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Search : PETER MAILLAND PLAY

1584 results

Whitman: A Study

  • Date: 1902
  • Creator(s): John Burroughs
Text:

his rank aftera time familiar, contemporaneity; you willsurely see the lambent spiritualflames that play

"Oncere I to charge you give play your self.

He presents you the elements of good and evil in himself in vitalfusion and play; your part to how the

Sin, repentance, fear,Satan, hell, Creation had resulted play important parts. in a tragedy in which

Death is the right hand of God, and evil a also. plays necessary part Nothing is discriminated against

Whitman among the Bohemians

  • Date: 2014
  • Creator(s): Levin, Joanna | Whitley, Edward
Text:

Rather, in puffing Whitman, the Saturday Press played at and played with repre- sentations of Whitman

, play-goers, and ye general reader, in a state of utter despair. . . .

“‘Pete the Great’: A Biography of Peter Doyle.”

Gloucester, ma: Peter Smith, 1872. Winter,William.

Feminist Conversations: Fuller, Emerson, and the Play of Reading.

Whitman and World Cultures

  • Creator(s): Caterina Bernardini
Text:

myths—the interminable ballad-romances of the Middle Ages—the hymns and psalms of worship—the epics, plays

A Whitman Chronology

  • Date: 1998
  • Creator(s): Krieg, Joann P.
Text:

"The Play-Ground," a poem about children at play, appears in theEagle. LATE JUNE.

Peter Doyle's brother, police officer Fran cis M.

Whitman sends a postcard greeting to Peter Doyle.

Peter Doyle visits Whitman (DN,2:325). g DECEMBER.

"'Pete the Great': A Biography of Peter Doyle."

Whitman East & West: New Contexts for Reading Walt Whitman

  • Date: 2002
  • Creator(s): Folsom, Ed
Text:

A photo of the actor playing the Whitman figure in The Carpenter.

In the play, the ad- mirers of Whitman are Agatha, Ginny (Merrill’s daughter), and Dr.

Fay Kanin’s original play makes clear that the college is set in Massachusetts.

Price sode treats the Peter Doyle–Whitman relationship.

Pantheism played an increas- ingly important role in shaping his own thought.

Whitman East & West: New Contexts for Reading Walt Whitman

  • Date: 2002
  • Creator(s): Folsom, Ed
Text:

Griffith through Paul Strand and Charles Sheeler and on up to contemporary directors like Peter Weir,

it did not overtly repress or privatize the role that passion, eroticism, sympathy, and love might play

influence to other modernist Chinese writers and discusses Whitman in terms of "the unique role he played

Whitman for the Drawing Room

  • Date: April 1886
  • Creator(s): Anonymous
Text:

Grundy, a term for an extremely conventional or priggish person, refers to a character in the play Speed

This quotation is from a collection of conversations between Goethe and Johann Peter Eckermann.

Annotations Text:

Grundy, a term for an extremely conventional or priggish person, refers to a character in the play Speed

Whitman futur, ou l'avenir à venir: "Poets to Come" in French Translation

  • Creator(s): Éric Athenot | Blake Bronson-Bartlett
Text:

complete French edition of the 1891–92 Leaves of Grass under the title Feuilles d'herbe in 1909, played

intimacy and imaginative coupling between reader and poet usually found in Whitman's poems—and at play

acts unto themselves, which bring new life to the original by transforming and enriching its lexical play

Whitman in France and Belgium

  • Creator(s): Asselineau, Roger
Text:

Bazalgette translated The Wound-Dresser ( Le Panseur de Plaies ) (1917).

In eight hundred finely written pages, she methodically and exhaustively followed the role played by

We shall see later the part played by this same spectacle in the growth of the poem.

We think every great artist is a conscious one and that in every great work of art the part played by

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Whitman in His Own Time

  • Date: 1991
  • Creator(s): Myerson, Joel
Text:

We played ball, but I don't think Walt ever took part in it.

He asso ciated more with the younger scholars, frolicing rather than playing games.

Were the Shakespeare plays the best acting plays? W. said: "That's a superstition-an exaggeration."

In his later publications, I find many passages that were dis played to me in embryo.

Some where in your play or novel let the sunlight in."

Whitman in Russia

  • Creator(s): Stephen Stepanchev
Text:

developed an idiom and a voice of his own, but most Russian critics are quick to agree that Whitman played

poetry mostly through the eyes of Mayakovsky," and he goes on to suggest that Mayakovsky's poems "play

on Whitman in the 1930s and 1940s one can also find a note of genuine affection for a poet who had played

"I believe it is inevitable that the American bard will play an important role in our poetry, too.

