens dauernde, innige, väterlich-zärtliche Kameradschaft mit dem jungen Irisch-Amerikaner Peter

Seitdem kam Peter täglich nach beendeter Fahrt vor das Schatzhaus, in dem Whitmans Büro lag, und holte

„Piet, mein liebster Sohn“, schreibt er an Peter Doyle, „ich denke immer noch, ich werde durchkommen,

Walt Whitman's Works

  • Date: 3 March 1867
  • Creator(s): Anonymous
Text:

may be gathered from one or two passage selected as illustrative of different phases of mind:— "I play

not here marches for victors only; I play great marches for conquered and slain persons.

"walter dear": The Letters from Louisa Van Velsor Whitman to Her Son Walt

  • Creator(s): Wesley Raabe
Text:

of the family in which Edward boarded after his mother's death, Edward sat silently the entire day playing

his family (again, though May 1873) far exceed in number those to any family member: forty-five to Peter

entry_25.html That Walt began his revision earlier is also suggested in his October 9, 1868 letter to Peter

October 9, 1868 letter to Peter Doyle.

William Michael Rossetti's expurgated London edition, Poems by Walt Whitman (Hotten, 1868), may have played

Walter M. Rew to Walt Whitman, [1890–1892]

  • Date: 1890–1892; Unknown
  • Creator(s): Walter M. Rew | Unknown author
Text:

These plays are: (1) The Troubador—who nurses wounded heroes during the war of the Rebellion (2).

Washington

  • Date: 12 March 1865
  • Creator(s): Walt Whitman
Text:

and cold, or what underlies them all, are affected with what affects man in masses, and follow his play

floating along, rising, falling leisurely, with here and there a long-drawn note; the bugle, well played

Washington, D.C. [1863–1873]

  • Creator(s): Murray, Martin G.
Text:

friendships with Charles Eldridge, Lewy Brown, William and Ellen O'Connor, John and Ursula Burroughs, and Peter

critical biography, Notes on Walt Whitman as Poet and Person (1867).Whitman found friendship with Peter

Washington in the Hot Season

  • Date: 16 August 1863
  • Creator(s): Walt Whitman
Text:

extra-powerful here,) besides a large effect of green, varied with the white of the Capitol, fountains playing

The vital play and significance of their talk moves one more than books.

Washington's Birthday

  • Date: 22 February 1858
  • Creator(s): Walt Whitman
Text:

of the “glorious Fourth” and the like occasions, which are not so fully celebrated, as mere child’s-play—as

Waterworks editorials in the Brooklyn Daily Times

  • Date: 2024
  • Creator(s): Stephanie M. Blalock | Kevin McMullen | Stefan Schöberlein | Jason Stacy
Text:

constituted "an important chapter in the history of U.S. public works" and the role that local journalism played

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