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Search : William White

3753 results

Thomas Jefferson Whitman to Walter Whitman, Sr., Louisa Van Velsor Whitman, George Washington Whitman, Andrew Jackson Whitman, Hannah Louisa Whitman, and Edward Whitman, 14 March 1848

  • Date: March 14, 1848
  • Creator(s): Thomas Jefferson Whitman
Text:

I have written one to Mr Brown and William Devoe and (as Walter said in his last letter) I shall write

Flowers of every description were on some of the tombs, large white roses and red ones too were all along

Walt Whitman to the Editors of The Daily Crescent, 19 July 1848

  • Date: July 19, 1848
  • Creator(s): Walt Whitman
Text:

Among the late improvements of New York, may be particularly mentioned the long-talked-of widening of William

valuable structures, Clinton Hall among the rest; so they thought to draw off some of the travel into William

the houses (in the verg middle of the Jew clothing quarter) in Chatham street, to make the exit of William

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Annotations Text:

was among those who helped save the Gilbert Stuart portrait of George Washington from the burning White

Walt Whitman to the Editors of The Daily Crescent, 15 August 1848

  • Date: August 15, 1848
  • Creator(s): Walt Whitman
Text:

Ex-Commissioner overleaps the mark in his fury, and charges too much on his extensively abused Excellency of the White

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

At the clothing stores along Maiden Lane, Park Row, and William and Fulton streets, (nor forgetting our

William street it building up from Chatham street where it now opens, inward; the rubbish is not yet

The widening and repaving of William street, has led, (how, I do not know,) to raising the grade of Frankfort

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

and earth (particular earth) for a revocation of the sentence on the amorous Bishop, and a general white-washing

Walt Whitman to the Editors of The Daily Crescent, 28 September 1848

  • Date: September 28, 1848
  • Creator(s): Walt Whitman
Text:

come before these potent, grave and reverend signors, is that of the admission, on equal terms with whites

Walt Whitman to the Editors of The Daily Crescent, 30 September 1848

  • Date: September 30, 1848
  • Creator(s): Walt Whitman
Text:

Just beyond, glimpses of it appearing through the trees, shows the dirty white of the City Hall; Justice

Walt Whitman to the Editors of The Daily Crescent, 4 October 1848

  • Date: October 4, 1848
  • Creator(s): Walt Whitman
Text:

White, T.

Annotations Text:

White, who were members of the Irish Directory in New York.

Walt Whitman to the Editors of The Daily Crescent, 9 October 1848

  • Date: October 9, 1848
  • Creator(s): Walt Whitman
Text:

Joseph White was nabbed yesterday for attacking a German, at 1 o'clock in the morning, and robbing him

Edwin Williams, of much fame in "Registers" and statistics, for the office of Register of the county.

Walt Whitman to the Editors of The The Daily Crescent, 29 December 1848

  • Date: December 29, 1848
  • Creator(s): Walt Whitman
Text:

While I write, the snow is falling; so softly, so softly, come its pure white flakes!

A Week on the Concord and Merrimack Rivers

  • Date: After 1849; 1849
  • Creator(s): Walt Whitman | Henry David Thoreau | Unknown
Text:

According to Sir William Jones, "Vyasa, the son of Parasara, has decided 4 that the Veda, with its Angas

Walt Whitman to the Editors of The Daily Crescent, 7 January 1849

  • Date: January 7, 1849
  • Creator(s): Walt Whitman
Text:

With their superb white horses—the rims of the dash-boards arching over like the necks of serpents—and

Number I

  • Date: 14 October 1849
  • Creator(s): Walt Whitman
Text:

The firm fine-grained meat, white as snow, and of indescribable sweetness, of a good-sized blue-fish,

Calomel, or mercurial chloride, an odorless, tasteless, yellowish-white mineral paste, was used extensively

Compositor; a typesetter. the flashing of the white bones in the sunlight, and the ornamental flourishes

very voracious creature; so voracious that, instead of a bait, we fasten a piece of bone, or even a white

Annotations Text:

Calomel, or mercurial chloride, an odorless, tasteless, yellowish-white mineral paste, was used extensively

Letters from a Travelling Bachelor–No. II

  • Date: 21 October 1849
  • Creator(s): Walt Whitman
Text:

See Peter Ross and William Smith Pelletreau, A History of Long Island: From Its Earliest Settlement to

As you travel along the roads you see the white tomb-stones, group after group, some far, and some near

Actor and manager William ("Billy") Mitchell (1798-1856) popularized the burlesque theater (also known

Number III

  • Date: 28 October 1849
  • Creator(s): Walt Whitman
Text:

are tenacious of the place, and the places, from the brown sand of Napeague Beach, far east, to the white