Marx was a man who for forty years had played "an inscrutable but puissant part in the revolutionary

Whitman in the British Isles

  • Creator(s): M. Wynn Thomas
Text:

Peters, "Edmund Gosse's Two Whitmans," 11 (1965): 19–21.

the first time, since it was not only England but each of the countries in the British Isles that played

deepest influence on Irish literature was, however, transmitted by different means, through figures who played

Whitman finds himself, and other men and women, to be a compound of soul and body; he finds that body plays

3 To play more steadily than a pendulum; neither hurrying nor delaying, but marking the right moment

Whitman in the German-Speaking Countries

  • Creator(s): Walter Grünzweig
Text:

The poem by Wellbrock (born in 1949), a Berlin-based writer of poems, short stories, and radio plays,

its part and passing on, Another generation playing its part and passing on in its turn, With faces

There played the famous Booth, whom the 15-year-old Whitman had a first chance to see as Richard III.

Gedichte der Nachgeborenen (Wuppertal: Peter Hammer, 1971), 154–155.

Hermann Peter Piwit and Peter Rühmkorf, eds., Literaturmagazin 5. Das Vergehen von Hören und Sehen.

Whitman, Louisa Van Velsor [1795–1873]

  • Creator(s): Ceniza, Sherry
Text:

That is, Whitman could see the role society played in formulating a person's view of self and of others

Whitman Making Books/Books Making Whitman

  • Date: 2005
  • Creator(s): Folsom, Ed
Text:

appearance of his book, and his changes reflect his evolving notions of what role his writing would play

The color shift from green to dark red, burnt orange, or purple is one that Whitman would play on for

He prepared the broadside before contracting with the printer Peter Eckler in New York.

Whitman Noir: Black America & the Good Gray Poet

  • Date: 2014
  • Creator(s): Wilson, Ivy G.
Text:

Sundquist’s To Wake the Nations (1993) and Toni Morri- son’s Playing in the Dark (1992), among others

Vodou ritu- als played an integral role in fomenting the Haitian revolution. C. L. R.

Peter Coviello discusses racial solidarity in Whitman’s antebellum poetry.

Peter Coviello, introduction to Walt Whitman, Memoranda during theWar, ed.

Peter Coviello (New York: Oxford University Press, 2006), xlvi. 14.

Whitman on Grant

  • Date: 26 July 1885
  • Creator(s): Anonymous
Text:

yesterday and turned into the unpretentious thoroughfare called Mickle Street, a freckle faced urchin playing

soldier who traversed camp and field as the conquering head of the army while the Camden poet was playing

sonnet I wrote originally for Harper's: " As one by one withdraw the lofty actors From that great play

Whitman, Poet and Seer

  • Date: 22 January 1882
  • Creator(s): G. E. M.
Text:

fight between Deity on one side and somebody else on the other—not Milton, not even Shakespeare's plays

Whitman Reads New York

  • Creator(s): Kevin McMullen
Text:

calls out to "you precedents," and vows to connect with them, and he describes "[o]ne generation playing

its part and passing on, / And another generation playing its part and passing on in its turn."

The Whitman Revolution: Sex, Poetry, and Politics

  • Date: 2020
  • Creator(s): Erkkila, Betsy
Text:

(New York: Peter Lang, 1998–2003).

Play up there! the fit is whirling me fast.

Whitman and Peter Doyle, ca. 1869. Photograph by M. P. Rice, Washington, DC.

Covielo, Peter. “Intimate Nationality: Anonymity and Attachment in Whitman.”

New York: Peter Lang, 1998–2003. ———. Leaves of Grass: An Exact Copy of the First Edition 1855.

Whitman: The Correspondence, Volume VII

  • Date: 2004
  • Creator(s): Genoways, Ted
Text:

From Peter Eckler. 1865 April 26. From Peter Eckler. January 4. From Dana F. Wright. Berg. May 1.

From Peter Doyle. Trent. November 25. From Louisa Van Velsor September 23. From Peter Doyle.

Schueller and Peters, 2: 201–3. [September?].

Peters, 2: 374–75. November 7. From Peter Doyle. CT: Shive- June 14. From John M. Rogers.

CT: Schueller and Peters, 3: January 6.

Whitman, Thomas Jefferson [1833–1890]

  • Creator(s): Waldron, Randall
Text:

In Jeff's youth, Walt helped him learn to read, played games with him, and stimulated his love of music

Whitman’s “Live Oak with Moss”

  • Date: 1992
  • Creator(s): Helms, Alan
Text:

Granted, other influences played their part in the sea-change that took place in Whitman's life and work

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Whitman’s Drift

  • Date: 2017
  • Creator(s): Cohen, Matt
Text:

Even Whitman’s use of anonymity in the 1855 edition may have drawn upon the games of attribution played

“It seems to me as if it would give the book a formidably scientific appearance,” he hinted, playing

Whitman “played Indian,” taking the pen name of “Paumanok” early in his career.

(Gloucester: Peter Smith, 1972), 2:316–317. 88.