Number IV

  • Date: 4 November 1849
  • Creator(s): Walt Whitman
Text:

East New York, spread out as flat as a pancake—Cypress Hills Cemetery, with its white-painted tower,

Number VI

  • Date: 18 November 1849
  • Creator(s): Walt Whitman
Text:

Frederick Beltz, Memorials of the Order of the Garter, from Its Foundation to the Present Time [London: William

Number VII

  • Date: 25 November 1849
  • Creator(s): Walt Whitman
Text:

The Croton Reservoir was demolished in 1899 and replaced by the New York Public Library in 1911 (William

The tall white spire, the prolific tracery and ornament, and fret-work, make one wonder and ask how much

Letter IX

  • Date: 16 December 1849
  • Creator(s): Walt Whitman
Text:

It was a small, white shell. —by modern folks Turtle-hill.

colors, and stones of every conceivable shape, hue, and density, with shells, large boulders or a pure white

reception of Le Dieu et la Bayadere and other European ballet/pantomime performances circa 1840–1860, see William

We hove in sight of the steeples and white-paint of home, and soon after, the spirits we had served deserted

Annotations Text:

It was a small, white shell.; Montauk Point Light, finished in in 1797 and not 1795, as Whitman writes

Of a summer evening a

  • Date: Before 1850
  • Creator(s): Walt Whitman
Text:

—And many 2 a time again approached he to the coffin, and held up the white linen, and gazed and gazed

[My two theses]

  • Date: about 1856
Text:

theses]about 1856poetryhandwritten1 leaf4 x 16 cm pasted to 10.5 x 16 cm; On a small composite leaf of white

[How can there be immortality]

  • Date: about 1855
Text:

]about 1855poetryhandwritten1 leaf4.5 x 14.5 cm; These lines, appearing on a very small section of white

Priests!

  • Date: Between 1850 and 1855
Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Sweet flag

  • Date: Between 1850 and 1855
Text:

of delight" and "tooth prong") probably contributed to the following passage in the same poem: "The white

Robert Chambers

  • Date: Between 1850 and 1860; 1850
  • Creator(s): Walt Whitman | Ludwig Herrig | Robert Chambers
Text:

islands, contains about four hundred thousand inhabitants, of whom only about thirty-seven thousand are white

less populous, the full amount being in each case divided in the same proportions between blacks and whites

Greenport, L. I. June 28th

  • Date: 28 June 1851
  • Creator(s): Walt Whitman
Text:

Lord, formerly member of Congress, Frederick William Lord (1800–1860) lived in Greenport and was a member

came a couple of little black fish; after which a real big one, twenty inches long, opening his great white

Whitman refers to Augusta Jane Chapin (1836–1905), Thomas Baldwin Thayer (1812–1886), and William Stevens

Walt Whitman to William M. Muchmore, 21 October 1851

  • Date: October 21, 1851
  • Creator(s): Walt Whitman
Text:

Muchmore, Member Board of Supervisors for Kings County Walt Whitman to William M.

A Sermon Preached in the Central Reformed Protestant Dutch Church

  • Date: After July 27, 1851; 1851
  • Creator(s): Walt Whitman | Jacob Brodhead
Text:

hundred in all) came over to Massachusetts, in the Mayflower, under the spiritual guidance of Elder William

[med Cophósis]

  • Date: Between 1852 and 1854
Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems Who Learns My Lesson Complete?

"Summer Duck"

  • Date: Between 1852 and 1855
Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

Imagination and Fact

  • Date: 1852 or later; January 1852; Unknown
  • Creator(s): Walt Whitman | ["W.D."] | Anonymous
Text:

from the empty bosom of the grove I hear a sob, as one forlorn might pine— The white-limbed beauty of

Where round their fingers winding the white slips That crown his forehead, on the grandsire's knees,

9th av.

  • Date: between 1854 and 1860
Text:

William White, in his edition of Whitman's Daybooks and Notebooks (New York: New York University Press

noted a relationship between rough drafts of poems in this notebook (called An Early Notebook in White's

Autobiographical Data

  • Date: Between 1848 and 1856
Text:

.00048Autobiographical DataBetween 1848 and 1856prosepoetry10 leaveshandwritten; Photostats, made for William

Ascent of Mount Popocatapetl

  • Date: After March 23, 1854; 23 March 1854
  • Creator(s): Walt Whitman | Gerard Noel | Anonymous
Text:

Mexico, and looking down on the twin volcano (I forget the Mexican name, but in English it means the White

Walt Whitman by Samuel Hollyer, engraving of a daguerreotype by Gabriel Harrison (original lost), 1854

  • Date: July 1854
  • Creator(s): Hollyer, Samuel | Harrison, Gabriel
Text:

Grass, then again in the 1876 and 1881–1882 (and following) editions, as well as—in a cropped version—William

Some of Whitman's friends did not share his enthusiasm for the image; William Sloane Kennedy, for example

William O'Connor liked it, Whitman said, "because of its portrayal of the proletarian—the carpenter,

med Cophósis

  • Date: Between 1852 and 1854
  • Creator(s): Walt Whitman
Text:

Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?

Annotations Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?

Talbot Wilson

  • Date: Between 1847 and 1854
  • Creator(s): Walt Whitman
Text:

anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white

body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white

[The ball-room was swept]

  • Date: about 1860
Text:

12tex.00011xxx.00705The Ballroom was swept and the floor white…[The ball-room was swept]about 1860poetry1

leafhandwritten; Three lines of a poem beginning "The ball-room was swept, and the floor white."

Leaves of Grass (1855)

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

The young men float on their backs, their white bellies swell to the sun . . . . they do not ask who

I shake my white locks at the runaway sun, I effuse my flesh in eddies and drift it in lacy jags.

I see his white body . . . .

white- blow white-blow and delirious juice, Bridegroom-night of love working surely and softly into the

The early lilacs became part of this child, And grass, and white and red morningglories, and white and

Preface. Leaves of Grass (1855)

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

wildpigeon and highhold and orchard-oriole and coot and surf-duck and redshouldered-hawk and fish-hawk and white-ibis

Little or big, learned or unlearned, white or black, legal or illegal, sick or well, from the first inspiration

Leaves of Grass, "I Celebrate Myself,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

sleeps at my side all night and close on the peep of the day, And leaves for me baskets covered with white

And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white

This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of

The young men float on their backs, their white bellies swell to the sun . . . . they do not ask who

I shake my white locks at the runaway sun, I effuse my flesh in eddies and drift it in lacy jags.

Leaves of Grass, "Come Closer to Me,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

sum of all known value and respect I add up in you whoever you are; The President is up there in the White

All architecture is what you do to it when you look upon it; Did you think it was in the white or gray

fruitstand . . . . the beef on the butcher's stall, The bread and cakes in the bakery . . . . the white

Leaves of Grass, "I Wander All Night in My Vision,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

The wretched features of ennuyees, the white features of corpses, the livid faces of drunkards, the sick-gray

and drinking, Laps life-swelling yolks . . . . laps ear of rose-corn, milky and just ripened: The white

I see his white body . . . .

with measureless love . . . . and the son holds the father in his arms with measureless love, The white

hair of the mother shines on the white wrist of the daughter, The breath of the boy goes with the breath

Leaves of Grass, "The Bodies of Men and Women Engirth"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

beauty of person; The shape of his head, the richness and breadth of his manners, the pale yellow and white

white- blow white-blow and delirious juice, Bridegroom-night of love working surely and softly into the

Examine these limbs, red black or white . . . . they are very cunning in tendon and nerve; They shall

Leaves of Grass, "Sauntering the Pavement or Riding the Country"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

unearthly cry, Its veins down the neck distend . . . . its eyes roll till they show nothing but their whites

Off the word I have spoken I except not one . . . . red white or black, all are deific, In each house

soiree, I heard what the run of poets were saying so long, Heard who sprang in crimson youth from the white

She sits in an armchair under the shaded porch of the farmhouse, The sun just shines on her old white

Leaves of Grass, "Clear the Way There Jonathan!"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

Bring down those tossed arms, and let your white hair be; Here gape your smart grandsons . . . . their

Leaves of Grass, "There Was a Child Went Forth Every"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

The early lilacs became part of this child, And grass, and white and red morningglories, and white and

sunset . . . . the river between, Shadows . . aureola and mist . . light falling on roofs and gables of white

Review of Leaves of Grass (1855)

  • Date: 23 July 1855
  • Creator(s): Dana, Charles A.
Text:

conquered, The captain on the quarter-deck coldly giving his or- ders orders through a countenance white

, Near by the corpse of the child that served in the cabin, The dead face of an old salt with long white

All architecture is what you do to it when you look upon it; Did you think it was in the white or gray

ly unearthly cry, Its veins down the neck distend…its eyes roll till they show nothing but their whites

Review of Leaves of Grass (1855)

  • Date: September 1855
  • Creator(s): Norton, Charles Eliot
Text:

White and beautiful are the faces around me…the heads are bared of their fire- caps firecaps — The kneeling

Examine these limbs, red, black, or white… they are very cunning in tendon and nerve; They shall be stript

She sits in an arm-chair, under the shaded porch of the farm house— The sun just shines on her old white

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