See also Whitman’s image of Dowden, Edward, 116, 117 neglect Doyle, Peter, 32, 143, 149, 218n11 drift

Whitman's Natal Day

  • Date: 1 June 1889
  • Creator(s): Anonymous
Text:

Among the guests present were: Peter V. Voorhees, W. N. Bannard, Isaac C. Martindale, Howard M.

Whitman's New Book

  • Date: 15 October 1882
  • Creator(s): Whitman, Walt, and Sylvester Baxter
Text:

Printing Office—Old Brooklyn…Lafayette…Broadway Sights…My Passion for Ferries…Omnibus Jaunts and Drivers…Plays

The play of imagination, with the sensuous objects of nature for symbols, and faith—with love and pride

He says "there is another shape of personality dearer far to the artist sense (which likes the play of

Whitman's November

  • Date: 27 August 1888
  • Creator(s): Anonymous
Text:

Press About six weeks ago the children on Mickle street, below Fifth street, in Camden, were asked to play

Whitman's November Boughs

  • Date: 8 December 1888
  • Creator(s): Anonymous
Text:

He has taught, as far as his voice has reached, that literature is something more than a playing with

Whitman's pre-Leaves of Grass Marginalia on British Writers

  • Creator(s): Kenneth M. Price
Text:

"Whitman's Anthology of English Literature," Library Notes [Duke University] 50 (1982), 33-34, and Peter

"Whoever You are Holding Me Now in Hand" (1860)

  • Creator(s): Martin, Robert K.
Text:

Underlying Whitman's play is a sense of the opacity and elusiveness of language.

Will W. Wallace to Walt Whitman, 31 October 1868

  • Date: October 31, 1868
  • Creator(s): Will W. Wallace
Annotations Text:

Thompson (1839 or 1840–1911), commonly known as "Snacks" after an amateur role he had once acted in a play

William D. O'Connor to Walt Whitman, 12 July 1888

  • Date: July 12, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 14 April 1888

  • Date: April 14, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Text:

Donnelly has made lately a remarkable discovery—that the two folio editions of the play following the

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 16 May 1888

  • Date: May 16, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 19 August 1882

  • Date: August 19, 1882
  • Creator(s): William D. O'Connor
Text:

have not again written him, being quite satisfied with letting him know what I thought of his fair-play

William D. O'Connor to Walt Whitman, 2 October 1884

  • Date: October 2, 1884
  • Creator(s): William D. O'Connor
Text:

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions

William D. O'Connor to Walt Whitman, 25 July 1888

  • Date: July 25, 1888
  • Creator(s): William D. O'Connor
Text:

He is certainly the winter of my discontent mentioned by Lord Bacon in his play of Richard III.

Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 25 May 1886

  • Date: May 25, 1886
  • Creator(s): William D. O'Connor
Annotations Text:

Elegancies, was the text that was often cited by Baconians as evidence that Bacon was the author of the plays

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 28 August 1882

  • Date: August 28, 1882
  • Creator(s): William D. O'Connor
Text:

I have been much played out this summer, especially the last month.

William D. O'Connor to Walt Whitman, 29 May 1882

  • Date: May 29, 1882
  • Creator(s): William D. O'Connor
Text:

I think John will be delighted with my sword-play.

William D. O'Connor to Walt Whitman, 3 January 1888

  • Date: January 3, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 31 August 1888

  • Date: August 31, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 9 December 1888

  • Date: December 9, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Annotations Text:

She was known for her remarkable ability to inhabit classical roles (in plays by Voltaire, Corneille,

William Douglas O'Connor to Walt Whitman, 17 August 1886

  • Date: August 17, 1886
  • Creator(s): William Douglas O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William H. McFarland to Walt Whitman, 11 November 1863

  • Date: November 11, 1863
  • Creator(s): William H. McFarland
Text:

it is estimated 15,000 Majority for the Union that is the home vote the copperheads are completely played

William M. Evarts to Orville Hickman Browning, 26 February 1869

  • Date: February 26, 1869
  • Creator(s): William M. Evarts | Walt Whitman
Text:

matter of the suspended entries of certain lands at East Laginaw, Mich., by Charles Rodd and Henry Peter

William Michael Rossetti to Walt Whitman, 12 April 1868

  • Date: April 12, 1868
  • Creator(s): William Michael Rossetti
Text:

Perhaps I ought to apologize for saying so much to you about a matter I know plays but the smallest part

William Roscoe Thayer to Walt Whitman, 12 October 1885

  • Date: October 12, 1885
  • Creator(s): William Roscoe Thayer
Text:

in Philadelphia for the beneficient effects wrought by crisp air, blue skies, endlessly fascinating play

William Sloane Kennedy to Walt Whitman, 11–12 May 1889

  • Date: May 11–12, 1889
  • Creator(s): William Sloane Kennedy
Annotations Text:

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

William Sloane Kennedy to Walt Whitman, 19 January 1891

  • Date: January 19, 1891
  • Creator(s): William Sloane Kennedy
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

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